Unless you’re in deep the music way, the name Adrian Belew might not ring a bell. Truth of the matter is that Adrian Belew was the secret weapon to the biggest names in music for the better part of nearly 5 decades; Frank Zappa, David Bowie, Talking Heads, Tom Tom Club, and Trent Reznor are just a handful of artists Mr. Belew lent his skills to on some of the biggest albums of the last 50 years. And that’s not even the most amazing thing about this man. He was the singer/guitarist for the 80s return of King Crimson as well as having a prolific solo career, spending time equally in the experimental and power pop side of things. At 70-years old Adrian Belew shows no signs of stopping. His new album Elevator is a beautiful and clanging ode to his work as both a mad scientist behind the six string, as well as his ability to write gorgeous pop songs in the vein of Lennon/McCartney.

Adrian Belew's flurry of solo material continues with Side Three, the third and final installment in the series. On both Side One and Side Two, Belew seemed completely liberated from any concept of pop aspirations and was free to indulge in his more experimental side. Side Three is no different…

Not that he wasn't busy for the entire time, but the nearly eight years that separated Adrian Belew's solo studio recordings seem to have really recharged his batteries…

By 2005, it had been nearly eight years since Adrian Belew had unleashed an all-new solo studio effort. That's not to say he wasn't busy, though, as he toured/recorded with both King Crimson and the Bears during this time…

Adrian Belew is easily one of rock's most prolific guitarists. He's lent his six-string talents to such notables as David Bowie, Frank Zappa, the Talking Heads, and Nine Inch Nails; played with King Crimson and the Bears; performed as a solo artist; produced bands like Jars of Clay; and wrote songs for others (such as Mariah Carey's "Daydream Interlude")…

As a member of the '80s edition of King Crimson, vocalist-guitarist Adrian Belew established himself as a progressive musician with a quirky stage persona and a head full of ideas…

e or Planet e, as it was originally titled, is roughly divided into five different sections where each one, except for c, is split into one or more sub-sections. According to Adrian Belew the compositions can be listened to as individual pieces of music, but they do interact through the overall theme that binds them together…

"Belewprints" is billed as "The Acoustic Adrian Belew, Volume Two", but its a bit different than the first one. The first record featured pieces with Belew playing acoustic guitar and vocals only, this record features more arranged pieces, with the constraint that all the instruments had to be acoustic (with one exception)…

Op Zop Too Wah is a typically idiosyncratic and entertaining effort from Adrian Belew, demonstrating equal amounts of unparalleled guitar virtuosity and maddeningly pedestrian songcraft. Occasionally, Belew hits upon thrilling compromises between the two extremes, but just as often he meanders, missing his targets as frequently as he hits them…

The Experimental Guitar Series Volume 1: The Guitar as Orchestra is the ninth solo album by Adrian Belew, released in 1995). It was his first all-instrumental/experimental album since 1986's Desire Caught By the Tail…

This short and sweet CD-5 release from Adrian Belew is a rather pleasant addition to his catalog, especially for Belew fans. The disc features Adrian's duets with David Bowie (from the Young Lions CD) and daughter Audie (from Mr. Music Head), but also contains two previously unreleased tracks…

Adrian Belew is one of the world's most underrated guitarists, and his unique talents truly deserve more attention. He's played guitar with Frank Zappa and David Bowie, and also handled lead vocal duties with King Crimson. On his 1994 solo release Here, Belew not only wrote all of the material himself (co-writing one with Ross Rice), he also played every single instrument and served as the album's producer…