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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Vladimir Ashkenazy, Bernard Haitink, Concertgebouw Orchestra - Johannes Brahms: Piano Concerto No. 2 (1984)

    Posted By: ArlegZ
    Vladimir Ashkenazy, Bernard Haitink, Concertgebouw Orchestra - Johannes Brahms: Piano Concerto No. 2 (1984)

    Vladimir Ashkenazy, Bernard Haitink, Concertgebouw Orchestra - Johannes Brahms: Piano Concerto No. 2 (1984)
    EAC | FLAC | Image (Cue & Log) ~ 215 Mb | Total time: 50:58 | Scans included
    Classical | Label: Decca | 410 199-2 | Recorded: 1982

    The Second Concerto is more unitary in manner. There are still occasional moments of hard tone from Ashkenazy, but they are less noticeable here. It’s a nice performance if you like a pretty broad first movement, an energetic but controlled Scherzo, a mellow Andante and a Finale which aims more at grace and good humour than anything climatic. The recording is lively with a touch of glare at times.

    Vladimir Ashkenazy, Bernard Haitink, Concertgebouw Orchestra - Johannes Brahms: Piano Concerto No. 1 (1983)

    Posted By: ArlegZ
    Vladimir Ashkenazy, Bernard Haitink, Concertgebouw Orchestra - Johannes Brahms: Piano Concerto No. 1 (1983)

    Vladimir Ashkenazy, Bernard Haitink, Concertgebouw Orchestra - Johannes Brahms: Piano Concerto No. 1 (1983)
    EAC | FLAC | Image (Cue & Log) ~ 203 Mb | Total time: 48:38 | Scans included
    Classical | Label: Decca | 410 009-2 | Recorded: 1981

    Johannes Brahms was not a composer who showed much confidence early on in his career, at least as far as large-scale orchestral forms were concerned. Take for instance what we know to be his Piano Concerto No. 1, which premiered in 1859. This work began as a sonata for two pianos, and then Brahms considered developing it into a symphony. But the shadow of Beethoven's nine essays in the symphonic form dogged Brahms so much that his First Symphony didn't appear for almost two decades. It finally emerged into this turbulent and elongated D Minor concerto and, despite receiving a fairly frigid reception at its premiere, it is a work that has come to be seen as Brahms' first true large-scale orchestral masterpiece.

    Bernard Haitink, Royal Concertgebouw Orchestra, Amsterdam - Johannes Brahms: Serenades Op. 11 & Op. 16 (1991)

    Posted By: ArlegZ
    Bernard Haitink, Royal Concertgebouw Orchestra, Amsterdam - Johannes Brahms: Serenades Op. 11 & Op. 16 (1991)

    Bernard Haitink, Royal Concertgebouw Orchestra, Amsterdam - Johannes Brahms: Serenades Op. 11 & Op. 16 (1991)
    EAC | FLAC | Image (Cue & Log) ~ 355 Mb | Total time: 75:51 | Scans included
    Classical | Label: Philips | 432 510-2 | Recorded: 1976, 1980

    The two Serenades, Op. 11 and Op. 16, represented two of the earliest efforts by Johannes Brahms to write orchestral music. Recorded with Bernard Haitink at the Concertgebouw in Amsterdam with its own wonderful unique acoustic these serenades never sounded better. First of all, Haitink is supremely competent with a superb baton technique and an almost unmatched ability to balance an orchestra and shape a movement. Second of all, Haitink is a supremely tasteful conductor who never imposes his will on the music through his interpretations, but rather allows the interpretation to arise from the music.

    Royal Concertgebouw Orchestra - Gustav Mahler: Complete Symphonies - The Chief Conductors Edition [15CDs] (2025)

    Posted By: ArlegZ
    Royal Concertgebouw Orchestra - Gustav Mahler: Complete Symphonies - The Chief Conductors Edition [15CDs] (2025)

    Royal Concertgebouw Orchestra - Gustav Mahler: Complete Symphonies - The Chief Conductors Edition [15CDs] (2025)
    XLD | FLAC | Image (Cue & Log) ~ 3,25 Gb | Total time: 13:57:59 | Scans included
    Classical | Label: Concertgebouworkest | # RCO25003 | Recorded: 1939-2016

    In 1903, Gustav Mahler conducted his own work with the Concertgebouw Orchestra for the first time. He was delighted with orchestra, choirs and audiences: "The musical culture of this country is amazing! How these people can listen!" The collaboration with the orchestra lasted until his death in 1911 and established the orchestra's Mahler tradition. Since then, all chief conductors of the RCO have maintained the special relationship with Mahler's music. On May 9, 2025, the RCO opens the Concertgebouw Mahler Festival with Mahler's 1st Symphony under the direction of designated chief conductor Klaus Mäkelä. For this occasion, the Box Mahler - The Chief Conductor Edition appears with all Mahler symphonies of his predecessors Eduard van Beinum, Willem Mengelberg, Bernard Haitink, Riccardo Chailly, Mariss Jansons and Daniele Gatti, including The Song of the Earth and Deryck Cookes version of the 10th Symphony.

    Bernard Haitink, Eduard van Beinum - Handel: Water Music & Music for the Royal Fireworks (1996)

    Posted By: ArlegZ
    Bernard Haitink, Eduard van Beinum - Handel: Water Music & Music for the Royal Fireworks (1996)

    Bernard Haitink, Eduard van Beinum, Royal Concertgebouw Orchestra, Amsterdam - Handel: Water Music & Music for the Royal Fireworks (1996)
    EAC | FLAC | Image (Cue & Log) ~ 317 Mb | Total time: 66:03 | Scans included
    Classical | Label: BELART ‎| 461 336-2 | Recorded: 1958, 1963

    Eduard van Beinum's 1958 account of the Water Music captures the magnificent wind section of the Concertgebouw Orchestra at its early post-War peak, and rather than fuss over every phrase and rhythm, as so many of today's "authenticists" do, Beinum offers lively harmonic and rhythmic support while encouraging his nonpareil players to really enjoy themselves–and do they ever! Listen to the those magnificently brazen but always golden-toned horns at the opening of the Menuet (Pomposo), the brilliant trumpets in the famous Alla Hornpipe, and the soulful oboes and bassoons in their many solo turns (the oboist in the Adagio e staccato deserves a standing ovation for that movement alone).

    Bernard Haitink, London Symphony Orchestra - Anton Bruckner: Symphony No.4 (2011)

    Posted By: ArlegZ
    Bernard Haitink, London Symphony Orchestra - Anton Bruckner: Symphony No.4 (2011)

    Bernard Haitink, London Symphony Orchestra - Anton Bruckner: Symphony No.4 (2011)
    EAC | FLAC | Image (Cue & Log) ~ 252 Mb | Total time: 69:08 | Scans included
    Classical | Label: LSO | # LSO0716 | Recorded: 2011

    Bernard Haitink is internationally renowned for his interpretations of Bruckner and is widely recognized as the world s leading Bruckner conductor. Bruckner s fourth, nicknamed the Romantic, conjures up visions of mediaeval knights, huntsmen and enchanted woodlands, particularly through the prominent use of the horn. One of his most popular pieces, it was treated to many revisions by the composer. This recording features Haitink leading the London Symphony Orchestra in the second version of the 1877/8 Nowak edition (published 1953) with the 1880 Finale.

    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part V (2024)

    Posted By: ArlegZ
    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part V (2024)

    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part V (2024)
    XLD | FLAC | Image (Cue & Log) ~ 6,37 Gb | Total time: 22:40:23 | Scans included
    Classical | Label: Decca | # 485 2737 | Recorded: 1959-2010

    In 1956, Bernard Haitink conducted the Concertgebouworkest for the first time and together they would play more than 1,500 concerts across the globe. Besides his modesty, his humanity, his musical taste, and his honesty to the music, three words come to mind when one thinks of Haitink and his orchestra: Sound, Trust and Magic. Jörgen van Rijen, Principal trombone of the Concertgebouworkest, said at a memorial concert in February this year, “Every time with him [Haitink] the orchestra sounded warmer, deeper and richer, from the first moment he started to rehearse. How he did that is difficult to tell … he always gave us musicians the feeling he trusted you, that he was there to help, not to interfere.”

    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part IV (2024)

    Posted By: ArlegZ
    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part IV (2024)

    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part IV (2024)
    XLD | FLAC | Image (Cue & Log) ~ 7,34 Gb | Total time: 29:19:36 | Scans included
    Classical | Label: Decca | # 485 2737 | Recorded: 1959-2010

    In 1956, Bernard Haitink conducted the Concertgebouworkest for the first time and together they would play more than 1,500 concerts across the globe. Besides his modesty, his humanity, his musical taste, and his honesty to the music, three words come to mind when one thinks of Haitink and his orchestra: Sound, Trust and Magic. Jörgen van Rijen, Principal trombone of the Concertgebouworkest, said at a memorial concert in February this year, “Every time with him [Haitink] the orchestra sounded warmer, deeper and richer, from the first moment he started to rehearse. How he did that is difficult to tell … he always gave us musicians the feeling he trusted you, that he was there to help, not to interfere.”

    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part III (2024)

    Posted By: ArlegZ
    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part III (2024)

    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part III (2024)
    XLD | FLAC | Image (Cue & Log) ~ 5,03 Gb | Total time: 18:10:43 | Scans included
    Classical | Label: Decca | # 485 2737 | Recorded: 1959-2010

    In 1956, Bernard Haitink conducted the Concertgebouworkest for the first time and together they would play more than 1,500 concerts across the globe. Besides his modesty, his humanity, his musical taste, and his honesty to the music, three words come to mind when one thinks of Haitink and his orchestra: Sound, Trust and Magic. Jörgen van Rijen, Principal trombone of the Concertgebouworkest, said at a memorial concert in February this year, “Every time with him [Haitink] the orchestra sounded warmer, deeper and richer, from the first moment he started to rehearse. How he did that is difficult to tell … he always gave us musicians the feeling he trusted you, that he was there to help, not to interfere.”

    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part II (2024)

    Posted By: ArlegZ
    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part II (2024)

    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part II (2024)
    XLD | FLAC | Image (Cue & Log) ~ 7,71 Gb | Total time: 28:00:36 | Scans included
    Classical | Label: Decca | # 485 2737 | Recorded: 1959-2010

    In 1956, Bernard Haitink conducted the Concertgebouworkest for the first time and together they would play more than 1,500 concerts across the globe. Besides his modesty, his humanity, his musical taste, and his honesty to the music, three words come to mind when one thinks of Haitink and his orchestra: Sound, Trust and Magic. Jörgen van Rijen, Principal trombone of the Concertgebouworkest, said at a memorial concert in February this year, “Every time with him [Haitink] the orchestra sounded warmer, deeper and richer, from the first moment he started to rehearse. How he did that is difficult to tell … he always gave us musicians the feeling he trusted you, that he was there to help, not to interfere.”

    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part I (2024)

    Posted By: ArlegZ
    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part I (2024)

    Bernard Haitink Concertgebouworkest - Complete Studio Recordings [113CDs] Part I (2024)
    XLD | FLAC | Image (Cue & Log) ~ 5,45 Gb | Total time: 21:55:11 | Scans included
    Classical | Label: Decca | # 485 2737 | Recorded: 1959-2010

    In 1956, Bernard Haitink conducted the Concertgebouworkest for the first time and together they would play more than 1,500 concerts across the globe. Besides his modesty, his humanity, his musical taste, and his honesty to the music, three words come to mind when one thinks of Haitink and his orchestra: Sound, Trust and Magic. Jörgen van Rijen, Principal trombone of the Concertgebouworkest, said at a memorial concert in February this year, “Every time with him [Haitink] the orchestra sounded warmer, deeper and richer, from the first moment he started to rehearse. How he did that is difficult to tell … he always gave us musicians the feeling he trusted you, that he was there to help, not to interfere.”

    Eliahu Inbal, Igor Markevitch, Bernard Haitink - Pyotr Tchaikovsky: Complete Tone Poems (1994)

    Posted By: ArlegZ
    Eliahu Inbal, Igor Markevitch, Bernard Haitink - Pyotr Tchaikovsky: Complete Tone Poems (1994)

    Eliahu Inbal, Igor Markevitch, Bernard Haitink - Pyotr Tchaikovsky: Complete Tone Poems (1994)
    EAC | FLAC | Image (Cue & Log) ~ 678 Mb | Total time: 141:07 | Scans included
    Classical | Label: Philips | # 442 586-2 | Recorded: 1964, 1967, 1974

    There are some very pleasant surprises here. Not all of this music is top-drawer Tchaikovsky, but the composer also wrote what can only be called very good "bad music." In other words, if something's lacking in melodic charm or formal sophistication, he usually hides it behind a higher-than-average orchestral excitement and hysteria quotient. Fatum is a perfect example: it's slow to get going, but before you know it it's slamming you through the roof on its way to a rousing conclusion, and your overwhelming impression is that you've had a very good time. This may be the weakest work on the disc–all of the others are very good, and a bunch are masterpieces, so if you want all of the Tchaikovsky tone poems in one bargain set, this is a good pick.

    Symphonieorchester Des Bayerischen Rundfunks, Bernard Haitink - Mahler: Orchestral Works (Live) (2024)

    Posted By: Fizzpop
    Symphonieorchester Des Bayerischen Rundfunks, Bernard Haitink  - Mahler: Orchestral Works (Live) (2024)

    Symphonieorchester Des Bayerischen Rundfunks, Bernard Haitink - Mahler: Orchestral Works (Live) (2024)
    WEB FLAC (Tracks) 1,26 GB | Cover | 05:19:49 | MP3 CBR 320 kbps | 736 MB
    Classical | Label: BR-Klassik

    Gerhild Romberger, Bernard Haitink, Bavarian Radio Chorus and Bavarian Radio Symphony Orchestra featuring Augsburger Domsingknaben, Gerhild Romberger (contralto), Juliane Banse (soprano)

    Henryk Szeryng, Ingrid Haebler - Ludwig van Beethoven: The Complete Violin Sonatas Vol. 1 (1995)

    Posted By: ArlegZ
    Henryk Szeryng, Ingrid Haebler - Ludwig van Beethoven: The Complete Violin Sonatas Vol. 1 (1995)

    Henryk Szeryng, Ingrid Haebler - Ludwig van Beethoven: The Complete Violin Sonatas Vol. 1 (1995)
    EAC | FLAC | Image (Cue & Log) ~ 572 Mb | Total time: 02:00:03 | Scans included
    Classical | Label: Philips | # 446 521-2 | Recorded: 1970, 1978

    Beethoven wrote ten sonatas for piano and violin, the best known of which are the "Spring" and the "Kreutzer" sonatas. The fame of these two works has tended to result in neglect of the remaining sonatas. This is unfortunate because Beethoven's remaining eight sonatas for piano and violin include much great music. The set of 10 works is of an appropriate size to warrant exploration of the entire group for those with a passion for the violin or for Beethoven. It includes an appealing mix of familiar and unfamiliar music.

    Bernard Haitink, London Philharmonic Orchestra - Dmitri Shostakovich: Symphonies 1 & 9 (1985)

    Posted By: ArlegZ
    Bernard Haitink, London Philharmonic Orchestra - Dmitri Shostakovich: Symphonies 1 & 9 (1985)

    Bernard Haitink, London Philharmonic Orchestra - Dmitri Shostakovich: Symphonies 1 & 9 (1985)
    EAC | FLAC | Image (Cue & Log) ~ 232 Mb | Total time: 57:24 | Scans included
    Classical | Label: Decca | 414 677-2 | Recorded: 1985

    The 1st and 9th complement each other perfectly, and this original pairing of the 9th with an equally fine performance of the 1st is a delight. The playing and acoustic of the Philharmonic is not as glorious as that of the Concertgebouw in some of Haitink's other Shostakovich recordings, but they acquit themselves quite well, capturing equally the light and the gloom, playfulness and tragedy, lyricism and satire that run through these both works.