Rounding up all the B-sides, demos and rarities Ocean Colour Scene released over the course of 1996, when the band was riding the crest of their popularity, B-Sides: Seasides & Freerides, for all its inconsistency, illustrates the depth of their ambition, as well as their flaws. Primarily comprised of acoustic material, including a demo of "The Circle" and a fine, stripped-down version of "The Day We Caught the Train," the 16 tracks on B-Sides can tend to sound a little samey, but when the group branches out to the neo-prog-rock of the very English "Huckleberry Grove" or to the funky instrumental "Chicken Bones and Stones," they sound better than ever, and a couple of early songs by the pre-Ocean Colour Scene band the Fanatics are interesting.

Live at the Astoria is a live concert video from English alternative rock group Radiohead's concert at the London Astoria venue on 27 May 1994, released on 13 March 1995 to VHS, and later to DVD in 2005. The concert is notable for its collection of songs being heard then for the first time. These songs would not appear until the release of The Bends, ten months later. It is Radiohead's only concert home video to date, not including the From the Basement DVD which is a live performance recorded in a studio rather than in front of an audience. The DVD edition of Live At The Astoria, digitally restored and remastered, was released on 21 November 2005 in Europe and on 22 November 2005 in North America. To be included on the bonus discs of the collector's editions of Pablo Honey and The Bends, the concert was split between the two. "You", "Ripcord", "Creep", "Prove Yourself", "Vegetable", "Stop Whispering", "Anyone Can Play Guitar", "Pop is Dead" and "Blow Out" were included on the re-release of Pablo Honey. Whereas "Bones", "Black Star", "The Bends", "My Iron Lung", "Maquiladora", "Fake Plastic Trees" "Just", and "Street Spirit (Fade Out)" featured on the re-release of The Bends.

A 15-track collection of the band s singles, videos and remixes, The Singles Collection: 2001-2011 celebrates 10 years of audio visual innovation and three studio albums from the most successful virtual band in the world ever.

OK Computer is the third studio album by the English alternative rock band Radiohead, released in 1997 on Parlophone and Capitol Records. Four songs from the album – "Paranoid Android", "Karma Police", "Lucky" and "No Surprises" – were released as promotional singles. The album expanded Radiohead's worldwide popularity and has sold over eight million copies worldwide to date. In 2003, the album was ranked number 162 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time. "Special Edition" in deluxe, lift-top box packaging, includes both audio discs and adds a DVD with a variety of promotional music videos, TV performances and filmed concert performances, as well as a series of postcards.

Moody alternative rockers of the 1990s, feted by the British press, held to cult status in US. Collection includes: 'Attack Of The Grey Lantern' (1997); 'Six' (1998) Japanese Edition; 'Little Kix' (2000) Japanese Release.

BE is the second and final studio album by English rock band Beady Eye, released on 10 June 2013. It was recorded between November 2012 and March 2013. The album was produced by Dave Sitek who has previously produced records for Yeah Yeah Yeahs, TV on the Radio and Jane's Addiction. BE debuted at number two on the UK Albums Chart behind Black Sabbath's 13. Despite receiving mixed reviews from contemporary critics, BE is considered by many fans to be an improvement from their debut album, Different Gear, Still Speeding and is notable for showcasing a rare experimental approach which departs from the sound of previous Beady Eye and Oasis albums.

Pioneering Brit-pop band known both for its stylish sound and vocalist Jarvis Cocker's lyrical obsessions (sexual foibles, working-class misfits). Collection includes: His 'N' Hers (1994); Different Class (1995); This Is Hardcore (1998); We Love Life (2001).

Glasgow-based melodic indie rock band from the early 1990s, featuring flecks of dance rock and punk. Collection includes: Hang Ten! (1987); This Is Our Art (1988); Lovegod (1990); Hotwired (1992); Hydrophonic (1994).

This is Music: The Singles 92–98 is a singles compilation album by the English alternative rock band The Verve. The compilation was released in November 2004 and included two previously unreleased tracks: "This Could Be My Moment" and "Monte Carlo". The album was named after a track by the same name off their 1995 album A Northern Soul. The album cover is based on the cover of their 1992 single, "She's a Superstar".

Few bands in the '90s Brit-pop scene carried as much melodramatic weight as Suede. Singles, despite its generic moniker, does an excellent job illuminating the fact that Bernard Butler and Brett Anderson were far more David Bowie and Mick Ronson than the oft-cited Morrissey/Johnny Marr press quips would have you believe. The group's penchant for neo-glam excess and apocalyptic grandstanding inundated their entire time line, from 1992's "Animal Nitrate" and "Metal Mickey" all the way through to 2002's New Morning, despite the switching out of Butler for the flashier Richard Oakes. While the group's 1993 debut and 1994 follow-up Dog Man Star remain required listening for anyone with even a passing interest in the scene, this collection, paired with 1997's Sci-Fi Lullabies, presents a near perfect picture of one of the late-'90s most underrated acts.

Peasants, Pigs & Astronauts is the second album by the British indie and psychedelic rock band Kula Shaker. The album was released on 8 March 1999 and reached #9 in the UK Albums Chart, during a chart stay of 10 weeks. It was less successful in the U.S., however, where it failed to break into the Billboard 200 album chart. Peasants, Pigs & Astronauts was re-released in a 10th Anniversary, 2 CD edition on 20 January 2010. The 10th Anniversary edition included an expanded running order for the original album, with the outtake song "Strangefolk" included, as the band originally intended. It also featured previously unreleased demos, alternate versions of songs, and new artwork.

Beady Eye are an English rock band formed in 2009. The band consists of vocalist Liam Gallagher and guitarists Gem Archer and Andy Bell, formerly of Oasis, rounded by drummer Chris Sharrock who substituted for Oasis during their last tour in 2008/2009, before Oasis broke up after chief songwriter and lead guitarist Noel Gallagher quit acrimoniously in August 2009. Japanese original edition of "Diferrent Gaar, Still Speeding" release from Beady Eye including two bonus tracks and more for 15 tracks total. This edition comes with a bonus DVD featuring the concert on March 13, 2011, containing 12 songs in 52 minutes, and music videos including the lastest one "The Beat Goes On." Comes with lyrics. Digipak.

To celebrate the 21st anniversary of their debut release, Blur s classic follow-up album Modern Life Is Rubbish has now been remastered from the original tapes by Frank Arkwright (The Smiths, Arcade Fire, New Order, Joy Division), with the remastering overseen by legendary original producer, Stephen Street. The Modern Life Is Rubbish Special Edition finally unites the non-album single Popscene (which was recorded whilst tracks from the album were being demo ed) with a Blur studio album. Also included in the accompanying bonus disc are all the Popscene, For Tomorrow and Chemical World b-sides (amongst which are nestled the Visit To Primrose Hill Extended Version of For Tomorrow, a reworked version of Chemical World and a cover of the Rod Stewart classic Maggie May. Completing the bonus disc are the b-sides to The Sunday Sunday Popular Community Song CD, (the official title of the main Sunday Sunday single release), the music-hall style covers of Daisy Bell and Let s All Go Down The Strand.

Alone with Everybody is the first solo album by English singer-songwriter Richard Ashcroft, released in June 2000. The songs "A Song for the Lovers", "C'mon People (We're Making It Now)" and "New York" were initially recorded with the Verve for their 1997 album Urban Hymns, but were never released. The two bonus tracks feature on the Japanese version of the album.

Elastica's debut album may cop a riff here and there from Wire or the Stranglers, yet no more than Led Zeppelin did with Willie Dixon or the Beach Boys with Chuck Berry. The key is context. Elastica can make the rigid artiness of Wire into a rocking, sexy single with more hooks than anything on Pink Flag ("Connection") or rework the Stranglers' "No More Heroes" into a more universal anthem that loses none of its punkiness ("Waking Up"). But what makes Elastica such an intoxicating record is not only the way the 16 songs speed by in 40 minutes, but that they're nearly all classics. The riffs are angular like early Adam & the Ants, the melodies tease like Blondie, and the entire band is as tough as the Clash, yet they never seem anything less than contemporary.