'C'mon You Know' follows the huge success of Liam's previous studio albums 'As You Were' (2017) and 'Why Me? Why Not.' (2019), which established his iconic status for a whole new generation. Deluxe edition features limited edition card packaging with bonus tracks.

Like Stanley Road before it, Heavy Soul is more about vibe than songs. There are a few sharply written tracks here and there, but what's important is the rootsy, stripped-down atmosphere. Paul Weller's soul and R&B influences reign supreme on Heavy Soul, yet they are filtered through late-'60s psychedelia, blues-rock and prog folk, as he takes songs into extended instrumental jams. The band sounds tight, but Weller has suffered a bit of a songwriting slump, which is evidenced by the handful of keepers that form the core of the album. "Up in Suze's Room" is a hazy, folky gem, the soulful apology "I Should Have Been There to Inspire You" is affecting, and "Peacock Suit" is a fine "Changing Man" rewrite, but too much of Heavy Soul is concerned with texture instead of content. That doesn't make it a difficult listen – in fact, it's quite entertaining while it's playing – but there isn't much to explore on repeated plays.

Standing on the Shoulder of Giants is the fourth studio album by the English rock band Oasis, released on 28 February 2000. The album is the 16th fastest selling album in UK chart history, selling over 310,000 copies in its first week. The album is an effective modern psychedelic record complete with drum loops, samples, electric sitar, mellotron, synthesizers and backward guitars, resulting in an album more experimental with electronica and heavy psychedelic rock influences. Songs such as "Go Let It Out", the Indian-influenced "Who Feels Love?", and the progressive "Gas Panic!" were a departure from the band's earlier style.

To celebrate the 21st anniversary of their debut release, Blur s eponymous fifth album has now been remastered from the original tapes by Frank Arkwright (The Smiths, Arcade Fire, New Order, Joy Division), with the remastering overseen by legendary original producer, Stephen Street. Continuing the trend, Blur went straight in at No 1 on its release in February 1997, as had Parklife and The Great Escape before it. Representing a musical evolution for the band, the album is home to two of Blur s biggest hits in Beetlebum and Song 2. B-sides taken from all formats of these two singles are included in the accompanying Blur Special Edition bonus disc, along with b-sides from the album s fourth single M.O.R. Also included on the bonus disc is a 7 mix of Death Of A Party by Adrian Sherwood, the Dust Brothers produced Cowboy Song (which featured on the Dead Man On Campus soundtrack), four acoustic live tracks recorded at Viva Niteclub (previously only released on the German-only version of the M.O.R. single) and three live tracks recorded at MC Vredenburg, Utrecht, Netherlands, which were only previously released on the Netherlands-only version of the album.

After the ludicrous props (Rolls Royce, clock, phone box) that cluttered the stage of their uncomfortable Be Here Now tour, the year 2000 saw Oasis wisely dispense with the theatrics and concentrate on being the world's greatest stadium pub rock band. And so, with just three mammoth video walls for company, they toured the stadia of the world. Big as the video screens were, there was little to see. Instead the drama, tension and entertainment of the Standing On The Shoulder Of Giants tour lay in just two simple things: the band's straight-ahead rock and Liam Gallagher's mouth. Joyously, fine examples of both were recorded when they played Wembley Stadium. Musically, Oasis make good their claims to be the biggest and the best, with "Supersonic", "Shakermaker", "Cigarettes & Alcohol" and "Live Forever" rocking like the pub classics they are.

To open this oddball supergroup's debut, Paul Simonon hints at "Guns of Brixton," and when Tony Allen's flex rhythms come in, there's a shadow of Fela Kuti, too. Then Damon Albarn's slow grit of a voice enters–framed by Simon Tong's flecked guitar. And collectively, The Good, the Bad, & the Queen is quickly sui generis, adamantly different than anything you think you've heard. A band with this much power has at least two options: to cut loose raucously or to mute their overt power for a more covert, dub-inflected atmospheric potency. Smartly, Albarn and his crew opt for the half-light of elastic bass lines, the clouds between the parentheses of drums–the covert. It's not until "Kingdom of Doom," the erstwhile 'single' of the album, that motion expands beyond the languorous. And even then, Tony Allen largely sits out. You get the full flush of Simonon and Allen on "Three Changes" shuffling time even while holding the tempo to a dubbish gait. It's not Blur, the Clash, Fela, the Verve, or Gorillaz. It's more than just names on albums.

Brilliant compilation featuring 20 of the finest cuts by this band, led by singer/songwriter/producer Ian Broudie. Features two new tracks, 'Song For No One' and 'Tables Have Turned' alongside classics such as 'Pure', 'Lucky You', 'Live Of Riley' and their infamous World Cup anthem '3 Lions'.

OK Computer is the third studio album by the English alternative rock band Radiohead, released in 1997 on Parlophone and Capitol Records. Four songs from the album – "Paranoid Android", "Karma Police", "Lucky" and "No Surprises" – were released as promotional singles. The album expanded Radiohead's worldwide popularity and has sold over eight million copies worldwide to date. In 2003, the album was ranked number 162 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time. "Special Edition" in deluxe, lift-top box packaging, includes both audio discs and adds a DVD with a variety of promotional music videos, TV performances and filmed concert performances, as well as a series of postcards.

Incredible four CD box set filled with influential and diverse U.K.-based Indie Pop and Rock acts that emerged from Great Britain in the broad wake of '80s Post-Punk. The Brit Box features all of the styles that wormed their way into the hearts of the music lovers during the late '80s, all through the '90s and beyond including Indie, Shoegaze, Baggy and Brit-Pop. While many artists featured here enjoyed superstar status in Mother England, their impact on U.S. charts was more peripheral but their stylistic imprint and collective uber-hip peer-pressure on late 20th century popular music overall is undeniable. With the respect given the '60s-era British Invasion in countless other compilations, Rhino's new trans-Atlantic ocean liner-sized box shaped to resemble a vintage UK phone booth with real flickering lights champions close to 80 independent acts that didn't so much reject mainstream musical sensibilities as spin it in their own fashion for hits that defined cool. Lovingly compiled with true oh to be in England spirit, Rhino hails Britannia with over five hours of tastemaker tracks.

You Cross My Path is the tenth album by British alternative rock band The Charlatans, released on March 3, 2008. The album's cover art is drawn by Faris Badwan of The Horrors.

The A&M Years is a forthcoming 8CD box set featuring ’90s British band Dodgy. The box features 128 tracks, including the three studio albums The Dodgy Album, Homegrown and Free Peace Sweet. Each album comes a disc of bonus tracks and two bonus CDs offer live cuts and remixes.

Us and Us Only picks up where Tellin' Stories left off and twists that album's virtues around. Where that record was essentially a stripped-down, straight-ahead collection, Us and Us Only dresses up the band's continually impressive songcraft in a moody atmosphere, borrowed in equal parts from Blonde on Blonde, Beggars Banquet, and the Chemical Brothers. The album unfolds in a haze of keyboards and subdued beats, and this murky veil never really lifts throughout the record, even as harmonics and acoustic guitars break through the mist every once and a while. Consequently, the album can initially seem a little amorphous, albeit intriguingly amorphous, filled with deep grooves and tantalizing sonic textures. Repeated plays reveal that Us and Us Only is merely a step below their previous high point of Tellin' Stories. If nothing is as immediately grabbing as "North Country Boy" or "One to Another," that's not a problem, since nearly every song works its charms with subtle grace and considerable muscle. "Forever" soon reveals itself as a minor masterpiece of swirling menace and swagger, while the Dylan inflections of "A House Is Not a Home" and "My Beautiful Friend" seem natural instead of grandstanding.

Ultimate Rock: 72 of the biggest rock anthems and harder to find rarities across 4 CDs, all housed in a fold out cardboard digi-pack sleeve. Alice Cooper, Argent, Blue Oyster Cult, Kansas, Judas Priest, Mott The Hoople, David Bowie, Primal Scream, Meat Loaf, The Stranglers, Santana, Manic Street Preachers, Jeff Buckley, Ted Nugent, Joe Satriani, Al Stewart, Cheap Trick, Spirit, Johnny Winter, The Guess Who, Fleetwood Mac and more, and more…

Collection includes: Placebo (1996); Without You I'm Nothing (1998); Black Market Music (2000); Sleeping with Ghosts (2003); Meds (2006).

James are an English rock band from Manchester, who were formed in 1982 and enjoyed popularity throughout the 1990s. The band's best-known singles include "Come Home"; "Sit Down"; "She's a Star" and "Laid", which also became a hit on American college radio. Following the departure of lead singer Tim Booth in 2001, the band became inactive, but reunited in January 2007 and has gone on to produce a further six albums. James's hit single "Come Home" was voted the greatest ever Manchester anthem in a radio poll. Live performance has continually remained a central part of the band's output. As of 2010, the band had sold more than 25 million albums worldwide. Collection includes: Stutter (1986); Strip-mine (1988); Gold Mother (1990); Seven (1992); Laid (1993); Wah Wah (1994); Whiplash (1997); Millionaires (1999); Pleased To Meet You (2001); Hey Ma (2008); The Morning After / The Night Before (2010) 2EPs.