Five years ago, after Dave Koz and Friends released Summer Horns—the GRAMMY-nominated album that paid tribute to classic songs featuring killer horn sections—all that the musicians could think about was how much fun they’d just had. They toured behind the album during the summer of 2013, then vowed to spend the following summer doing it all over again.

Since his self-titled 1990 smash debut, Dave Koz has been one of smooth jazz's greatest musicians. The saxman scored big on the radio and in retail even when he turned away from his established R&B/pop sound on 1996's Off the Beaten Path, which was done with more acoustic instruments. The Dance brings him back to the hard-hitting R&B funk sounds of that first album and its follow-up, 1993's Lucky Man. Aside from reuniting him with some of the producers who worked on his debut – Jeff Lorber, Carl Sturken, Evan Rogers, and his brother Jeff Koz – The Dance is a true testament to the art of collaboration.

Conceived and recorded entirely under the umbrella of COVID-19, A New Day is a deeply comforting yet forward-thinking 11-track collection (with one bonus track on the physical CD. A New Day features collaborations with David Sanborn on "Side by Side", Brian McKnight and Earth, Wind & Fire percussionist Ralph Johnson (on "Summertime in NYC"), Bob James, Marc Antoine, Meshell Ndegeocello (playing bass on the album's only cover song, the Beatles' "Yesterday"), Paul Jackson, Jr., Jeff Lorber, David Mann, Antwaun Stanley (of funk band Vulfpeck), Philippe Saisse and Chris "Big Dog" Davis.

There is a strange but beautiful irony that occurs when an artist writes a great song upon the death of a loved one. Doubtful that Brian Culbertson was aiming for one of Somethin' Bout Love's (Atlantic) most emotionally rich tunes when he wrote the powerful gospel of "I'm Gonna Miss You" for his late manager Howard Lowe II, but he and co-writer/vocalist Lori Perry achieve just that. Unlike similar tunes in American culture that come across as generic, the poignant lyrics are specific to the artist-manager relationship, adding to the tune's uniqueness.

A Celebration of Diversity Presented in Honor of the 50th Anniversary of the United Nations.

Saxophonist Dave Koz has become one of the most successful and beloved instrumentalists of his time, and helped establish smooth jazz as a musical force to be reckoned with. His career catapulted with 1993's Lucky Man, one of Koz' slickest and most commercial releases (which is not a bad thing by any means) to date. The album has an undeniably crisp and clean feel, akin to the color schemes used in the artwork. The musical styles range from funky and peppy, as in the opening "Shakin' the Shack," "Silverlining," and the evergreen "You Make Me Smile," to tender and sweet, as in "Faces of the Heart," "Lucky Man," and "Tender Is the Night," which features hypnotic vocals courtesy of Phil Perry.

Since his self-titled 1990 smash debut, Dave Koz has been one of smooth jazz's greatest musicians. The saxman scored big on the radio and in retail even when he turned away from his established R&B/pop sound on 1996's Off the Beaten Path, which was done with more acoustic instruments. The Dance brings him back to the hard-hitting R&B funk sounds of that first album and its follow-up, 1993's Lucky Man…

The first collaboration between guitarist Cory Wong and alto saxophonist Dave Koz, 2021's ebullient and funky Golden Hour maximizes the best aspects of each performer. An established crossover jazz star, Koz has a style that brings together pop lyricism with a rhythmically infectious brand of R&B. Wong, a prolific artist in his own right, has worked on a variety of genre-bending projects, including albums with funk collective Vulfpeck and keyboardist Jon Batiste, with whom he recorded the Grammy-nominated 2020 new age album Meditations. Produced by Wong, Golden Hour finds the duo bringing all of their previous experience to bear on a set of original, primarily instrumental songs. Backed by a full rhythm section and horns, Koz and Wong's music evokes a classic, late-'70s and early-'80s soul vibe, but with a sleek, contemporary energy.