Tina Live in Europe is the first live album by Tina Turner, released on Capitol Records in 1988. The album is compiled of live performances made between 1985 and 1987, the majority of which are from Turner's Break Every Rule World Tour but also from the 1985 Private Dancer Tour, as well as the 1986 Tina Turner: Break Every Rule HBO special recorded in London at the Camden Palace (now Koko), masquerading as Le Club Zero in Paris, also released on video. The double album reached #8 in the UK Albums Chart. In 1989 the album won a Grammy Award for Best Female Rock Vocal Performance. The double CD version of Tina Live in Europe includes four bonus songs not featured on the original double vinyl album.

This CD is the audio soundtrack to the long, out of print US only released VHS video from 1984 called Pink Floyd's David Gilmour which was recorded and filmed at The Hammersmith Odeon in London in April of 1984. This classic 1984 concert was recorded and filmed towards the end of Gilmour's 1984 European leg of his first solo tour in support of his 1984 album About Face and sees Gilmour joined by an all-star band featuring Bad Company lead guitarist Mick Ralphs, ex-Manfred Mann drummer Chris Slade (who would join The Firm with Jimmy Page and Paul Rodgers after the US leg of the About Face Tour ended in the summer of 1984 and he would later join AC/DC), longtime Pete Townshend percussionist Jodi Linscott, keyboard player Gregg Dechart (a Canadian who had played for awhile in Uriah Heep), bass player Mickey Feat (who had just played on the first Fastway album (the band formed by ex-Motorhead guitarist Fast Eddie Clarke) before joining Gilmour's band) and saxophonist Raphael Ravenscroft and they deliver a blistering performance.

Nick Mason is one of the biggest selling artists of all time. A co-founding member of Pink Floyd, he is the only constant member of the group, performing on all of their albums as well as all of their live shows. Unattended Luggage is a further celebration of Nick Mason and his undeniably significant contribution to music. The set contains: ‘Fictitious Sports’ - Nick’s debut solo album which was originally released in 1981 and saw him collaborate with a variety of different musicians including Robert Wyatt and Carla Bley. ‘Profiles’ - A collaboration with 10cc guitarist Rick Fenn, it was Nick’s second album outside of Pink Floyd and was released in 1985 as ‘Mason + Fenn’. This is a mainly instrumental album except for tracks ‘Lie for a Lie’, which features vocals from Maggie Reilly and former bandmate David Gilmour and ‘Israel’, sung by UFO keyboardist Danny Peyronel. ‘White of the Eye’ - A soundtrack for a British thriller movie of the same name, Nick once again collaborated with Rick Fenn. Originally released in 1987, in conjunction with the film's release, this is the first time the record has been made available for over 20 years, and the first time it will appear on CD.

If you are a fan of Alice Cooper's first album "Pretties For You" you will love this. It consists of live versions of songs from that album plus a live version of "Nobody Likes Me", a song from the same period that has turned up in demo form on the "Old School" and "Life And Crimes…" box sets. The sound quality of the recording is great and highlights the band in all their early glory. In 1969 Alice Cooper was of course a band (not just a singer) and they hadn't yet met producer Bob Ezrin who transformed them into the Alice Cooper most people will know better - "I'm Eighteen", "School's Out", "Elected" and so on. For those of us who love "Pretties For You" and "Easy Action" it is an essential purchase.

After achieving a reluctant Top Ten hit with a rock version of the traditional Irish pub ballad "Whiskey in the Jar," Thin Lizzy began work on Vagabonds of the Western World – their third, and ultimately last album for Decca Records. The single's surprise success gave the band bargaining power to demand more money and time to record, resulting in their first sonically satisfying album. The environmentally-conscious R&B of "Mama Nature Said" kicks things off with Eric Bell leading the way on slide guitar. The overblown "The Hero and the Madman" and the tepid "Slow Blues" threaten to derail the proceedings, but all is well again when the band break into their first bona fide classic "The Rocker."

Swapping out his rhythm section, Andrew Stockdale proves beyond a shadow of a doubt that he's the mastermind of Wolfmother on Cosmic Egg, creating a second record that is essentially a replication of the first, equally enamored with all the thick, heavy rock of the '70s, specifically Sabbath and Zeppelin, tempered with a little bit of Jack White caterwaul. All the sounds remain the same, but the songs have changed: with the occasional exception, such as the Stripes-ian salute "White Feather," Stockdale backs away from simple, brutal riff-driven songs, preferring churning exercises in heavy fantasy, sometimes colored with some Deep Purple organ.

Japanese only remix album, compiled from tracks previously available on Children Of The Revolution (Tony Visconti '87 Remix) and Get It On (Tony Visconti 87 Remix). Erratum: "Cadilac" is incorrectly titled "Cadillac" - Bolan always spelt it with one 'l'.