The Atlantic Jazz series continues with this slice of mostly '60s jazz-soul treats. Fittingly, the 11-track disc includes a side by one of the prime progenitors of soul, Ray Charles: He and MJQ vibraphonist, Milt Jackson, stretch out on the canonized "How Long Blues." Further expounding on the soul-jazz trajectory, the collection spotlights work by organist Shirley Scott (the Aretha Franklin hit "Think"), Les McCann and Eddie Harris (their classic Montreux Festival cut "Compared to What"), Yusef Lateef ("Russell and Elliot"), and Hank Crawford ("You're the One"). And there's even a bit of boogaloo-enhanced bossa, compliments of trumpeter Nat Adderley ("Jive Samba"). The soundtrack to your next retro-cool shindig.

Weather Report is generally regarded as the greatest jazz fusion band of all time, with the biggest jazz hit ("Birdland") from the best jazz fusion album (1977's Heavy Weather). But the group's studio mastery sometimes overshadows the fact that it was also a live juggernaut – so don't overlook the outstanding live and studio album from 1979, 8:30. This was a rare quartet version of Weather Report, with co-leaders in keyboardist Joe Zawinul and saxophonist Wayne Shorter. The bassist was the inimitable Jaco Pastorius, the drummer a young Peter Erskine. Pastorius is otherworldly on early gems like "Black Market," the breakneck "Teen Town," and his solo showcase, "Slang" (in which he quotes Jimi Hendrix's "Third Stone from the Sun"). Shorter is most involved on the CD's slower pieces like "A Remark You Made," "In a Silent Way," and his own solo piece, "Thanks for the Memory"; Zawinul and Erskine shine on the swinging version of "Birdland" and roller coaster ride of the "Badia/Boogie Woogie Waltz" medley. Four studio tracks (composing what was side four of the original album version) close 8:30 with a flourish – and some surprises.

This transitional recording sees Joe Zawinul moving from the role of jazz pianist to that of a synthesist in the broad sense of the word. The recording, made up of advanced hard bop and post bop themes, includes - with varying degrees of cohesion - passages for cello and violas. The strings never completely meld with the jazz instrumentation, but they also don't get in the way. The title suggests Zawinul sees little value in partitioning music under such headings as "Third Stream" (a rubric for the fusion of jazz and classical music). This view would be famously exemplified in the influential projects with which Zawinul would soon be involved. Zawinul sticks with acoustic piano except for "Soul of a Village", where he improvises in a soul-jazz vein on Fender Rhodes over the tamboura-like droning of a prepared piano…

A beautiful fusion of Joe Zawinul's roots in the groups of Miles Davis and Cannonball Adderley - a set with some of the far-reaching jazz ideas of the former, and much of the soulful subtleties of the latter! The album features Joe on electric piano throughout, playing alongside Herbie Hancock in a twin-piano style that's quite spacious, and filled with slow-building, long-flowing lines! Other players include Woody Shaw on trumpet, Earl Turbington on soprano sax, George Davis on flute, Miroslav Vitous and Walter Booker on drums, and Joe Chambers, Billy Hart, and David Lee on a range of percussion. All these elements are used slowly, and sparingly - brought in with a style that's modern, but in a gentle sort of way - not as over the top as some of the work that Joe cut with Miles at the end of the 60s - and almost a more sensitive, compositional approach to the same territory of music.

Scott Kinsey’s connection to the music of Joe Zawinul and Weather Report is undeniable and hardly new to even casual partakers of the keyboardist’s work. As Kinsey explains, the pull was there from the beginning: “Joe was an innovative improviser, composer, and conceptualist but for me, especially so as the first jazz synthesist I had ever encountered. His electric keyboard work was showing us the future, note by note.”

Weather Report's biggest-selling album is that ideal thing, a popular and artistic success – and for the same reasons. For one thing, Joe Zawinul revealed an unexpectedly potent commercial streak for the first time since his Cannonball Adderley days, contributing what has become a perennial hit, "Birdland." Indeed, "Birdland" is a remarkable bit of record-making, a unified, ever-developing piece of music that evokes, without in any way imitating, a joyous evening on 52nd St. with a big band. The other factor is the full emergence of Jaco Pastorius as a co-leader; his dancing, staccato bass lifting itself out of the bass range as a third melodic voice, completely dominating his own ingenious "Teen Town" (where he also plays drums!). By now, Zawinul has become WR's de facto commander in the studio; his colorful synthesizers dictate the textures, his conceptions are carefully planned, with little of the freewheeling improvisation of only five years before. Wayne Shorter's saxophones are now reticent, if always eloquent, beams of light in Zawinul's general scheme while Alex Acuña shifts ably over to the drums and Manolo Badrena handles the percussion.

2007 five CD set, a great installment in Sony/BMG's Original Album Classics series that brings together rare and out of print titles with some best sellers from the Sony/BMG Jazz catalog. Many of these albums have been unavailable on CD for some time and are sought after by collectors. Each set is presented in a high quality, rigid cardboard slipcase containing five 'vinyl replica' mini LP sleeves. This collection from the Jazz fusion greats features the albums I Sing the Body Electric, Sweetnighter, Mysterious Traveller, Black Market and Night Passage.

Live and Unreleased is a compilation of live recordings of Weather Report. The tracks are taken from live performances that took place from November 25, 1975 to June 3, 1983. Since its skill at live improvisation made up a large part of the band's appeal, its perhaps surprising that this is only their third official live recording (the previous two were 1972's Live in Tokyo and 1979's 8:30).

In 1986, after sixteen years at the helm of Weather Report, Joe Zawinul stepped out with Dialects. The album was also the first solo disc since 1970 by the multi-keyboardist/synthesizer visionary/composer-arranger. As its title suggests, Dialects drew on various music tongues from around the globe.

Joe Zawinul was a fantastic composer, musical visionary who pioneered the use of electric piano/synthesizers in modern music. He composed the soul jazz hit Mercy Mercy Mercy for Cannonball Adderly. In a Silent Way (1969) and Pharaoh's Dance for the seminal album Bitches Brew (1970) for Miles Davis and formed the Jazz Rock Fusion Band Weather Report with saxophonist/composer Wayne Shorter in 1970. After the demise of WR he formed his own world fusion band called The Zawiful Syndicate in 1988 and recorded three albums.

This version of the Zawinul Syndicate could swing harder than any Zawinul-led unit since the heyday of Weather Report, as this two-CD set – taken from three concerts in Berlin and Trier, Germany – triumphantly illustrates. Small wonder, for the lineup of the Syndicate looks almost like a Weather Report alumni gathering, with Zawinul, the brilliant percussionist Manolo Badrena from the 1977 Heavy Weather band, and bassist Victor Bailey, from the great '80s global-funk edition forming a quorum, with Paco Sery on drums and Gary Poulson on guitar filling out the ranks.

A new Weather Report lineup makes its debut here, with Victor Bailey filling Jaco Pastorius' shoes, Omar Hakim on drums, Jose Rossy on percussion, and Joe Zawinul now thoroughly in charge. But contrary to the conventional wisdom which claims that WR went downhill after the departure of Pastorius/Erskine, the new lineup actually recharged WR's creative batteries; the material here is superior to that of the previous two albums at least. Bailey, while not Jaco's technical equal, is mobile enough to project through the texture, and Hakim has the versatility and swinging Third World rhythmic influences that must have appealed to Zawinul. "Procession" itself is a masterly Zawinul tone poem, with moody electronics and voices building to an emotional crescendo and ebbing away, a high point in WR's output.

Music journalism defines him as a "Legend". It may be a word overused but there isn't truly a more appropriate way to describe keyboardist/composer Joe Zawinul. Austrian born, Joe Zawinul emigrated to the US in 1959 where he played with Maynard Ferguson and the great Dinah Washington before joining alto saxophonist great Cannonball Adderley in 1961 for nine years. Zawinul then moved on to a brief but fateful encounter and collaboration with Miles Davis, just at the time Miles was moving into the electric arena. In 1970, Zawinul and saxophonist Wayne Shorter put together what was to become the most important jazz group of the 70s and beyond, Weather Report.
Bandmembers came and went, including Miroslav Vitous, Alphonso Johnson, Jaco Pastorius, Victor Bailey, Peter Erskine and Omar Hakim…