Moon Hooch stands as an explosive, high-energy self-titled debut album by the unconventional Brooklyn-based instrumental trio Moon Hooch. Self-released by the band in 2011 after honing their aggressive, dancefloor-ready acoustic sound by busking in New York City subway stations, this forty-eight-minute offering pioneered a unique, self-described "cave music" subgenre—a furious hybrid of house music, electronic dance rhythms, dubstep, and acoustic jazz funk played entirely on organic saxophones and drums. Comprising tenor and baritone saxophonist Wenzl McGowen (who famously utilizes homemade traffic cone attachments and bazookahorns for deep electronic sub-bass tones), tenor saxophonist Mike Wilbur, and powerhouse drummer James Muschler, the trio delivers relentless acoustic grooves and fiery sax counterpoints. Standout selections include the infectious dance tracks Number 9, Number 10, Tubes, and the energetic, driving rhythm of Song For Miguel. Sourced from original high-fidelity lossless audio transfers with complete EAC sector logging verification, track cue sheets, and dual FLAC and MP3 bitrate options, this landmark debut release remains an essential centerpiece for contemporary jazz funk enthusiasts, avant-garde brass lovers, and independent instrumental dance archives.

Released in 2021 on Joey Negro's acclaimed Z Records imprint, Under The Influence Volume Nine continues the label's celebrated tradition of unearthing deep, obscure, and highly sought-after gems from the golden era of funk, soul, and disco. Celebrating the series' 10th anniversary, this edition is compiled by London-based DJ, dancer, and seasoned vinyl collector Alena Arpels. Featuring 19 ultra-rare tracks originally pressed in tiny quantities between 1970 and 1983—many of which were private press releases never commercially distributed—the compilation spans driving funk, infectious boogie, smooth soul, and club-ready jazz-funk, meticulously restored and remastered directly from the original vinyl.

Released in 2003 on Stones Throw subsidiary Now-Again Records and compiled by Eothen "Egon" Alapatt, The South Dallas Funk Festival '1970 (also known as Live at the South Dallas Pop Festival 1970) is an extraordinary historical document of raw, uncut Texas gutbucket funk. Recorded live direct-to-tape on a rainy night in 1970 and left unreleased for over three decades, this compilation unearths ferocious live performances by heavy-hitting local groups including The Soul Seven, Apollo Commanders, Marchel Ivery Quintet, Black Maffia, and Les Watson & The Panthers. Packed with blistering drum breaks, fierce horns, and raw energy, it stands as an essential holy grail for funk collectors and crate diggers.

Recorded direct-to-tape on an 8-track recorder at London's iconic analog haven Toe Rag Studios, S.P.A.C.E. is the fifth studio album by Italian cinematic funk titans Calibro 35. Trading in their signature gritty Italian poliziotteschi crime-thriller aesthetic for vintage synthesizers and retro-futuristic soundscapes, the Milan combo crafts the ultimate groovy soundtrack to an imaginary sci-fi film. Produced by Tommaso Colliva, the record orbits through cosmic afrobeat ("Ungwana Bay Launch Complex"), lunar funk ("Bandits On Mars"), and eerie organ-driven psych ("Serenade For A Satellite"). Warm, raw, and relentlessly tight, S.P.A.C.E. solidifies the band's status as world-class pioneers of retro library grooves.

Released in 1996 on Blue Note Records, Blue Juice (Volume 1) is a seminal 21-track compilation that stands as a cornerstone of the 1990s rare groove and acid jazz revival. Mining deep catalog gems from Blue Note, Capitol, EMI, and beyond, the collection seamlessly blends raw late-60s/early-70s soul-jazz, gritty funk jams, psychedelic Sitar-funk, and vibrant Latin grooves. Highlights include Ananda Shankar's trippy cult classics "Streets Of Calcutta" and "Dancing Drums," Dick Hyman's Moog-fueled reading of James Brown's "Give It Up Or Turn It Loose," Brazilian masterpieces by Elza Soares and João Donato, and Nancy Wilson's atmospheric, chill-inducing interpretations of "Willie & Laura Mae Jones" and "Ode To Billie Joe." Essential listening for collectors and funk connoisseurs alike.

Released in 2006 as part of Fantasy/Milestone's celebrated Milestone Profiles series, this 2-CD retrospective spotlights tenor saxophone legend Sonny Rollins across nearly three decades of recordings made for the label between 1972 and 2000. Disc 1 presents a curated overview of Rollins' own Milestone leader dates—capturing his fearless blend of classic hard bop, calypso rhythms, electric jazz-funk, and fiery live improvisations. Disc 2 adds a unique companion disc featuring labelmates and collaborators like Joe Henderson, McCoy Tyner, Flora Purim, Jim Hall & Ron Carter, and Jimmy Smith. Supported by stellar personnel including Jack DeJohnette, Tommy Flanagan, George Cables, Clifton Anderson, and Tony Williams, this compilation offers a comprehensive snapshot of Rollins' modern era.

Released in 1976 on Milestone Records and later reissued as part of Fantasy's Original Jazz Classics series, The Way I Feel finds tenor saxophone titan Sonny Rollins diving headfirst into mid-70s jazz-funk and electric fusion. Backed by a stellar West Coast session lineup that includes keyboardist Patrice Rushen, guitarist Lee Ritenour, powerhouse drummer Billy Cobham, bassist Alex Blake, and percussionist Bill Summers, Rollins crafts a vibrant, groove-heavy soundscape. Balancing infectious electric grooves like "Shout It Out" and "Asfrantation Woogie" with lush, soul-infused ballads like "Love Reborn," the album captures the Saxophone Colossus bringing his signature melodic authority and inventive phrasing to the funk era.

Released in 2010, When The Curtain Goes Up is a powerhouse studio effort from Las Vegas' legendary 15-piece horn band, Santa Fe & The Fat City Horns. Led by guitarist and vocalist Jerry Lopez, the ensemble features an elite roster of top-tier Vegas session musicians and brass heavyweights who have backed world-class icons. Seamlessly blending scorching brass section arrangements, tight funk rhythm sections, and soulful Latin-infused jazz-rock, the album captures the electrifying, big-band energy that made their weekly Vegas residencies a must-see for funk and brass enthusiasts worldwide.

Released in 1974 on Prestige Records and reissued in Japan by Universal, Priced To Sell is the fifth and final studio album from Indianapolis jazz-funk outfit Funk, Inc. Founded in 1969 by organist Bobby Watley and tenor saxophonist Eugene Barr, the group delivered a slicker, more expansive sound for this session, featuring an enlarged ensemble with horn sections and gospel-tinged background vocals from legendary session singers like Jim Gilstrap and Edna Wright. Highlights include rare groove dancefloor favorites and soulful funk interpretations of Marvin Gaye's "Where Are We Going," The Beach Boys' "God Only Knows," and the infectious title track "Priced to Sell." Essential listening for collectors of 70s Prestige soul-jazz and deep funk breaks.

Originally released in 1979 on Arista Records and expanded in 2011 by Big Break Records, City Living is the cult-classic sole solo album from pianist, singer, and songwriter Linda Williams. Produced by legendary jazz-funk keyboardist and composer Richard Evans, the album is a masterclass in late 70s Chicago soul, sophisticated jazz-fusion arrangements, and infectious disco grooves. Highlighting Williams' rich vocals and virtuosic keyboard playing, the album features iconic two-step and rare groove anthems such as "Elevate Our Minds," "City Living," and her smooth rendition of "Oh Honey" (originally recorded by Delegation). This remastered expanded edition includes two rare single versions as bonus tracks, making it a must-have for fans of Patrice Rushen, Minnie Riperton, and classic 70s soul-jazz.

Released in 1998 by Southbound Records, this essential 2-in-1 CD reissue pairs the first two classic studio albums by New York studio supergroup The Players Association: their self-titled 1977 debut The Players Association and its hit 1978 follow-up Turn The Music Up!. Conceived and arranged by producer Danny Weiss alongside legendary jazz-funk arranger Chris Hills, the ensemble featured a rotating cast of NYC's finest session musicians, including Michael & Randy Brecker, Joe Farrell, Steve Gadd, and Bob Mover. Spanning over 72 minutes of infectious basslines, soaring horns, and lush disco orchestrations, the compilation features major dancefloor hits like "Turn The Music Up!" and "Disco Inferno" predecessor "Let's Groove," alongside imaginative jazz-funk covers of Diana Ross ("Love Hangover"), Stevie Wonder ("I Wish"), Earth, Wind & Fire, and The Isley Brothers.

Released in 2008 on Hed Arzi, Groove Collage is the exhilarating debut album by Israeli trombonist, arranger, and composer Avi Lebovich alongside his powerhouse ensemble, The Orchestra (often known as The Israeli Jazz Orchestra). Blending tight big-band horn sections with infectious funk grooves, modern fusion harmonies, and Middle Eastern rhythmic colors, the 10-track collection delivers a fresh, dynamic take on contemporary large-ensemble jazz. Highlights include a fiery reinterpretation of Oliver Nelson's classic "Stolen Moments," alongside original powerhouse charts like the title track "Groove Collage," "Six Four," and "Zambura." Featuring world-class musicianship and vibrant arrangements, Groove Collage established The Orchestra as a premier force in modern international big-band jazz.

Originally released in 1973 and reissued on CD in 2000 by Warner Music Finland, Wahoo! is a towering landmark of European jazz-funk and fusion led by Finnish saxophonist, composer, and arranger Eero Koivistoinen. Bringing together the absolute cream of Finland's modern jazz scene—including keyboardist Olli Ahvenlahti, reedman Juhani Aaltonen, guitarists Matti Kurkinen and Ilja Saastamoinen, and legendary percussionists Edward Vesala and Sabu Martinez—the album bursts with electric energy, complex brass arrangements, and deep funky grooves. From the driving opening cut "Hot C" to the expansive multi-part "Suite 19" and the energetic title track, Wahoo! stands as an essential masterwork of 1970s Nordic fusion and electric jazz.

Released in 1984 on CBS/Sony, New Pastel is a suave, slickly produced urban jazz-pop gem by celebrated Japanese vocal icon Kimiko Kasai. Blending sophisticated 1980s City Pop production with smooth jazz-funk grooves, polished soul arrangements, and quiet storm intimacy, Kasai delivers effortless vocal performances in both English and Japanese. The 10-track collection features vibrant uptempo tracks alongside lush, romantic interpretations of standards like "Alfie," "So in Love," and Michel Legrand's "I Will Wait for You." A essential listen for enthusiasts of 80s Japanese City Pop, urban groove, and smooth jazz vocals.

Recorded in Paris and released in 1985 on Barclay, Home Boy (Sister All-Star) is one of the most distinctive and adventurous late-period releases by avant-garde jazz icon Don Cherry. Moving far beyond his free-jazz roots, Cherry embraces 1980s urban dance rhythms, synth-driven funk, reggae, and West African grooves alongside guitarist/producer Ramuntcho Matta. Featuring Cherry's signature pocket trumpet, vocals, synth lines, and traditional Malian doussn' gouni, the album features infectious tracks like "Rappin Recipe," "Reggae To The High Tower," and "Bamako Love." Backed by a stellar rhythm section including Magma bassist Jannick Top, French-Uruguayan percussionist Negrito Trasante, and backing vocals by French pop icon Elli Medeiros, Home Boy is a vibrant, cross-cultural avant-funk classic.