Black and Blue is the thirteenth studio album by the English rock band the Rolling Stones, released on 23 April 1976, by Rolling Stones Records. This album was the first record after former guitarist Mick Taylor quit in December 1974. As he had done the previous time the Stones were between second guitarists in 1968, Keith Richards recorded the bulk of the guitar parts himself, though the album recording sessions also served as an audition for Taylor's replacement. Black and Blue showed the band blending their traditional rock and roll style with heavy influences from reggae and funk music.

Reggatta de Blanc is the second studio album by British rock band the Police, released on 5 October 1979 by A&M Records. It was the band's first release to top the UK Albums Chart and features their first two UK number-one singles: "Message in a Bottle" and "Walking on the Moon". In early 1980, the album was reissued in the United States on two 10-inch discs, one album side per disc, and as a collector's edition with a poster of the band. The album's title loosely translates in French to "White Reggae". It was the band's second album to bear a Franglais title, after their 1978 debut album Outlandos d'Amour. Reggatta de Blanc proved more popular and successful than its predecessor. The title track earned the band their first Grammy Award for Best Rock Instrumental Performance. In 2003, Reggatta de Blanc was ranked at number 369 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Men at Work were an Australian rock band best known for their 1981 hit "Down Under". Formed in 1978, their founding mainstay was Colin Hay on lead vocals; he formed the group with Jerry Speiser on drums and Ron Strykert on lead guitar. They were joined by Greg Ham on flute, saxophone, and keyboards and John Rees on bass guitar. This line-up achieved national and international success in the early 1980s. In January 1983, they were the first Australian artists to have a simultaneous No. 1 album and No. 1 single in the United States Billboard charts – Business as Usual (released on 9 November 1981) and "Down Under" (1981), respectively. With the same works, they achieved the same distinction of a simultaneous No. 1 album and No. 1 single on the Australian, New Zealand and United Kingdom charts. Their second album, Cargo (2 May 1983) was also No. 1 in Australia, No. 2 in New Zealand, No. 3 in the US, and No. 8 in the UK. Their third album, Two Hearts (3 April 1985), reached the top 20 in Australia and top 50 in the US. At the Grammy Awards of 1983 they won the Best New Artist category; while at the ARIA Music Awards of 1994 they were inducted into the related Hall of Fame. Men at Work have sold over 30 million albums worldwide. The group disbanded in 1986 and reformed in 1996 to disband again by 2002.

The final Sublime with Rome Album.

In 1995, A&M released Every Breath You Take: The Classics to replace the original album. It features a slightly different track listing: the original version of "Don't Stand So Close To Me" replaces the 1986 recording at track 5; the '86 version appears at track 13. A 'New Classic Rock Mix' of "Message in a Bottle" is included as track 14.

Deluxe three disc (two CDs + DVD) edition of this best-selling release from the Pop trio contains their Every Breath You Take single disc compilation plus a CD taped live in Atlanta, Georgia and the Every Breath You Take DVD, which contains video clips and other bonus features. Perhaps the ultimate collection for old and new fans alike, this three disc package shows the band at the height of their audio and video powers and contains hits like 'Roxanne', 'Can't Stand Losing You', 'Message in a Bottle', 'Don't Stand So Close to Me' and many more.

Man @ Work is the eighth studio album by Scottish Australian singer Colin Hay, released by Compass Records in July 2003. The album is a career-retrospective for Hay: he is best known as the lead singer for the 1980s Australian pop band Men at Work, and roughly half of the songs on this album are Hay's solo studio renderings of works from the Men at Work catalog, while several others are remixes or re-recordings of material from his solo albums. Some songs are almost identical to the original recordings (e.g. "Be Good Johnny") while others are complete reinterpretations (e.g. acoustic versions of "Down Under" and "Who Can It Be Now?"). The album concludes with a version of "Down Under" recorded with the group Wild Clams.

You really must get this and all their albums (this is really their third, the first is hard to find). This latest effort captures more of their live show power…

They've sold around half a million albums in Canada, mostly during their '90s heyday, but Big Sugar have never quite been given the credit they deserve for skilfully integrating reggae and dub elements into their rock-based sound. On Yard Style, they dial down the volume to concentrate on acoustic yet percussion-heavy reggae, to convincing effect…

This third album from Big Sugar stands as one of their very best, with each song being a powerful electric rock/blues song that is eminently listenable and enjoyable. Excellent, and an excellent introduction to this powerhouse band…