The Charlatans‘ second album Between 10th and 11th will be reissued in July as a deluxe two-CD set and a double vinyl pressing. The 1992 album features UK top 20 single ‘Weirdo’ (which also did well in the US) and further 45s ‘Tremolo Song’ and ‘I Don’t Want To See The Sights’. The bonus content on the reissue is remastered tracks from the live show from Chicago in 1991, known as Isolation 21.2.91.

The Killers are an American rock band formed in Las Vegas in 2001 by Brandon Flowers (lead vocals, keyboards, bass) and Dave Keuning (lead guitar, backing vocals). The official lineup of the band was completed when Mark Stoermer (bass, rhythm guitar, backing vocals) and Ronnie Vannucci Jr. (drums, percussion) joined in 2002. The band's name is derived from a logo on the bass drum of a fictitious band portrayed in the music video for the New Order song "Crystal". The band has released five consecutive chart-topping studio albums: Hot Fuss (2004), Sam's Town (2006), Day & Age (2008), Battle Born (2012) and Wonderful Wonderful (2017). They have also released a B-sides and rarities compilation, Sawdust (2007); a live album, Live from the Royal Albert Hall (2009); a greatest-hits album, Direct Hits (2013); and a Christmas compilation, Don't Waste Your Wishes (2016). The Killers are considered one of the biggest rock bands of the 21st century, and the most successful act to ever emerge from Nevada, selling more than 28 million albums.

Haim return with their third album Women In Music Pt. III. The album was produced by the trio’s frequent collaborators Rostam Batmanglij and Ariel Rechtshaid.

Over the last decade, Real Estate have crafted warm yet meticulous pop-minded music, specialising in soaring melodies that are sentimentally evocative and unmistakably their own. The Main Thing dives even further into the musical dichotomies they’re known for—lilting, bright guitar lines set against emotionally nuanced lyrics, complex arrangements conveyed breezily— and what emerges is a superlative collection of interrogative songs as full of depth, strangeness and contradictions as they are lifting hooks.

Bonny Light Horseman are Anaïs Mitchell, Eric D. Johnson (Fruit Bats), and Josh Kaufman (Craig Finn, Josh Ritter, The National) and they release their self titled debut album via 37d03d Records. Produced by Josh Kaufman, Bonny Light Horseman finds the group reimagining and reinterpreting traditional songs and co-writing new ones based loosely on specific sources.

Kitchen Sink follows up Shah's Hyundai Mercury Prize nominated 2017 album Holiday Destination. With the same ferocious determination and distinct voice Shah now turns her sights closer to home with an album that explores her own story as a woman in her 30's and the societal pressures and expectations that come with that. Jovial and playful at times, unblinkingly daring at others - Kitchen Sink is bursting with Shah’s beloved personality while simultaneously refusing to compromise on the social commentary that she continues to deliver so fearlessly. Once again produced by Shah’s long time collaborator Ben HillIer.

Los Angeles’s prodigal songwriting son Ariel Pink shares his eleventh studio album, Dedicated to Bobby Jameson, September 15. The album’s title makes a direct and heartfelt reference to a real-life L.A. musician, long presumed dead, who resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and YouTube tirades. “His book and life resonated with me to such a degree,” Pink states, “that I felt a need to dedicate my latest record to him.”

Sub Pop and Iron & Wine celebrated the 15th anniversary of Our Endless Numbered Days with the release of a newly expanded deluxe edition on CD/2xLP/DL worldwide on March 22nd, 2019. This version features eight previously never before heard demos and new artwork. Iron & Wine received its second Grammy nomination in two years as “Best Folk Album” for 2018’s Weed Garden. Their previous nomination was for “Best Americana Album” for 2017’s Beast Epic.

Phoebe Bridgers doesn’t write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. Punisher, her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. The arrival of Punisher cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era.

Having rescheduled their March and April tour dates due to the ongoing Covid-19 emergency, elbow have brought forward the release of ‘Live at The Ritz – An Acoustic Performance’. Recorded in October 2019 in the intimate surroundings of The Ritz in Manchester, the album includes acoustic versions of tracks from ‘Giants of All Sizes’ alongside older favourites.

Extensive 5CD set, produced in conjunction with the band, exploring the first wave of The Primitives’ career, 1985-1992.

Manchester’s The Slow Readers Club return with their fourth album, The Joy Of The Return. Opening to an energetic blend of driving drums and infectious guitar lines, the opening track builds through evocative verses and anthemic choruses, imbued with their idiosyncratic brand of insightful and confronting lyricism and set against relentlessly danceable and energy-provoking instrumentation. “‘All I Hear’ is about a lack of agency and an inability to affect change. That there’s something happening, and you have no choice but to go along with it,” explains singer Aaron Starkie.

If I Break Horses’s third album holds you in its grip like a great film, it’s no coincidence. Faced with making the follow-up to 2014’s plush Chiaroscuro, Horses’s Maria Lindén decided to take the time to make something different, with an emphasis on instrumental, cinematic music. That album is Warnings, an intimate and sublimely expansive return that, as its recording suggests, sets its own pace with the intuitive power of a much-loved movie. And, as its title suggests, its sumptuous sound worlds – dreamy mellotrons, haunting loops, analogue synths – and layered lyrics crackle with immersive dramatic tensions on many levels.

Out of My Province is Nadia Reids third album, following 2017s critically acclaimed Preservation. This album is Reids first with Spacebomb Records, produced by Matthew E. White and the Spacebomb House Band. Out of My Province is the sound of a young artist growing in profile and dexterity before international audiences and whose world has changed before her eyes.

Wildly acclaimed Brooklyn songwriter Joan As Police Woman returns with her new album Cover Two. This is Joan’s second album re-working songs by other artists and again, Joan makes some very interesting choices.