Grammy Award-nominated artist / producer / songwriter Maggie Rogers new album, Surrender, released via Polydor Records. Co-produced Kid Harpoon (Florence + the Machine, Harry Styles) and Rogers, Surrender is the follow-up to Heard It in a Past Life, Rogers’ massively beloved 2019 debut album, which entered Billboard’s Top Album Sales chart at No. 1 and debuted at No. 2 on the Billboard 200. Praised by the likes of NPR, The New York Times, Rolling Stone, Pitchfork, TIME Magazine, and many others, Heard It in a Past Life landed Rogers a nomination for Best New Artist and went on to amass over one billion combined global streams.

Talk about a sidelong entrance into a pop career: when the pressures of trying to make it as a star in her own right became too much after the release of 2010's We Are Born, Sia Furler became a songwriter for some of pop's biggest names – but the hits she helped create, like David Guetta's "Titanium" and Flo Rida's "Wild Ones," ended up making her famous anyway. Even if it wasn't her plan, her time behind the scenes helped make the pop landscape into a place more hospitable to her charms. On 1000 Forms of Fear, it's clear that her time as a hitmaker for others not only brought her quirks into the mainstream, but also made the songs she kept for herself catchier.

Father John Misty is announcing a live bootleg series featuring recordings of select performances from the tour that will be available every Tuesday beginning August 9th, 2022. The shows will be available for download and streaming via Father John Misty’s Bandcamp page. The first installment of the bootleg series is one from the archives and available now, a blistering set from the “I Love You, Honeybear” tour at Ancienne Belgique in Brussels during the fall of 2015.

Grammy Award-nominated singer and songwriter Maggie Rogers will be releasing a 16-track retrospective project titled Notes from the Archive: Recordings 2011 – 2016 on December 18 via her own record label Debay Sounds via Caroline.

When Porridge Radio’s Dana Margolin, one of the most vital new voices in rock, began to consider the themes of her new album, three vivid words began to emerge: joy, fear and endlessness. The artwork of the band’s third full-length, Waterslide, Diving Board, Ladder To The Sky, is a surreal image that evokes the ducks and dives, slippery slopes and existential angst of life in recent times. “To me, the feelings of joy, fear and endlesses coexist together,” says Dana. “You’re never just happy or unhappy.” Following Every Bad’s release in 2020, Margolin was quickly becoming regarded as one of the most magnetic band leaders around. But if Every Bad established Dana’s bravery in laying herself bare, her band’s third record takes that to anthemic new heights. While there are moments of guttural release, she also finds soft power on songs. “I used to think I had to be loud to be heard,” she admits, “but now I’m definitely less afraid of being gentle.”

Jamie T returns with his new album The Theory of Whatever. The album includes the lead single ‘The Old Style Raiders’ and follows the 15 years anniversary celebrations of Panic Prevention, Jamie T’s seminal debut album which went platinum in the UK this year. Jamie T has been away, and done a lot, but now he’s back. And he has a lot to say.

The Pet Parade marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene.

If fate didn’t quite ordain the circumstances for Interpol’s seventh album, it was at least fortunate that the band had happily concluded their Marauder cycle on stage in front of 30 thousand-odd Peruvian fans. Rather than be sent scrambling like so many other musicians on tour or promoting new music, when lockdown clamped in March 2020, Interpol quickly got into a productive mood.

When the first Superorganism music surfaced in 2017, the group’s in-your-face aesthetic — a post-everything mishmash of psychedelic indie pop and fizzy, funky electronica — quickly began to resonate with the likes of Frank Ocean, Vampire Weekend, Jehnny Beth, Gorillaz as well as finding them legions of fans across the world. Superorganism now return with their second album; entitled World Wide Pop, it is their first new music since 2018’s self-titled debut. Superorganism have mutated and are now based around the core of Orono, Harry, Tucan, B and Soul but World Wide Pop also brings in an international set of collaborators including Stephen Malkmus, CHAI, Pi Ja Ma, Dylan Cartlidge as well as legendary musician and actor Gen Hoshino.

Norwegian duo Röyksopp compensated for the cold climes of their native Tromsø by making some of the warmest, most inviting downbeat electronica of the 21st century, exemplified by early tracks like "Eple" and "Poor Leno." The pair, Torbjørn Brundtland and Svein Berge, both grew up in Tromsø and began recording in the early '90s…

Tegan and Sara will revisit the indie-pop duo’s 2004 breakout album, So Jealous, on a new version of the record titled STILL JEALOUS. It features the original’s 14 tracks, all of which have been re-recorded acoustically, with the twin sisters singing each other’s songs.