Instrumental Quartet open to the sounds of the world. The Camerata Flamenco Project comes from the friendship and communication during the many years of work of their members touring around the world with big dance companies, orchestras and, above all, composing and performing for the theatre, where the project took shape naturally as chamber music …until it took a life of its own with certain features that make it not only absolutely original, but also so intense in its live appearances that it's very difficult to match.

Tyrannosaurus Rex's transformation from oracles of U.K. hippie culture to boogie-friendly rock stars began with the album A Beard of Stars, released in early 1970 when the band picked up electric instruments, and by the time the year was out, Marc Bolan had pared their name down to the more user-friendly T. Rex and dropped their first album with the new moniker…

Lively, ambitious, almost entirely successful debut album, made up of keyboard-dominated instrumentals ("The Barbarian," "Three Fates") and romantic ballads ("Lucky Man") showcasing all three members' very daunting talents. This album, which reached the Top 20 in America and got to number four in England, showcased the group at its least pretentious and most musicianly – with the exception of a few moments on "Three Fates" and perhaps "Take a Pebble," there isn't much excess, and there is a lot of impressive musicianship here…

This exclusive triple CD compilation soundtracks the exhibition You Say You Want a Revolution: Records and Rebels 1966-1970. With 64 tracks spanning 3 discs, it celebrates pop stars and protest singers, revivalists and revolutionaries, baroque pop hits and psychedelic curiosities all born of the social, cultural and political ferment of the decade that changed it all. Featuring Bob Dylan, Janis Joplin, Otis Redding, The Beach Boys, Cream, Joan Baez, Simon and Garfunkel, Cat Stevens, James Brown, Stevie Wonder, Marvin Gaye and many, many more.

Reissue with latest remastering. Comes with new liner notes. The first of two sets recorded during a weekend in 1961 features the Miles Davis Quintet at a period of time when Hank Mobley was on tenor and the rhythm section was comprised of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. What is most remarkable is the way Kelly fits into this particular blend of the Miles band. Kelly's interplay with Chambers is especially brilliant, because his sense of blues phrasing inside counterpoint harmony is edgy and large, with left-hand chords in the middle register rather than sharp right-hand runs to accentuate choruses.

Achille-Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. He and Maurice Ravel were the most prominent figures associated with Impressionist music, although Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed. Debussy's music is noted for its sensory content and frequent use of nontraditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant.

Warner Music is proud to present 80s Metal Classics, consisting of 25 metal hits from the 1980's. Pantera, Sepultura, Ace Frehley, Foreigner, Dokken, Faith No More and much more!

On April 20 Universal Music are releasing a 3-LP / 2-CD set of The Who’s stunning 1968 live performance at Bill Graham’s Fillmore East theatre in New York.

Eat the Elephant is the upcoming fourth studio album by American rock band A Perfect Circle. It will be their first album release in fourteen years, after 2004's Emotive. While early work on new material traces back to as early as 2008, years of slow progress would ensue due to issues between the band's chief music writers, frontman Maynard James Keenan and guitarist Billy Howerdel, largely stemming from their commitments to other projects and inability to come to an agreement on the direction to take the band. Renewed focus, alongside assistance from music producer Dave Sardy, helped propel the band into much more productive sessions across 2017, with the album being completed in early 2018. The album is scheduled for release on April 20, 2018. Four singles were released in advance of the album - "The Doomed" in October 2017, "Disillusioned" in January 2018, "TalkTalk" in February 2018, and "So Long, And Thanks for All the Fish in April 2018.

The Original Hits features Donna Summer’s classic hits that inspired a Broadway musical, serving as a soundtrack to an extraordinary career in which Donna busted barriers and genres to become the “Queen of Disco” and a member of the Rock & Roll Hall of Fame. Included are the No. 1 smashes “Love to Love You Baby,” “MacArthur Park,” “No More Tears (Enough Is Enough)” with Barbra Streisand, “Hot Stuff,” “Bad Girls,” “She Works Hard For the Money,” and so much more.

J. Cole’s 4 Your Eyez Only took the rapper from celebrated hitmaker to full-on activist. On KOD, his ruminations on black America and the state of the union are still present, but are less objective reporting and more acquired wisdom from his life as a reluctant superstar. Cole takes rap pundits to task with impassioned, staccato delivery on the title track. And on “Photograph,” he questions the nature of romance in the digital age. KOD's production is minimal throughout, clearing space for Cole's elegantly spun stories of opportunistic friends (“The Cut Off”), modern-day drug culture (“Once an Addict”), and the guilt that success can bring (“FRIENDS”).

The wait is over for the 5th studio album, The Otherside, from the Triad rock band Big Something. The album premiered in full on Relix earlier this week, and has recently been featured on Jambase, Live For Live Music, Glide Magazine, and more. The Otherside is a follow up to 2017’s Tumbleweed, the band’s most critically acclaimed release to date. Big Something will celebrate the release with a 2 night performance at Greenfield Lake Amphitheater in Wilmington, NC during their event The Big What? Wilmington on April 27 & 28.

Reach the Beach is a significant step forward from the Fixx's debut album, Shuttered Room, simply because the band can now craft immediately accessible, incessantly catchy pop/rock melodies. "One Thing Leads to Another" has a big, ringing guitar hook hammered home by the dance beat, while "Saved by Zero" and "The Sign of Fire" are cool, robotic slices of synth pop. Although the rest of the album isn't quite as catchy as those three hits, Reach the Beach remains a pleasant collection of immaculately produced and stylishly danceable new wave.

English composer Thomas Tallis witnessed dramatic changes of religion under four monarchs, and his career accordingly represents the development of polyphonic church music in Renaissance England. Along with his student and fellow Roman Catholic, William Byrd, Tallis was one of the earliest composers to publish music under royal patent in England, and his works demonstrated the shifting doctrines and styles of liturgy in the reigns of Henry VIII, Edward VI, Mary I, and Elizabeth I. This 2017 Obsidian release features one piece with a text by Henry VIII's sixth and last wife, Katherine Parr, which gives the album its title, though the mix of Roman Catholic and Anglican pieces on the program suggests that "songs of Reformation" may be seen as one-sided. In any case, the performances by the vocal ensemble Alamire and the viol consort Fretwork put the emphasis on Tallis and his varied output, rather than on the theological preferences of royalty. The result is a well-balanced portrait of Tallis, and his choral music is given transparent textures and clear diction by the 14-voice choir, which maintains independence of parts while offering an evenly blended tone.

"Drive" is the lead single and first track from American alternative rock band R.E.M.'s eighth studio album Automatic for the People in 1992. Although it was not as commercially successful as previous lead singles "Losing My Religion," "Stand," or "The One I Love" in the United States, it became R.E.M.'s then second biggest hit on the UK Singles Charts, peaking at #11. It managed a peak of #28 on the Billboard Hot 100. The song did hit number one on the Modern Rock Tracks and number two on the Mainstream Rock Tracks.