Born Caroline Catharina Müller in the Netherlands, she moved with her family to Germany in the late '70s. In 1980, she became a member of the girl quartet Optimal, who issued two singles. During one of the band's concerts in Hamburg, she was approached by songwriter/producer Dieter Bohlen who had just taken the continental charts by storm with his duo Modern Talking…

The Police were an English new wave band formed in London in 1977. For most of their history the band consisted of Sting (lead vocals, bass guitar, primary songwriter), Andy Summers (guitar) and Stewart Copeland (drums, percussion)…

Johnny Marr and Bernard Sumner have a unique musical companionship. Both artists bred the '80s British music scene into pop candy delight thanks to Marr's charming guitar hooks while fronting the Smiths, and Sumner, whose ingenuous lyrical poetry pushed New Order's dance-oriented sound into the new wave mainstream. But since their musical collaboration began back in 1991, the duo continues to make music for themselves, uninhibited by current norms and marketing success. Twisted Tenderness, the band's third album, is certainly a vast improvement over their sophomore effort, 1996's Raise the Pressure. Twisted Tenderness steps back into Marr's talented guitar work: carefree, a bit rollicking at times, but in classic Electronic fashion. The obvious rock-laden riffs carry the typical synth-generated backdrops, and Sumner's cheeky lyrics are stylish and breezy.

Synth-pop pioneers OMD return with their dazzling 13th studio album, ''The Punishment of Luxury,'' which sees them combine the wistful nostalgia and idealised romance of their previous work while stepping out of their comfort zone. The LP is out September 1st on White Noise. This is the follow up to the critically acclaimed ''English Electric'' (released in 2013). ''The Punishment Of Luxury'' is a daring collection of stylish synth pop and masterful songwriting, which will certainly rank alongside their very best.

Born Caroline Catharina Müller in the Netherlands, she moved with her family to Germany in the late '70s. In 1980, she became a member of the girl quartet Optimal, who issued two singles. During one of the band's concerts in Hamburg, she was approached by songwriter/producer Dieter Bohlen who had just taken the continental charts by storm with his duo Modern Talking…

German synthpop outfit And One formed in Berlin in 1989. DJs/producers Steve Naghavi and Chris Ruiz first met the previous year in a local dance club, bonding over their mutual affection for early ebm acts like Front 242 and Nitzer Ebb and borrowing their subsequent dual synthesizer and beatbox aesthetic from Depeche Mode. Upon signing to the fledgling Machinery label, And One issued their 1990 debut single, "Metal Hammer," a significant club hit that set the stage for their first full-length effort, Anguish, completed with contributions from newly added third member Alex Two.

"Self Control" is the third album by American singer Laura Branigan, released in 1984. Two songs from the album were US Top-20 hits, the title song (#4) and "The Lucky One" (#20). The album became Branigan's biggest commercial success, earning her a Platinum certification in the United States for over 1 million confirmed sales, and selling several million copies worldwide. Branigan also enjoyed huge success in some countries with the single "Ti amo" (her second Umberto Tozzi cover, after "Gloria"), which reached #5 in the Canadian singles chart, but most notably reaching #2 in Australia. The album was a huge success internationally, gaining several sales certifications.

Everyone Stares: The Police Inside Out is a rockumentary film made by Stewart Copeland, drummer of the band The Police. The film premiered at the 2006 Sundance Film Festival and was released on DVD in September 2006.For this film, Stewart Copeland used material he shot himself with a Super-8 camera he bought in 1978.

German synthpop outfit And One formed in Berlin in 1989. DJs/producers Steve Naghavi and Chris Ruiz first met the previous year in a local dance club, bonding over their mutual affection for early ebm acts like Front 242 and Nitzer Ebb and borrowing their subsequent dual synthesizer and beatbox aesthetic from Depeche Mode. Upon signing to the fledgling Machinery label, And One issued their 1990 debut single, "Metal Hammer," a significant club hit that set the stage for their first full-length effort, Anguish, completed with contributions from newly added third member Alex Two…

Who, you might be asking? OK, so Americans may regard Southern California’s revivalists of powerful melodic punk *Face To Face *as something of a punk rock institution but over on this side of the pond their tumultuous ten-year career is more viewed as a punk rock travesty. For despite touring incessantly throughout the states and putting out consistently well written and well-received albums throughout the nineties, headlining venues up to 3000 capacity the band still had not released anything in Europe.

Trax Test is the first ever survey of Italy's pioneering, visionary, and influential label and mail art collective Trax, which ran from 1981-1987 as a network for the creation of collaborative projects. Traces of disco, cosmic krautrock, jazz, electro-pop, and industrial noise are all tessellated across the compilation's 25 tracks, with a number of artists and the same equipment – cheap drum machines, synths, FX and tape cropping up in various, mutant formations. This set is right up there with the best compilations from Vinyl On Demand, Light Sounds Dark, or Minimal Wave.

The Age of Plastic is the debut studio album written, produced and performed by British new wave duo The Buggles, which consisted of Trevor Horn and Geoff Downes. With such a big hit like Video Killes the Radio Stars, this album became a real worldwide success. This Limited Edition SHM-CD features 9 bonus tracks.

Non-Stop Erotic Cabaret is the debut album by English synthpop duo Soft Cell, released in the United Kingdom on 27 November 1981 by Some Bizzare Records. The album's critical and commercial success was bolstered by the worldwide success of its single "Tainted Love", a cover version of a soul song by Gloria Jones, which topped charts worldwide and became the best-selling British single of 1981 in the United States—as a result of the single's success the album had reported advance orders of more than 200,000 copies.