‘Dreamland’ is the first single from their forthcoming – as yet unnamed – album and features Years & Years. The five-track CD single features two remixes and new other songs. ‘An Open Mind’ is a non-album track from the sessions, while ‘No Boundaries’ taken from the stage version of Hanif Kureishi’s My Beautiful Laundrette, which opened in Leicester September 2019.

York presents Best Of Planet Chill Vol. 1. Behind York hides the music producer Torsten Stenzel, who is behind the productions of Kai Tracid, Sakin & Friends and many more. The series "Planet Chill" has been enjoying great popularity among friends of ambient / chill-out music for some years now and is hereby also appearing as a physical sound carrier! This first issue contains a Best Of the Most Beautiful Titles that have appeared on the (digital) Planet Chill Samplers in recent years. Handpicked and put together with great attention to detail by York a.k.a. Torsten Stenzel.

Edsel continue their superb curation of Bananarama‘s back catalogue with what is probably the dream set for fans – a 33CD Singles box with a disc devoted to each 45 that includes “absolutely every B-side and remix originally issued around the world” along with many previously unavailable instrumentals and other rarities…

Union Square Music is one of the UKs leading reissue and compilations specialists, releasing good value, high quality CDs and digital products right across the musical and entertainment spectrum. Be transported back to the days when tracksuits were considered suitable evening wear and everyone had crispy hair and smiley faces. Good times! All our single and multi-artist titles are released on various label imprints including Metro, Greatest Ever, Simply, Latest & Greatest. Each label has a regular release schedule and operates at a specific price point. The 80s are often seen as the best ever decade for pop music and its not hard to see why when you look at the array of pop talent assembled on this box set.

Style Council's first proper album Cafe Bleu was one of their better efforts, but it indicated the group's fatal flaw – a tendency to be too eclectic and overambitious. Amidst the lazy jazz instrumentals, many of them courtesy of Mick Talbot, Paul Weller inserted several solid soul-tinged pop songs, including "My Ever Changing Moods," "Headstart for Happiness," "You're the Best Thing," and "Here's One That Got Away." However, that doesn't excuse the rap experiment, "A Gospel." The album was later released with a slightly different running order as My Ever Changing Moods in the U.S.; the American edition included the U.K. hit "A Solid Bond in Your Heart".

25 years since its original release, Sparks’ 16th studio album ‘Gratuitous Sax & Senseless Violins’ is reissued with remastered and bonus material. The original, remastered album is accompanied by a further two CDs of eclectic bonus tracks and rarities and, in a rare move, Sparks have opened the vaults to share previously unreleased demos and recordings. After a few years working on the as-yet-unrealised Mai The Psychic Girl film project - with both Tsui Hark (whose vocals appear on this record) and Tim Burton -, collaborating with Scottish band Finitribe on 1993’s ‘National Crime Awareness Week’, and producing demos for Star Trek regular and future Sparks drummer Christi Haydon, Ron and Russell Mael returned to the pop forum and the charts in 1994 with ‘Gratuitous Sax & Senseless Violins’.

After creating a marvelous electronic debut, Glenn Gregory, Ian Marsh, and Martyn Ware decided to tamper with their winning formula a bit on Heaven 17's 1983 follow-up to Penthouse and Pavement. The result, which added piano, strings, and Earth, Wind, & Fire's horn section to the band's cool synthesizer pulse, was even better, and The Luxury Gap became one of the seminal albums of the British new wave. The best-known track remains "Let Me Go," a club hit that features Gregory's moody, dramatic lead above a percolating vocal and synth arrangement. But even better is the mechanized Motown of "Temptation," a deservedly huge British smash that got a shot of genuine soul from R&B singer Carol Kenyon.

Dance! is a 1993 compilation of of what was modern day dance music in 1983, or at least modern within a ten year period. This was released by EMI Music Brasil.

British supergroup Electronic was the intermittent collaboration formed by Joy Division/New Order vocalist Bernard Sumner and ex-Smiths guitarist Johnny Marr. Also featuring the Pet Shop Boys' Neil Tennant, the band was an influential taste-making force that released three groundbreaking albums throughout the '90s before its members moved on creatively. For the time that these dynamic artists came together as Electronic, their dance-flavored sound pulsed with the freedom they experienced making music outside of their other, higher profile groups. Though their first gig was performing for 70,000 people at L.A.'s Dodger Stadium, Electronic's collective spirit was personal and independent-minded. Infused with spirit and innovation, it made for some of the '90s most compelling U.K.-centric altrock.

2 Blu-Ray Standard Edition. In 2018 The Cure performed two historic shows celebrating a 40-year career. ANNIVERSARY: 1978-2018 Live In Hyde Park London - a 29-song, 135-minute anniversary concert and CUREATION-25: From There To Here, From Here To There - captured on the tenth and final night of the 25th Meltdown Festival (curated by lead singer Robert Smith) at London's Royal Festival performing a song from each of their 13 studio albums in chronological order, displaying the evolution of The Cure's music live on stage…

Dream into Action is the second studio album by the British pop musician Howard Jones. It was released in March 1985 and reached No.2 in the UK Album Charts. The album also reached the top ten in the US. The album went gold and platinum in many countries including the US and UK. The album contained the hit singles "Things Can Only Get Better" (UK #6, US #5), "Look Mama" (UK #10), "Life in One Day" (UK #14, US #19), and "Like to Get to Know You Well" (UK #4).

For this 2019 ‘special edition’ of the “Mr Bad Guy” album, sound team Justin Shirley-Smith, Joshua J Macrae and Kris Fredriksson have taken the very best original source material available. They went back not to previously remastered and mixed tapes, but to the original source multi-track tapes, so that they could build a new mix true to Freddie’s original versions, now taking advantage of the time, resources and technology that Freddie may not have originally had available to him in the 1980s. All offer ultimate quality, first generation vocals showing off Freddie’s incredible vocal range.

Conventional wisdom has it that all the B-52's' subsequent releases are highly inferior to their debut. While Wild Planet is not the rarefied wonder their first platter is, it's still darn good. The songs here are generally faster, tighter, and punchier than previously, though production values are not as wonderfully quirky and detailed; fewer songs here are as over-the-top crazy as the first album's "Rock Lobster" or "52 Girls." These formless selections continue to exhibit a cunning mix of girl group, garage band, surf, and television theme song influences, all propelled along by an itchy dance beat. "Give Me Back My Man" allows Cindy Wilson a unique opportunity to croon a broad, expressive melodic line. Fred Schneider parades his inimitably nervous vocals on chucklesome ditties like "Quiche Lorraine" and "Strobe Light." The best songs here are "Private Idaho," a wonderfully jittery number that employs a variant on the famous melodic snippet from the Twilight Zone theme music, and "Devil in My Car," a delightfully loopy hoot that lays the craziness on very thickly. Performances and sound quality are fine. This album is well worth hearing and recommended.