Their fifth album, featuring two projects from this band, with songs 1-5 being Hallucination Guillotine, songs 6-10 being Final Worship. Who is they? They are Kites and who is they part 2? Load Records are the other they.

5CD box set of the albums released on Artful/Fullfill during the period 2001-2009.

Animal Logic is the kind of band that could've existed only in the late '80s – a cross between fusion, art rock, and album rock, all blended with a slight eye on the charts. Since Stewart Copeland and Stanley Clarke provided the musical backbone of the project, there's little question that the outfit had the potential to be a dynamic exploration of the middle ground between adventurous rock and jazz.

Inspired by both Brazilian music and the boundless possibilities of the Internet, electronic composer Ryuichi Sakamoto wrote Smoochy, an endlessly intriguing exploration of what happens when the old world meets the future. Using his Brazilian Internet concept as a foundation, Sakamoto goes on to add a variety of other musics, including jazz and Latin pop, to the music, creating a dense and fascinating musical web of electronics and percussion. Occasionally, he gets too self-consciously arty for his own good, but most of the album finds Sakamoto at his best.]

The Bang on a Can All-Stars emerged from the scruffy environs of downtown New York playing a new kind of music, with a new kind of energy, for a new kind of audience.

Mid-'80s release that established Horovitz among the prime composers and players on the contemporary improvising scene. He's not among either the traditionalists or the fusion/light jazz crowd, but is part of the New York "downtown" school that utilizes everything from hard bop to rock to contemporary classical. Guitarist Bill Frisell was also an important contributor to the date.

Walter Becker and Donald Fagen were remarkable craftsmen from the start, as Steely Dan's debut, Can't Buy a Thrill, illustrates. Each song is tightly constructed, with interlocking chords and gracefully interwoven melodies, buoyed by clever, cryptic lyrics. All of these are hallmarks of Steely Dan's signature sound, but what is most remarkable about the record is the way it differs from their later albums. Of course, one of the most notable differences is the presence of vocalist David Palmer, a professional blue-eyed soul vocalist who oversings the handful of tracks where he takes the lead. Palmer's very presence signals the one major flaw with the album – in an attempt to appeal to a wide audience, Becker and Fagen tempered their wildest impulses with mainstream pop techniques.

Countdown to Ecstasy is the second studio album by the American rock band Steely Dan, released in July 1973 by ABC Records. It was recorded at Caribou Ranch in Nederland, Colorado and at The Village Recorder in West Los Angeles, California. After the departure of vocalist David Palmer, the group recorded the album with Donald Fagen singing lead on all the songs. Although it was a critical success, the album failed to generate a hit single, and consequently charted at only number 35 on the Billboard 200. It was eventually certified gold. Well-received upon its release, Countdown to Ecstasy received perfect scores from music critics in retrospective reviews.

Continuum is the 2016 album by Paul Jebanasam. This was released by Subtext.

Justin K Broadrick returns as Jesu with Terminus, the first full length stand alone album from Jesu since 2013's Every Day I Get Closer To The Light From Which I Came, and follows the experimental Jesu EP Never. Terminus thematically was inspired by the concepts of rejection, dependency, nostalgia, and ultimate loneliness. Musically exploring the entire gamut of the Jesu oeuvre since it's initial inception; dream pop, shoegaze, electronica and non aligned/non genre specific heaviness.

For his second release "GROOVE WARRIOR" on ESC Records, Guitarist Dean Brown has again put together a stellar group of musicians. Besides his critically aclaimed debut CD "HERE", he is best known for his work with Marcus Miller, Billy Cobham, David Sanborn, The Brecker Bros. and a veritable who's who in the electric jazz world. Dean has spent the last 20 years performing worldwide and has recorded on over 100 albums, including 4 Grammy Award winners.

Ex-Soft Machine bassist Hugh Hopper augments his rather infamous fuzz-bass attack by performing on guitar, recorders, soprano sax, and percussion on this reissue of the original LP. Recorded in 1976 and re-released on CD by Culture Press in 1996 and Cuneiform in 2007, this outing features the bassist's fellow Soft Machine bandmate, saxophonist Elton Dean, along with others of note. Moreover, Hopper veers into jazz fusion territory amid his often memorably melodic compositions, also including an investigative spin on modern jazz great Ornette Coleman's "Lonely Woman."

2007 digitally remastered reissue of this 1976 solo album from the Gong leader. In 1975, following his departure from Gong, the highly influential group he had founded, Daevid Allen sought musical solace in the village of Deja on the island of Mallorca. Here he encountered a group of Catalan musicians, Euterpe, with whom Allen began a collaboration. Recorded in Mallorca, this album was released by Virgin Records to great acclaim, being a unique work that was regarded by fans and critics as being equally as good as anything he recorded with Gong, if not better.

Originally privately pressed in tiny numbers in Canberra in the mid- 70s, Yaraandoo & Hara have become sought after examples of the best in progressive jazz/rock. "Taking in impressionistic hazy instrumental jazz … muscular fusion moves, solo Mellotron pieces as heavenly as anything Beethoven or Handel ever concocted, extremely loose-limbed ethno-fusion soundscapes of the Don Cherry/Pharoah Sanders variety, film soundtracks … and electronic experimentalism … hair-raising, soul-searching beauty with an overall dreamy, hazy quality that perhaps could only be written by an Australian fully conversant with the Dreamtime cultural feel for the myths and legends of the Outback." (from Julian Cope's "Head Heritage.")

London’s kings of noise Sly & The Family Drone follow up their 2019 Love Love LP ‘Gentle Persuaders’ with ‘Walk It Dry’, an 8 track LP collaboratively released by Love Love Records in the UK and Feeding Tube Records across the pond in the USA. ‘Walk It Dry’ utilises the familiar sound palette of scronked electronics, bulging noise blasts, wailing sax & Kalashnikov drums that was found on ‘Gentle Persuaders’ but is a very a different beast. The tracks here are shorter and punchier as the band digs deeper than ever to find increasingly potent sonic pockets.