On June 6th, Death In Vegas return with new album ‘Death Mask’, where disintegration, overload and total sonic immersion tell a personal tale. With dirty circuitry and rough-hewn textures at the fore, this is gritty, unpolished techno; an audio outlier that’s full of personality, and a bold artistic statement. It’s closer in DNA to the grainy growl of sunn O))), or the searing intensity of Underground Resistance at their fiercest, and as far from generic influencer business as you could possibly get.

With their first records, Ride created a unique Wall of Sound that relied on massive, trembling distortion in the vein of My Bloody Valentine but with a simpler, more direct melodic approach. The shatteringly loud, droning neo-psychedelia the band performed was dubbed shoegazing by the British press because the bandmembers stared at the stage while they performed. Along with their initial influence, My Bloody Valentine, Ride stood apart from the shoegazing pack, primarily because of their keen sense of songcraft and dynamics. For a while, Ride were proclaimed the last great hope of British rock, but they fell from the spotlight nearly as quickly as they entered it.

A group whose distinctly ethereal and gossamer sound virtually defined the enigmatic image of the record label 4AD, Cocteau Twins were founded in Grangemouth, Scotland, in 1979. Taking their name from an obscure song from fellow Scots Simple Minds, the Cocteaus were originally formed by guitarist Robin Guthrie and bassist Will Heggie and later rounded out by Guthrie's girlfriend Elizabeth Fraser, an utterly unique performer whose swooping, operatic vocals relied less on any recognizable language than on the subjective sounds and textures of verbalized emotions.

Record Store Day 2025. Pale Saints complete their series of 30th anniversary reissues with the expanded edition of their third and final album, Slow Buildings. As with their first two reissues, this special pressing sees a long out of print album being expanded to run over 2 discs, this time to include the ‘Fine Friend’ EP and a selection of previously unheard tracks and demos. Having been remastered, this double LP edition comes in a gatefold sleeve, being pressed on petrol blue vinyl as part of Record Store Day 2025.

Three CD set. 1992 saw the British indie scene unwittingly poised to go overground and global in the wake of the guitar's revival in the early 1990s. 'C92' captures something of a no-man's land moment in time, with the "baggy" scene brushed aside by American grunge and the artists who'd come to define the rest of the decade only beginning to emerge. From the intensity of shoegaze pioneers Ride and Lush, through to melody-driven 60s revivalists Inspiral Carpets and The Stairs, in hindsight the year can be seen as a period of healthy transition and expansion which ultimately saw the scene pulled together by the music media under the umbrella term "Britpop".

In the early 90s, a number of bands exploring the daring side of guitar rock and pop started to emerge in the UK. Most were new, some included members of 80s groups looking for new directions. They were supported by established independent labels such as Rough Trade and 4AD/Guernica and new ventures like Too Pure or Domino. Influenced by the legacy of post-punk, minimalism, 70s art rock and a growing electronic scene, their first releases were enthusiastically received by the media. This included a 1994 article in The Wire where journalist Simon Reynolds used the term “post-rock” to refer to some of them: Bark Psychosis, Disco Inferno, Moonshake, Seefeel, Main, Pram, Insides…

Seefeel's Quique emerged in 1993 on the Too Pure label, blending elements of shoegaze, ambient, and electronic music into an innovative and genre-defying sound. The record’s complex textures, pulsating rhythms, and ethereal melodies create an immersive listening experience, with tracks like “Climactic Phase #3” and “Industrious” showcasing the band's pioneering approach. Mark Clifford's intricate production, combined with Sarah Peacock’s delicate vocals, crafts a dreamlike atmosphere. Quique was a trailblazer for the fusion of organic and digital soundscapes.

“I think this is the best thing we've ever done,” says bdrmm’s Ryan Smith. “It's a proper step up.” It’s immediately clear that this British band have broken new ground on their latest album. “The last album was essentially like a bridge between the two albums,” the band say of 2023’s I Don’t Know. “With that one we knew what we were trying to do but with this one we've fully cracked it.” bdrmm’s trademark shoegaze sound hasn’t completely disappeared by any means, you’ll still find beautifully layered guitars interlocking seamlessly with purring bass and crashing drums to create engulfing waves, but they are now integrated into a broader, more expansive and varied sonic palette. Being asked to support Daniel Avery (British electronic music producer), along with influences that includes Massive Attack and Thom Yorke were instrumental in the band incorporating more dance music elements. bdrmm’s decision to embrace new sounds has also stretched to new collaborators, with Working Men’s Club Sydney Minksy Sargeant, along with Olivesque (aka Nightbus), both featuring on the record.

A limited-edition 4CD box set released to coincide with the cult shoegaze label’s 20th anniversary. It features 62 tracks, many of which are previously unreleased, plus rare remixes, showstopping live recordings and a shoegaze Christmas compilation. Includes Slowdive, Andy Bell (Ride), Emma Anderson (Lush), bdrmm, Whitelands and deary, plus remixes by Andrew Weatherall, James Holden, David Holmes, Daniel Avery and many more. Across the four discs, the box set tells the story of Sonic Cathedral from its humble beginnings as a club night in 2004 to its present-day position at the centre of the never-ending shoegaze revival, after playing a huge part in repopularising the once maligned genre over the past two decades.

Celebrating the first anniversary of their latest album, Stereo Mind Game, Daughter announces Live at Middle Farm Studios, a 7-track filmed performance. The session sees the trio of Elena Tonra, Igor Haefeli and Remi Aguilella return to the intimacy of Middle Farm Studios near Dartmoor, England – where much of Stereo Mind Game was recorded – to perform those songs live for the first time, including the singles ‘Be On Your Way’, ‘Party’ and ‘To Rage’.

Digitally remastered and expanded two CD edition. Described, variously, as "dusky and mysterious, cosmetic and up-for-it", "Industrial techno disco," and "like a Japanese express train", Curve's second album Cuckoo is more sophisticated, more seductive, less serrated, even squelchy in places than their debut, Doppelganger. A mature, fluent, and literary album, it hit the Top 30 on release in 1993. Cuckoo takes the listener from the established hallmarks and runs with them - over the horizon - to many new and rich areas of pop melodrama. Delicate and gorgeous moments sit easily with their simultaneously cool and incendiary sound. A more personal album, it is nonetheless metallic, unforgiving, loud, clear. As with Doppelganger the album was produced by the band with Flood and Steve Osborne, and it was mixed by Alan Moulder. It is home to the lead tracks from singles Blackerthreetracker EP and 'Superblaster' and is regarded by the band as their best piece of work. This expanded edition includes the album plus the remixes and two previously unreleased tracks, the original versions of 'Rising' and 'Half The Time', which have only previously been available in their remixed form. Compiled by Dean Garcia and Toni Halliday.

Once Twice Melody is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach House records remain present throughout many of the compositions.

Chart-topping rock band who blend shimmering electronic pop with Shirley Manson's emotive vocals. Collection includes: Garbage (1995); Version 2.0 (1998); Beautiful Garbage (2001); Bleed Like Me (2005).

Hot on the heels of the vinyl reissue comes this incredible triple CD package! You get the full double album, including the bonus remixes from Alan Moulder (My Bloody Valentine, Ride, etc) on the first disc, a second disc with a full hour of outtakes and studio demos, and a third live disc, recorded at the Mercury Lounge in NYC in 1998.

Loveless is the second studio album by alternative rock band My Bloody Valentine. Released on 4 November 1991, Loveless was recorded over a two-year period between 1989 and 1991 in nineteen recording studios. My Bloody Valentine's relationship with Creation Records deteriorated during the album's recording, and the band was removed from the label after the record's release due to the difficulty and expense of working with Shields. While Loveless did not achieve great commercial success, the album was well received by critics. Widely regarded as a landmark work of the shoegazing genre, the record has been cited as an influence to several artists, and by critics as one of the best albums of the 1990s.