Decameron produced four albums between 1973 and 1976 (Some discographies listed a recording called "Beyond the Light" but this never saw release). This long CD contains all of the third disk and a most of the worthiest pieces on the fourth. Considering their short recording career, Decameron exhibited a fairly wide range of musical styles and talent as they flitted from label to label. But it was all loosely in the British folk rock realm with more than a casual nod to the lighter elements of progressive rock in vogue at the time. The enigmatic style of that genre is displayed in the stunning "All the Best Wishes", the reverent "The Ungodly", the intensely melodic "Journey's End" bathed in mellotron, and "The Deal". The lighter pieces are equally engaging, such as "Saturday" about rolling down the windows and blasting the stereo and shouting obscenities at the market crowd, "Road to the Sea" with its rollicking rhythms and musical and lyrical allusions to the nautical, "Fallen Over", and "Tomorrow's pantomime".

Even in Michael Chapman’s vast and wildly diverse catalog of releases, Playing Guitar the Easy Way is an outlier. Issued in 1978 during his association with Criminal Records, this is the innovative and storied guitarist’s instructional album. Like all things Chapman, this one has a twist or two. For starters, it can be listened to on its own. The music is played on acoustic six- and twelve-string guitars—there is even an electric piece in “English Musick”— that come off as standalone originals and/or original derivations on folk standards.

A 14-song, 63-minute collection (originally a double LP) comprising many of the highlights (but no "Light Flight") of the original group's history from 1968 through 1972. The notes are minimal, and there are no original release dates or any identification of the albums (The Pentangle, Sweet Child, Basket of Light, Cruel Sister, etc.) whence this material originated. The latter are the only flaws in what is otherwise a fine if not completely comprehensive cross-section of the group's work, showcasing their many and varied sides – Bert Jansch's, Danny Thompson's, and Terry Cox's jazz leanings in "Train Song," John Renbourn's more traditional approach in "Let No Man Steal Your Thyme," their forays into medieval music ("Lyke-Wake Dirge") and progressive folk ("House Carpenter," "Bruton Town"), etc., much of it projected by Jacqui McShee's clear, soaring vocals. The CD also highlights their early records' effective use of stereo as a format for their contrasting technique, especially among the guitars and the rhythm section.

Although Sweet Child is usually cited as the group's high-water mark, Basket of Light finds them at their most progressive and exciting. Highlights of this album – which actually reached the Top Five in the U.K. – include the buzzing jazz dynamics of "Light Flight," their moving rendition of the traditional folk song "Once I Had a Sweetheart," their reinvention of the girl group smash "Sally Go Round the Roses," and "Springtime Promises," one of their finest original tunes.

Fairport Convention's only concept album was built around the story of John "Babbacombe" Lee, a convicted killer who survived three attempts to hang him. Cut by the four-man Fairport lineup of Simon Nicol, Dave Swarbrick, Dave Mattacks, and Dave Pegg, the original album was a self-contained work with a specific beginning and ending. It's also never been much more than cult item in the group's early catalog, despite some spirited playing on "Little Did I Think," "I Was Sixteen, Pt. 2," "St. Ninian's Isle/Trumpet Hornpipe," and "Sailor's Alphabet." The slipcased "Island Remasters" keeps the concept and the original album's content intact – with killer sound as expected, and each song now getting its own index number – and appends a pair of bonus tracks that justify the purchase. The first is "Farewell to a Poor Man's Son," a "lost" song by the group from the BBC program on John Lee that was the inspiration for the album, and "Breakfast in Mayfair," both from an earlier lineup of the band featuring Jerry Donahue.

Six CD box set containing legendary folk rock band Pentangle's reunion albums released between 1984 and 1995. Featuring Open The Door (1984), In The Round (1986), So Early In The Spring (1989), Think Of Tomorrow (1991), One More Road (1993) and Live 1994 (1995). Also including are 27 previously unreleased recordings - 13 sourced from BBC sessions for the Radio 2 programs Folk On Two and Nightride. Plus three tracks from a BBC broadcast from the Queen Elizabeth Hall, London and a further eleven live in concert recordings from gigs in Portland, Oregon, New York, London and Dublin. Bert Jansch and Jacqui McShee led Pentangle throughout their reunion years and are present on all recordings in the box. Pentangle vocalist Jacqui McShee has contributed extensive notes to this package alongside Pentangle authority Colin Harper.

Essential box set presenting exceptional live and BBC session recordings by the reunited original line up of legendary folk rock band Pentangle. Tracks include live versions of fan favourites such as 'I've Got A Feeling', 'Pentangling' and the hit single 'Light Flight'. The recordings on disc 1 are sourced from the BBC archives and previously unreleased. These include six songs from Pentangle's brilliant first reunion appearance at The Cambridge Folk Festival in 1982 and a great version of 'Bruton Town' from their return there in 2011, plus sessions from BBC TV shows Six Fifty-Five Special and Later With Jools Holland, the 2007 Radio 2 Folk Awards and BBC Radio 6 Music's Freak Zone. Apart from the first eight tracks that feature the quartet of Bert Jansch (vocals/guitar), Jacqui McShee (vocals), John Renbourn (vocals/guitar) and Danny Thompson (double bass) as drummer Terry Cox was absent due to injury, 'Reunions' features all five members of the original Pentangle. Disc 2 contains 18 previously unreleased recordings of stunning performances from Thiene and Milan on Pentangle's triumphant 1982 Italian tour.