Sonic wizard Robin Guthrie (ex-Cocteau Twins) and vocalist Siobhan de Mare (ex-Mono) made up the hazy dream pop of Violet Indiana. Shortly after de Mare was relieved of her Mono duties, she received a phone call from Guthrie, asking her if she'd like to work with him. Unfamiliar with Guthrie's cult status, she asked her sister about him and decided to take him up on the offer. In late 2000, the duo released the Choke EP on Bella Union, the label run by Guthrie and former Cocteau mate Simon Raymonde. Retaining some of Guthrie's trademark characteristics and combining them with de Mare's lazy, confident delivery, the Choke EP established them convincingly enough as something removed from Guthrie's prior band – a tricky thing indeed. 2001's full-length Roulette improved on the promising debut. A singles collection, Casino, followed in early 2002. Russian Doll was the proper follow-up to Roulette, released in June of 2004.

A group whose distinctly ethereal and gossamer sound virtually defined the enigmatic image of the record label 4AD, Cocteau Twins were founded in Grangemouth, Scotland, in 1979. Taking their name from an obscure song from fellow Scots Simple Minds, the Cocteaus were originally formed by guitarist Robin Guthrie and bassist Will Heggie and later rounded out by Guthrie's girlfriend Elizabeth Fraser, an utterly unique performer whose swooping, operatic vocals relied less on any recognizable language than on the subjective sounds and textures of verbalized emotions.

Svart Records is proud to release the new posthumous solo album by Aleah Liane Stanbridge, better known as Aleah Starbridge, singer of the Swedish/Finnish band Trees of Eternity. Aleah passed away in 2016 after a brave fight with cancer. She was just 39 years old when she left this mortal coil, but Aleah’s eternal spirit lives on through her beautiful music, realised in her solo album brought to fruition by her life partner and Swallow The Sun/Trees of Eternity guitarist, Juha Raivio.

With this amazing album, Dead Can Dance fully took the plunge into the heady mix of musical traditions that would come to define its sound and style for the remainder of its career. The straightforward goth affectations are exchanged for a sonic palette and range of imagination. Calling it "haunting" and "atmospheric" barely scratches even the initial surface of the album's power. The common identification of the duo with a consciously medieval European sound starts here – quite understandable, when one considers the mystic titles of songs, references to Latin, choirs, and other touches that make the album sound like it was recorded in an immense cathedral.