Music is a crucial element in every Oscar-winning film. In this concert you will be taken on a musical journey through the sounds of the greatest Oscar winners of all time, from classics like Casablanca and Citizen Kane to monumental cinematic works like The Godfather and blockbusters like Forrest Gump - blockbusters with music, that for almost a century have made us shudder, melt and cry in the darkness of the cinema.

The Danish National Symphony Orchestra rolls out the red carpet for a sparkling Hollywood Gala with a musical firework display from the best Hollywood films such as Bodyguard, Titanic, Pirates of the Caribbean, Moulin Rouge, and The Hunger Games. From the greatest dramas about love and jealousy up to the wildest journeys and the world’s fastest cars - spiced with murders and gangsters. The evening also features a special section dedicated to the best music from the most iconic Oscar-winning movies.

Welcome to the world of hidden treasures and symphonic jewels in "Raiders of the Symphony" with the Danish National Symphony Orchestra and the Danish National Concert Choir. The Danish National Symphony Orchestra is in an adventure spirit, and the iconic music from the Indiana Jones films becomes the highlight of the evening.

The hit concert Fantasymphony is back in DR Koncerthuset. Rejoice in epic music from the greatest fantasy movies, series and games. The Danish National Symphony Orchestra opens the gates to the magic worlds from The Lord of The Rings, Game of Thrones, The Hobbit, The Witcher, Skyrim, League of Legends, and many more.

Experience the iconic music from movies and series such as Babylon Berlin, The Great Gatsby and Burlesque with the Danish National Symphony Orchestra, Danish Radio Big Band and guests.The Babylon Hotel is the concert where the upper class meets the underworld in a melting pot of euphoria and extravagance, nostalgia and pleasure with a carefree sinfulness only seen in the exuberant nightlife of the 1920s around the world. This concert evening takes you through the fictional Babylon Hotel, where the doors are opened to a world of music from movies like The Great Gatsby, Babylon, Burlesque, the TV series House of Dreams and Babylon Berlin and the operas Porgy and Bess and Mahagonny - and much more.

Dive into the world of film music as you journey through iconic soundtracks with the Danish National Symphony Orchestra’s limited CD box set “Movies in Concert”. From the enchanting "Fantasymphony" to the thrilling “Murder” in Symphony and the glamorous "Hollywood Gala," this hand-numbered limited edition CD box set captures the heart and soul of cinema, immersing you in the greatest dramas of love and jealousy ever portrayed on the silver screen. Relish the timeless melodies from blockbuster hits like "Lord of the Rings," "Harry Potter," "Game of Thrones," "Star Wars," and many more.

Bernard Herrmann, born in New York in 1911 to Russian immigrants, is best known today as a composer of film music. Most notably he worked with Alfred Hitchcock on classic productions such as North by Northwest, Vertigo, and Psycho, as well as on Orson Welles’s Citizen Kane and Martin Scorsese’s Taxi Driver. But despite his strong ties to Hollywood, Herrmann always thought of himself as a composer who worked in film, and never as a ‘mere’ film composer.

Dmitry Shostakovich's two concertos for cello and orchestra, both written for Mstislav Rostropovich (whose recordings remain standards), come from 1959 and 1966. Although the first one is a more rhythmic, outgoing work, both are cut from the same cloth, with intensely inward passages alternating with material in Shostakovich's light Russian-folk mold. In the more serious stretches the cellist often stands exposed and alone, required to carry quite despairing material over long arcs. Italian cellist Enrico Dindo, not a well-known name but one that you're likely to be hearing again, is exceptionally good here. For the high point of it all, hear the final movement of the Cello Concerto No. 2, Op. 126, which is somewhere between Beethovenian and Tchaikovskian in its affect although not in its language.

Following their recordings of the composer’s complete symphonies, the DNSO and Fabio Luisi are now rounding off their Nielsen cycle with an album presenting his Flute, Clarinet and Violin Concertos. Reviewing the symphony recordings, The Guardian warns, “once you get the taste for this music it’s hard to resist”. Find out for yourself by listening now to the opening Praeludium. Largo from the Violin Concerto, with soloist Bomsori.

If not the most adventurous of composers, and in his later years over-conservative, Gade in his youth certainly had his moments. his inventiveness is evident in all four symphonies presented here, albeit in very different ways. The Sixth (1856-7) is perhaps the most perfect, Classical in design although with a minatory feel suggestive at times of middle-period Haydn. If it stays within its own clearly defined harmonic and stylistic limits, the First, Third and Fifth do not.

Christian Tetzlaff’s effortless virtuosity, purity of intonation, and slight emotional reticence perfectly suits Sibelius, making this the finest available collection of the Finnish composer’s music for violin and orchestra. In the concerto, Tetzlaff’s relative coolness makes the music sound more like Sibelius and less like a violin concerto, which is all to the good. That doesn’t mean he lacks anything in sheer technique: indeed, his first-movement cadenza impresses as one of the most impressively concentrated and musically satisfying on disc. Tetzlaff’s slow movement sings but avoids panting and heaving, while the finale realizes the music’s gentle melancholy as well as its more thrusting elements. He’s nicely accompanied by Thomas Dausgaard, whose gentle support perfectly suits the overall interpretation.

For Anyone who finds the textual/musical idiom of Ein deutsches Requiem difficult to accommodate, this mixture of sacred and secular pieces could serve as a way into the choral music of a very great composer.