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    Christian Schumann, Danish National Symphony Orchestra - Hollywood Gala: Award Night at the Symphony [Blu-Ray] (2024)

    Posted By: Vilboa
    Christian Schumann, Danish National Symphony Orchestra - Hollywood Gala: Award Night at the Symphony [Blu-Ray] (2024)

    Christian Schumann, Danish National Symphony Orchestra - Hollywood Gala: Award Night at the Symphony [Blu-Ray] (2024)
    BluRay | BDMV | MPEG-4 AVC Video / 27845 kbps / 1080i / 29,970 fps | 84 min | 21,7 Gb
    Audio1: LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 4298 kbps / 24-bit
    Classical, Soundtrack | Euro Arts

    Music is a crucial element in every Oscar-winning film. In this concert you will be taken on a musical journey through the sounds of the greatest Oscar winners of all time, from classics like Casablanca and Citizen Kane to monumental cinematic works like The Godfather and blockbusters like Forrest Gump - blockbusters with music, that for almost a century have made us shudder, melt and cry in the darkness of the cinema.

    Yannick Nézet-Séguin, Orchestre Métropolitain du Grand Montréal - Nino Rota: La Strada; Kurt Weill: Symphony No.2 (2006)

    Posted By: ArlegZ
    Yannick Nézet-Séguin, Orchestre Métropolitain du Grand Montréal - Nino Rota: La Strada; Kurt Weill: Symphony No.2 (2006)

    Yannick Nézet-Séguin, Orchestre Métropolitain du Grand Montréal - Nino Rota: La Strada; Kurt Weill: Symphony No.2 (2006)
    EAC | FLAC | Image (Cue & Log) ~ 227 Mb | Total time: 59:55 | Scans included
    Classical | Label: ATMA Classique | ACD22294 | Recorded: 2002, 2004

    Conductor Yannick Nézet-Séguin is as well-loved by the public as he is appreciated by his peers, who awarded him the Canada Council for the Arts Virginia Parker Prize in September 2000. At the helm of the Orchestre Métropolitain du Grand Montréal since March 2000, Yannick Nézet-Séguin has worked tirelessly to broaden the scope of the orchestra’s involvement in a variety of venues, while always maintaining his own rigorous standards and keeping in close touch with the music-loving public.

    Norrkoping SO; Ole Kristian Ruud, Hannu Koivula - Nino Rota: Symphony No. 3; Concerto festivo; Le Molière imaginaire (2001)

    Posted By: Designol
    Norrkoping SO; Ole Kristian Ruud, Hannu Koivula - Nino Rota: Symphony No. 3; Concerto festivo; Le Molière imaginaire (2001)

    Nino Rota: Symphony No. 3 in C; Concerto festivo; Le Molière imaginaire (2001)
    Norrköping Symphony Orchestra; conducted by Ole Kristian Ruud & Hannu Koivula

    EAC | FLAC | Image (Cue&Log) ~ 242 Mb | Mp3 (CBR320) ~ 143 Mb | Scans included
    Genre: Classical | Label: BIS | # BIS-CD-1070 | Time: 01:00:04

    Nino Rota’s reputation outside Italy as, at best, a civilised purveyor of minor theatre music is turning out to be hardly even a half-truth. BIS’s series of his symphonic and chamber works, and Chandos’s of the concertos, reveals a composer of incisive gifts and technical brilliance. Civilised the music certainly is, but often far more than that, its pervasive wit enhancing rather than detracting from the elegant suggestions of deep feeling. The wise and wily ‘neo-classicism’ of the Third Symphony sets out like an exercise in updated Mozart, but though Prokofiev’s Classical Symphony is brought to mind it soon becomes evident that a strain of acid melancholy undercuts the dapper phraseology. The model here, if there is one, seems more likely to be late Busoni, with disturbing cross-currents just beneath the surface. The Concerto festivo, more obviously a display piece, takes Italian opera genres (aria, cabaletta, etc) and reinterprets them in fairly irreverent orchestral terms, while the ballet music that Rota produced for the tercentenary of the death of Molière – almost his last work –insouciantly mixes Baroque, modern and popular styles, just as it mixes merriment and melancholy, with constant technical brilliance and utter lack of pomposity. The Swedish performers take to the Italianate gaiety as to the manner born. A delightful disc.

    Gidon Kremer & Naoko Yoshino - Insomnia (1999)

    Posted By: Designol
    Gidon Kremer & Naoko Yoshino - Insomnia (1999)

    Gidon Kremer & Naoko Yoshino - Insomnia (1999)
    works by Jean Françaix, John Cage, Arvo Pärt, Richard Strauss, Nino Rota, Alfred Schnittke
    Erik Satie, Toru Takemitsu, Michio Miyagi, Yuji Takahashi, Kaija Saariaho

    EAC | FLAC | Image (Cue&Log) ~ 317 Mb | Mp3 (CBR320) ~ 196 Mb | Scans included
    Classical, Contemporary | Label: Philips | # 289 456 016-2 | Time: 01:18:10

    This is a handsome-looking compact disc release, with strikingly muted graphics in cool purple tones, featuring Latvian violinist Gidon Kremer and Japanese harpist Naoko Yoshina. Here the pretty graphics go a little too far: the buyer finds no listing of compositions on the outside of the package and has no way of knowing what is played aside from a bare mention of the names of the 11 composers featured. That's where the All Classical Guide comes in. The works were all written in the twentieth century. They are: Michio Miyagi's Haru no umi (Ocean in Spring, a calming, melodic piece); Kaija Saariaho's Nocturne for violin solo (a somewhat avant-garde coloristic piece); Toru Takemitsu's Stanza II for harp and tape (also pretty far out and very Japanese-sounding); Yuji Takahashi's Insomnia for violin, voices, and kugo (strange, but oddly soothing); a movement from Satie's Le fils des étoiles as arranged by Takahashi (austere); Jean Françaix's Five Little Duets (100 percent charming); the Étude for violin from Richard Strauss's Daphne (also charming); Six Melodies by John Cage (simple and pleasant); Arvo Pärt's Spiegel im Spiegel (even simpler and not startling); Nino Rota's love theme from The Godfather (you know this one); and the final movement from Schnittke's Suite in the Old Style (gently Classical except for one deliberately horrendous dissonance).

    Filarmonica ’900 del Teatro Regio di Torino, Marzio Conti - Nino Rota: Symphonies Nos. 1 & 2 (2009)

    Posted By: Designol
    Filarmonica ’900 del Teatro Regio di Torino, Marzio Conti - Nino Rota: Symphonies Nos. 1 & 2 (2009)

    Nino Rota - Symphonies Nos. 1 & 2 (2009)
    Filarmonica ’900 del Teatro Regio di Torino, conducted by Marzio Conti

    EAC | FLAC | Image (Cue&Log) ~ 277 Mb | Mp3 (CBR320) ~ 145 Mb | Scans included
    Genre: Classical | Label: Chandos Records | # CHAN 10546 | Time: 01:02:10

    The concert works of film composer Nino Rota, best known for his scores for the Godfather trilogy and for a long series of films by Federico Fellini, have increasingly often been finding space in classical recording catalogs. Here's a nicely recorded rendering of Rota's two numbered symphonies, virtually unknown until perhaps the turn of the century, issued on a major British label, Chandos. Both are attractive pieces that could be profitably programmed by any symphony orchestra. They were composed in the 1930s, when Rota was as much American as Italian; he won a scholarship to the Curtis Institute in Philadelphia and studied there for several years. Both reflect the French neo-classic trends that flourished in the U.S. between the wars, and, although Rota sounds nothing like Copland, you do experience in these works an evocation of what annotator Michele Rene Mannucci aptly calls "landscape in sound." Each work is in the conventional four movements, with a slow movement placed second in the Symphony No. 1 in G major and third in the Symphony No. 2 in F major.

    Goran Gojevic, Mary Kenedi, Winona Zelenka, Lynn Kuo, Michael Sweeney - Nino Rota: Clarinet Sonata; Clarinet Trio (2013)

    Posted By: ArlegZ
    Goran Gojevic, Mary Kenedi, Winona Zelenka, Lynn Kuo, Michael Sweeney - Nino Rota: Clarinet Sonata; Clarinet Trio (2013)

    Goran Gojevic, Mary Kenedi, Winona Zelenka, Lynn Kuo, Michael Sweeney - Nino Rota: Clarinet Sonata; Clarinet Trio; Fantasia; Toccata; Improvviso (2013)
    EAC | FLAC | Image (Cue & Log) ~ 198 Mb | Total time: 59:07 | Scans included
    Classical | Label: Naxos | # 8.572778 | Recorded: 2010

    Although he is best known for his film scores and The Godfather in particular, Nino Rota’s concert music combines traditional tonality and forms with characteristically heartfelt melodies and appealing clarity. Contrasts abound in this selection of chamber works, from bassoon buffoonery in the Toccata to the Brahmsian eloquence of the Clarinet Sonata, and from the dramatic Improvviso and melancholy moods of the recently discovered Fantasia, to the jocular instrumental exchanges in the exquisite Trio.

    Orquesta Ciudad de Granada, Josep Pons, Benedetto Lupo - Nino Rota: La Strada; Il Gattopardo; Concerto Soiree (2005)

    Posted By: Designol
    Orquesta Ciudad de Granada, Josep Pons, Benedetto Lupo - Nino Rota: La Strada; Il Gattopardo; Concerto Soiree (2005)

    Nino Rota: La Strada; Il Gattopardo; Concerto Soirée (2005)
    Benedetto Lupo, piano; Orquesta Ciudad de Granada; Josep Pons, conductor

    EAC | FLAC | Tracks (Cue&Log) ~ 248 Mb | Mp3 (CBR320) ~ 147 Mb | Scans ~ 88 Mb
    Classical, Film Music | Label: Harmonia Mundi | # HMC 901864 | Time: 01:04:13

    It's great to see the music of Nino Rota getting so much attention. He was a wonderful composer, and the ballet suite from La strada may be his orchestral masterpiece (just a quick note: the French language title identifies this as a suite from the eponymous film; it is in fact the more familiar arrangement of the later ballet). There are now four competitive recordings of this piece, the least interesting of which is on Chandos with the Teatro Massimo orchestra: not bad, but not as well played or recorded as either Muti's slightly stiff version with the excellent La Scala forces, or Atma's brilliant recent release featuring the Greater Montréal Metropolitan Symphony Orchestra under Yannick Nézet-Séguin. All of the couplings differ in various ways, though Muti also has the dances from Il gattopardo (The Leopard).

    Nino Rota - The Godfather Part II: 50th Anniversary Remastered & Expanded Limited Edition (1974/2024)

    Posted By: Rtax
    Nino Rota - The Godfather Part II: 50th Anniversary Remastered & Expanded Limited Edition (1974/2024)

    Nino Rota - The Godfather Part II: 50th Anniversary Remastered & Expanded Limited Edition (1974/2024)
    EAC Rip | FLAC (tracks, cue, log) - 701 MB | MP3 CBR 320 kbps - 355 MB
    2:17:10 | Soundtrack, Smooth Jazz, Score | Label: La-La Land Records

    La-La Land Records, Paramount Pictures and Geffen Records proudly present a remastered and expanded Limited Edition 2-CD release of acclaimed composer Nino Rota’s (8 1/2, LA DOLCE VITA, THE GODFATHER) Oscar-winning original motion picture score to the 1974 masterpiece THE GODFATHER PART II starring Al Pacino, Robert Duvall, Diane Keaton and Robert DeNiro, and directed by Francis Ford Coppola. This deluxe release of Nino Rota’s brilliant score marks the 50th Anniversary of the classic second film in THE GODFATHER saga - arguably the greatest sequel of all time - and its iconic music, both of which have cemented themselves into our culture for eternity. Beyond the composer’s artful reprisals and interpretations of first film’s legendary waltz and love themes, the music of PART II soars further with Rota’s emotional new themes and explorations that enrich the film’s epic nature. And the Academy took note - among the film’s eleven Oscars, including Best Picture, the composer won for Best Original Score.

    Nino Rota - MASTROIANNI 100: The Best of Italian Cinema History (2024)

    Posted By: Rtax
    Nino Rota - MASTROIANNI 100: The Best of Italian Cinema History (2024)

    Nino Rota - MASTROIANNI 100: The Best of Italian Cinema History (2024)
    WEB FLAC (tracks) - 337 MB | MP3 CBR 320 kbps - 139 MB
    1:00:02 | Soundtrack | Label: UMG Recordings

    "Nino Rota – MASTROIANNI 100: The Best of Italian Cinema History" is a compilation album featuring the works of the renowned Italian composer Nino Rota, created in celebration of the 100th anniversary of Marcello Mastroianni's birth. The album showcases Rota's iconic scores from some of the most memorable films in Italian cinema history, many of which were collaborations with famous directors like Federico Fellini.

    Nino Rota - The Godfather (Music From The Motion Picture) (50th Anniversary Expanded & Remastered Edition) (1972/2022)

    Posted By: Rtax
    Nino Rota - The Godfather (Music From The Motion Picture) (50th Anniversary Expanded & Remastered Edition) (1972/2022)

    Nino Rota - The Godfather (Music From The Motion Picture) (50th Anniversary Expanded & Remastered Edition) (1972/2022)
    EAC Rip | FLAC (tracks, cue, log) - 677 MB | MP3 CBR 320 kbps - 387 MB
    1:53:35 | Full Scans Included | Jazz, Stage & Screen, Soundtrack, Score | Label: La-La Land Records

    La-La Land Records, Paramount Pictures and Geffen Records proudly present a remastered and expanded Limited Edition 2-CD release of acclaimed composer Nino Rota’s (8 1/2, LA DOLCE VITA, WAR AND PEACE) original motion picture score to the 1972 Academy Award-winning masterpiece THE GODFATHER starring Marlon Brando, Al Pacino and Diane Keaton, and directed by Francis Ford Coppola.

    I Compani - Fellini (2004)

    Posted By: Designol
    I Compani - Fellini (2004)

    I Compani - Fellini (2004)
    EAC | FLAC | Image (Cue&Log) ~ 406 Mb | Mp3 (CBR320) ~ 175 Mb | Scans included
    Contemporary Jazz, Film Music | Label: icdisc | # icdisc.nl 0401 | Time: 01:08:51

    I Compani has been around since 1985, and its mandate hasn't changed much at all since. The ensemble, formed and still directed by alto and tenor player Bo van de Graaf, devotes itself to the music of Nino Rota, whom film fans will recognize as Federico Fellini's Bernard Hermann. Over the years, van de Graaf and other members of the band have fattened the band's book with original compositions in the style of Rota, but it's Rota's work that still forms the core of I Compani's output. Fellini (IcDisc), a collection of Nota and van de Graaf compositions performed live, marks the band's second decade, and by now this routine is old hat. The band performs Rota's surreal folk music, minor-key ballads and carnival marches with balance and precision, saving the longer solos for van de Graaf's more atmospheric and open-ended pieces. Pieter Douma's electric bass gives the music a slightly funky touch, but the overall mood is respectful. For the curious: Fellini pulls from La Dolce Vita, 8 1/2, La Strada, Juliet of the Spirits, Amarcord and Casanova.

    Prague Philharmonic Orchestra, Nic Raine - Nino Rota: Franco Zeffirelli's Romeo & Juliet (1968) [Re-Recording 2002]

    Posted By: Designol
    Prague Philharmonic Orchestra, Nic Raine - Nino Rota: Franco Zeffirelli's Romeo & Juliet (1968) [Re-Recording 2002]

    Nino Rota: Franco Zeffirelli's Romeo & Juliet (1968/2002)
    Prague Philharmonic Orchestra, conducted by Nic Raine

    EAC | FLAC | Tracks (Cue&Log) ~ 314 Mb | Mp3 (CBR320) ~ 168 Mb | Scans included
    Classical, Soundtrack, Score | Label: Silva Screen | # FILMCD 358 | Time: 00:55:18

    Franco Zeffirelli's Romeo & Juliet Soundtrack album by Prague Philharmonic Orchestra was released Jun 25, 2002 on the Silva Screen label. This complete score to the 1968 version of ROMEO & JULIET was re-recorded by The City Of Prague Philharmonic Orchestra And Chorus.

    Jonas Kaufmann, Jochen Rieder, Rundfunk-Sinfonieorchester Berlin - Eine Italienische Nacht (2018)

    Posted By: ArlegZ
    Jonas Kaufmann, Jochen Rieder, Rundfunk-Sinfonieorchester Berlin - Eine Italienische Nacht (2018)

    Jonas Kaufmann, Jochen Rieder, Rundfunk-Sinfonieorchester Berlin - Eine Italienische Nacht: Live from the Waldbühne Berlin (2018)
    EAC | FLAC | Image (Cue & Log) ~ 356 Mb | Total time: 79:51 | Scans included
    Classical | Label: Sony Classical | # 19075879332 | Recorded: 2018

    Earlier this summer, Jonas Kaufmann, The world s greatest tenor (The Telegraph), performed his most popular Italian repertoire live at Waldbühne, Berlin s outdoor amphitheater. The smash-success live concert was recorded for Kaufmann s new album, An Italian Evening. Kaufmann brought-the-house-down with a succession of hits from his extremely popular Dolce Vita album as well as exciting arias and duets (with mezzo-soprano Anita Rachvelishvili) from the Italian opera repertoire including Volare, Non ti scordar di me and Nessun Dorma.

    Gianandrea Noseda, Filarmonica ‘900 del Teatro Regio, Turin - Nino Rota: Symphony No.3 (2011)

    Posted By: ArlegZ
    Gianandrea Noseda, Filarmonica ‘900 del Teatro Regio, Turin - Nino Rota: Symphony No.3 (2011)

    Gianandrea Noseda, Filarmonica ‘900 del Teatro Regio, Turin - Nino Rota: Symphony No.3; Divertimento concertante; Concerto soirée (2011)
    EAC | FLAC | Image (Cue & Log) ~ 215 Mb | Total time: 61:50 | Scans included
    Classical | Label: Chandos | # CHAN 10669 | Recorded: 2010

    The abundant concert works of Italian composer Nino Rota continue to surface in recordings, many on major labels. Doubtless this is partly because Rota carries marquee value from his association with the Godfather films, but his music, although surely a mixed bag, is often just plain fun. You can break it down into three general categories, which don't necessarily correspond to individual works but are heard in combination. First is the group of marvelously cinematic tunes that make this release of interest to the still-numerous fans of Rota's film music; the Concerto Soirée for piano and orchestra offers a generous selection.

    Marcin Markowicz, Grzegorz Skrobinski - Different Things: Erich Korngold, Nino Rota, Alfred Schnittke, Philip Glass (2017)

    Posted By: Designol
    Marcin Markowicz, Grzegorz Skrobinski - Different Things: Erich Korngold, Nino Rota, Alfred Schnittke, Philip Glass (2017)

    Different Things: Erich Wolfgang Korngold, Nino Rota, Alfred Schnittke, Philip Glass (2017)
    Marcin Markowicz (violin), Grzegorz Skrobiński (piano)

    EAC | FLAC | Image (Cue&Log) ~ 296 Mb | Mp3 (CBR320) ~ 162 Mb | Scans ~ 35 Mb
    Genre: Classical | Label: CD Accord / NFM | # ACD 235 / NFM 38 | 01:10:38

    Korngold, Rota, Schnittke, Glass – four different artistic personalities. Each of these composers was active in totally different conditions; and therefore their life circumstances and consequently their artistic choices are incomparable. What may connect Korngold and Nino Rota are their early debuts as composers – both were prodigies. Seeking analogies in the lives of Alfred Schnittke and Philip Glass would come to naught. There is, however, another common denominator for their work – all of them were hugely successful in writing film music. Korngold codified its modern canons ruling to this day. Without Nino Rota it would be difficult to imagine Federico Fellini’s masterpieces. Alfred Schnittke found in the realm of cinema a domain of relative artistic freedom; Philip Glass a platform for his ambitiously non-clichéd art, opposing the musical mainstream of the last decades of the 20th century and the first decades of the 21st century.