Three CD set. First-ever complete anthology by the 'Beach Baby' harmony pop hitmakers. Featuring both First Class LPs, all singles, pseudonymous releases and numerous previously unreleased tracks including advertising jingles and songs from an aborted 1974 musical. Arguably the ultimate Beach Boys tribute, 'Beach Baby' introduced a new name, The First Class - actually veteran pop hitmaker and songwriter John Carter with the aid of Chas Mills and lead singer Tony Burrows. While other singers and musicians adopted the name to front their music in public, the Carter/Burrows/Mills combination continued to record new First Class material, including a self-titled LP that is quite possibly the finest, most ambitious British harmony pop album of the 70s.

Paul Huang and Helen Huang have been exploring the repertoire for violin and piano for now a decade.​ As a way of celebrating their fruitful and enriching collaboration, they have devised this album as an​ ingenious game of mirroring. The title of this second album for naïve is not accidental, as the two​ musicians offer highly diverse perspectives. This new recording focuses first on two sonatas composed​ by Francis Poulenc (1942-1943) and Sergei Prokofiev (1938-1946) during the second world war of the​ 20th century, respectively at the opening and closing of this album. Between these two pieces, Spiegel im​ Spiegel by Arvo Pärt (1978), a page with ethereal lines, a moment of introspection and calm that becomes a space for contemplation and reflection necessary in this otherwise dense and angular​ programme.

This second album of early 19th century bassoon concertos by Jaakko Luoma and Tapiola Sinfonietta includes four delightful concerto gems written for Frans Carl Preumayr (1782–1853), proficient and talented bassoonist who moved to Stockholm in 1802. Probably the best-known of the works were written by his Finnish father-in-law Bernhard Henrik Crusell and Franz Berwald, Sweden’s most famous composer of the Romantic period. However, the impressive bassoon concerto by the Swiss-born Édouard Du Puy has been very rarely heard. Also the German-born composer Eduard Brendler has been largely forgotten by music history. All four works are powerful, interesting, and demanding solo compositions which offer a thrilling journey into the musical life in one of the Nordic music capitals 200 years ago.

Brahms's two masterpieces for cello and piano are heard in new recordings by Emanuel Gruber and Arnon Erez. The Jerusalem Post wrote that Emanuel Gruber is "one of our great artists" citing "his extraordinary capacity for projecting the deepest meaning of the music". Awarded the Pablo Casals prize by the Israel Philharmonic Orchestra, he also won the Concert Artists' Guild Auditions early in his career. Arnon Erez has performed in major concert halls, including Carnegie Hall in New York, Beethoven Halle in Bonn, Alte Oper in Frankfurt, Musikverein in Vienna, Wigmore Hall in London and the Concertgebouw in Amsterdam.