Ted Nugent - Don't Mess With Texas (2021)
MP3 CBR 320 kbps - 201 MB
1:23:27 | Hard Rock | Label: Hobo
MP3 CBR 320 kbps - 201 MB
1:23:27 | Hard Rock | Label: Hobo
The San Antonio Broadcast 1977.
Su | Mo | Tu | We | Th | Fr | Sa |
---|---|---|---|---|---|---|
29 | 30 | 1 | 2 | 3 | 4 | 5 |
6 | 7 | 8 | 9 | 10 | 11 | 12 |
13 | 14 | 15 | 16 | 17 | 18 | 19 |
20 | 21 | 22 | 23 | 24 | 25 | 26 |
27 | 28 | 29 | 30 | 31 | 1 | 2 |
As Ted Nugent's dominant persona took over the sound as well as the band name, Tooth, Fang & Claw brought his Amboy Dukes concept a step closer to the stadiums than its predecessor, Call of the Wild. The bandmembers don't get photos on the back this time, it's just Nugent being a madman up against some Fender and Marshall amps. The songwriting credits on the originals are all his now as well. "Lady Luck" plays as if the "American Woman" riff by the Guess Who got inverted, placed upside down in the middle of the song, and then finds itself coated in Ted Nugent's flashy and glitzy guitar work. The instrumental "Hibernation kinda touches upon the "Journey to the Center of the Mind" riff just for a moment and veers off into points unknown.
A fine compilation of the the Detroit rocker's good times gonzos. "Motor City Madhouse" is a track from Ted's first solo album and the madness has never left! A powerful, high-decibel guitarist and singer who hit the peak of his fame in the '70s with a gonzo act that earned him the nickname Motor City Madman.
This album won't supplant Double Live Gonzo! in the record collections of Nugent fans, and it certainly won't win him any new listeners, but just like 2008's Sweden Rocks (and his previous two studio albums), it's evidence that even as he persists in his obnoxious right-wing crankitude on cable talk shows and in print, when the Nuge straps on his Gibson, he can still lay waste to an audience. This July 4, 2008, show, recorded before a rapturous hometown crowd, is a greatest-hits run-through with a few surprises and a version of then-new single "Love Grenade," but the current rhythm section – bassist Greg Smith and drummer Mick Brown – gives the old songs a visceral kick, and Nugent's leads and solos scream and sting as powerfully as ever…