We’re returning to the fertile grounds of Northern California for the next installment in the GarciaLive series. GarciaLive Volume 17: NorCal ’76 will present highlights from three* stand-out Jerry Garcia Band performances captured over the span of a week — November 7th at the Keystone in Berkeley; November 12th at the University of California, Davis; and November 13th at Humboldt State University in Arcata. While a myriad of challenges from reel damage to tape loss and other assorted technical difficulties spoil any opportunity to feature the complete performances, what remains of Betty Cantor-Jackson’s original recordings offers some of the finest performances from this iteration of the Jerry Garcia Band.

Garcia Live Volume 16 is a three-CD album by the Jerry Garcia Band. It contains the complete concert recorded on November 15, 1991 at Madison Square Garden in New York City. It is scheduled to be released on June 25, 2021. This show was the Jerry Garcia Band's first appearance at Madison Square Garden. It featured their 1986 to 1993 lineup of Jerry Garcia on guitar and vocals, Melvin Seals on keyboards, John Kahn on bass, David Kemper on drums, and Jaclyn LaBranch and Gloria Jones on backing vocals.

Garcia Live Volume 16 is a three-CD album by the Jerry Garcia Band. It contains the complete concert recorded on November 15, 1991 at Madison Square Garden in New York City. It is scheduled to be released on June 25, 2021. This show was the Jerry Garcia Band's first appearance at Madison Square Garden. It featured their 1986 to 1993 lineup of Jerry Garcia on guitar and vocals, Melvin Seals on keyboards, John Kahn on bass, David Kemper on drums, and Jaclyn LaBranch and Gloria Jones on backing vocals.

The third Garcia/Grisman album, this one concentrating on the traditional 'folk' song aspect of their repertoire.

Studio outtakes from a 1994 recording session featuring Grateful Dead guitarist Jerry Garcia and guitarist-composer Sanjay Mishra have been released by the Jerry Garcia Music Arts imprint as Front Street Outtakes. The three-track collection consists of songs laid down during the sessions that yielded Mishra and Garcia’s 1995 album Blue Incantation.

GarciaLive Volume 13 puts a spotlight on the Jerry Garcia Band's legendary September '89 run highlighting the September 16th show at Poplar Creek Music Theatre located in the suburbs of Chicago. Alongside the Jerry Garcia Band – John Kahn, David Kemper, Melvin Seals, Gloria Jones, and Jacklyn LaBranch – there is one BIG addition on saxophone… the Big Man, Clarence Clemons (Bruce Springsteen and the E-Street Band).

This Grammy-nominated disc heralds the origins of the highly acclaimed acoustic duo of Jerry Garcia (guitar/vocals) and David "Dawg" Grisman (mandolin). They had been chums for years by the time they began their direct partnership in earnest on December 7, 1990, with a nine-song set at the Sweetwater in Mill Valley, CA. Over half of that material would be reworked the following spring – for inclusion on this disc – at Grisman's newly appointed, plush, and well-lit Dawg Studios. Along with David Grisman Quintet members Jim Kerwin (bass) and Joe Craven (percussion/fiddle), Garcia and Grisman revive a few familiar tunes covering every dimension of popular music, ranging from the blues ("The Thrill Is Gone") to folk-rock ("Friend of the Devil"), as well as pop music standards such as Irving Berlin's "Russian Lullaby" – which Garcia had previously covered on his 1974 Garcia (Compliments) album – and Hoagy Carmichael's "Rockin' Chair." They also examined the origins of authentic traditional folk ("Walkin' Boss"/"Two Soldiers").

Even among Deadheads, there's always been a sense that Jerry Garcia's studio albums have been somewhat ignored. Part of this ties back to the often repeated urban legend that the Grateful Dead were never as good in the studio as they were live – an argument that has some truth but tends to downplay the merits of the studio albums, which had their own distinct attributes. This also applies to Garcia's studio records, but as a whole they're more problematic than the Dead's catalog…