Following the global cinematic release of Björk: Cornucopia, the visionary live experience is now set for its first-ever physical release. Available in multiple formats including 3LP, 2CD+DVD, 2CD, DVD, Blu-ray and 4K UHD.

Dressed To Kill celebrates 50 years with a specially tailored Super Deluxe. The original album is newly remastered by Bernie Grundman from the 1975 stereo analog master tapes on CD 1. CD 2 showcases 23 demos, alternate mixes and instrumental outtakes from the Larrabee Sound and Electric Lady Studios sessions including the unreleased tracks “Mistake” and “Burning Up With Fever.” From the 1975 Dressed To Kill Tour comes two full concerts – Cobo Arena in Detroit, Michigan on May 16 and RKO Orpheum Theatre in Davenport, Iowa on July 20, First Show – both newly mixed by legendary producer & engineer Eddie Kramer from the original multi-track analog tapes as KISS performed in 1975 – no overdubs.

With this album eleven British and American blues stars took the fabric of some of the best songs of the 20th Century and spun their own magic, performing from the heart in the way great Blues and Soul artists have always done.

Falco’s 1985 album Falco 3, will be reissued for its 40th anniversary in October. The Austria singer’s third album features the international hit ‘Rock Me Amadeus’ which was number one virtually everywhere – including the UK and USA – as well as ‘Vienna Calling’ and ‘Jeanny’ which also did very well. There was two versions of Falco 3, the original European version released in 1985 and the ‘International’ version issued in UK, USA and Japan and a few other countries. The latter replaced the standard album versions of ‘Rock Me Amadeus’ and Vienna Calling with 12-inch versions (the ‘Salieri Version’ and ‘Metternich Arrival Mix’, respectively) and uses a photo of Falco on the front cover, rather than the red ‘autograph’ version.

With Hourglass, Antibalas returns to its instrumental roots. Previous albums featured lyrics that addressed topics like patriarchy, climate change, militarism, late stage capitalism, oligarchy, white ethnonationalism, and the genocide of Native Americans. In this album the group rearticulates these themes, however speaking through melody and rhythm. “Once a song has lyrics, everyone who doesnʼt speak that language is on the outside. We use rhythm and melody to translate the emotions in the album and make it universally accessible,” explains the co-producer/founder Martín Perna.

Celebrating the 40th anniversary of Clannad's 1985 album, Macalla (meaning ""Echo"" in Irish) and newly remastered by Phil Kinrade at Air Studios. This ninth studio album became their first international success and marked a significant point in the band's career, showcasing a blend of their traditional Irish folk roots with a more mainstream, pop-influenced sound.

The King Of Rockabilly Carl Perkins returns to Sun Records with the landmark release of his never-before-heard album, Some Things Never Change. Tracked in Nashville and his Jackson pool house, Perkins shines as produced by Bill Lloyd. Arriving in celebration of 70 years of “Blue Suede Shoes,” the album features new originals and versions of John Hiatt's "Memphis In The Meantime" and Johnny Cash's "Get Rhythm," backed by sons Stan and Greg Perkins and studio aces Jerry Douglas and Pete Finney.

I’ve always been captivated by the night sky, endlessly wondering about what lies beyond. Amidst the vast expanse of stars, there is a sense of balance and symmetry that fascinates me—an order within the chaos. The innate patterns of the constellations sparked my curiosity, prompting me to explore how these celestial forms might be translated musically.

After years of writing, wandering, and starting over, Evan Dando returns with Love Chant, the first Lemonheads studio album of original material in nearly two decades. Long in the works and shaped by shifting geographies and a cast of trusted collaborators, it’s a bold, melodic reaffirmation of one of alternative rock’s most distinctive voices.

Distinctive Scottish pianist and composer Fergus McCreadie presents The Shieling, an album that marks a nuanced and subtle yet powerful shift for him and his trio. Following the huge acclaim and success of Cairn, Forest Floor (shortlisted for Mercury Prize and winning Best Album at Scottish Music Wards) and Stream, Fergus McCreadie draws on fresh inspiration from the wild, elemental beauty of North Uist in the Scottish Outer Hebrides. Recorded in a remote cottage and produced by celebrated and fellow Mercury shortlisted artist, Laura Jurd (Dinosaur), The Sheiling reflects a deeper sense of oneness and primal rawness. The trio - recording in one room with McCreadie on an upright piano - finds new ground to their sound - lyrical, untamed and alive.

Acclaimed Swedish clarinettist and conductor, Martin Fröst is proud to announce his brand-new album, B.A.C.H. dedicated to the music of JS Bach.  Bach’s music has fascinated Fröst throughout his life, being enchanted and beguiled by its intimate form, even at a very young age.  Although Bach never encountered the clarinet, this has proved no barrier for Martin Fröst, who has returned to Bach’s music time and time again throughout his illustrious career.  In the past, Fröst devised performance programmes entitled "Beyond All Clarinet History" (B.A.C.H.), which intertwined Bach’s timeless melodies with new arrangements and he returns to this original idea here with sparkling new interpretations both for clarinet and a variety of other instruments, such as bass, cello, and theorbo that form the linchpin of his new "B.A.C.H." album, to be released by Sony Classical.

Gelosia! (Jealousy!), Philippe Jaroussky’s latest project with the instrumentalists of Artaserse, takes its dramatic name from two solo cantatas receiving world premiere recordings. Programmed beside cantatas by Vivaldi, Handel and Alessandro Scarlatti, they are by the Neapolitan Nicola Porpora (1686-1768) and the Venetian Baldassare Galuppi (1706-1785). Though composed some 35 years apart, both cantatas set the same text, ‘La Gelosia’, written by the prolific Pietro Metastasio.

or Yoav Levanon, Franz Liszt is “an artist whose impact on the music world is immeasurable,” and “a supportive, loving and understanding presence that has accompanied me throughout my journey as a pianist and musician.” Works by Liszt have graced two of Levanon’s three previous Warner Classics recordings, and now the young Israeli-born pianist has recorded the twelve Transcendental Etudes, a high point in the Romantic repertoire for piano. The term ‘transcendental’ applies to the capacities required of the performer, but it also embraces the mystical and spiritual implications of the music. “When I approached the Transcendental Etudes – that name of glory which still strikes awe in the world of pianists – I knew I wanted to make one thing clear,” says Levanon. “That this project was never about virtuosity for its own sake. Instead, it was about what virtuosity allows us to uncover … The deeper I went, the more I recognised the extraordinary expressive range of the Etudes – emotional, spiritual … even symphonic in scale. Each piece is a universe of its own. These works are layered, complex, and endlessly revealing. They invite us into vast inner landscapes, full of hidden colours and meanings that demand something far deeper than brilliance."

Celebrating the 2025 Rock and Roll Hall of Fame Induction and the 50th Anniversary of rock icons Bad Company, comes a band sanctioned and first ever tribute album – Can’t Get Enough: A Tribute to Bad Company. This special release features current and legendary artists from the Rock, Country, and Americana genres—including The Pretty Reckless, Charlie Crockett, Slash, HARDY, Def Leppard amongst others—offering fresh interpretations of Bad Company’s classic songs. Both frontman Paul Rodgers and drummer Simon Kirke also appear on several tracks, performing alongside these artists. The tribute album is executive produced and curated by Gary Spivack (Danny Wimmer Presents), who programs all U.S. rock festivals.