The first 10 years of Magma were celebrated with the music written by Christian Vander on three memorable evenings in June 1980 at the Olympia theatre in Paris. This retrospective, reuniting most of the musicians who had performed in the group, was issued as two albums, Retrospektïẁ 1/2 (Double) and Retrospektïẁ 3 (Single). Issued first, Retrospektïẁ 3 comprises 3 titles, Retrovision, a long piece in the style of the album Attahk, in which the vocalists Stella Vander, Guy Khalifa and Maria Popkiewicz turn in a blazing performance over a driving rhythm section, followed by a supercharged version of Hhai, in which the trio Lockwood/Paganotti/Widemann works miracles. And finally La Dawotsin, where, in a more muted register, Christian Vander’s voice triumphs through its mastery and profound sensibility.

Zëss had long been plagued by its incompleteness and its recording was deferred for years. Four decades after its first draft, the work has finally been recorded in an orchestral version that gives it both its true dreamlike dimension and its transcending power. For Zëss is above all the visionary reflection of an immemorial dream haunting the most obscure part of our souls. Zëss treads a line between a vital overflowing and the edges of the unlivable. It is an incandescent and heady oratorio where consciousness questions its other side in a measureless journey. Zëss indicates the ultimate reversal out of which bursts a beyond of music that only music can reach. Magma’s whole story condensed…

This particular concert, recorded in Bourges in 1979, stands out as a moment of grace, partly due to its extreme tension and the risks taken collectively, which the audience still reminisces of to this day.

Ẁurdah Ïtah is a 1974 album by Magma/Christian Vander. The album was recorded by a core quartet of Magma members (only consisting of drums, bass, piano, and vocals). Initially released under Vander's name as a soundtrack studio album for Yvan Lagrange's 1972 avant-garde film Tristan et Iseult, it was re-released on Magma's label Seventh Records in 1989 with the Magma logo on its cover, and is generally regarded as a Magma album.

Available Jan 25th, 2021, featuring bonus track of more than 15 minutes – the first studio recording of the song “Rétrovision”!

Weidorje, formed in 1977 by two ex-Magma members, Bernard Paganotti and Patrick Gauthier (also keyboardist for Heldon, a group that featured Richard Pinhas) is one of Zheul's children, probably the most faithful and the closest musically and spiritually to Magma. One can find a mythology close to Magma's one: "the wait of a flying saucer that would come one morning take us with its new values, sane and safe".
Weidorje means "celestial wheel". This word appears for the very first time in Magma's album "Üdü Wüdü" in the form of a short track (4:30) composed by Paganotti and Blasquiz, the latter being the second master brain in Magma, along with Vander (Blasquiz achieved by the way Weidorje's cover art)…

A must for Magma fanatics, fans and freaks everywhere. An opportunity not to be missed. For the first time ever, the full set of 9 incredible studio albums - from Kobaia to K.A - in deluxe digipack form. Each volume has its own 32 to 48 page booklets, containing photos and previously unpublished documents re-telling the story of Magma in 9 detailed chapters. Also includes a bonus double CD of archive documents: the first demo recorded by the band in 1970, the original sound track from the film 24 heures seulement recorded that same year by the line-up playing on the first album, a demo version of MDK with just rhythm section and a vocal guide track, and a version of Eliphas Levi with drums.

Due to COVID-19, the French avant-garde band Magma was unable to perform live, so they decided to dive into the studio to create new material. This resulted in a brand new album titled Kãrtëhl, a collective album such as they have not made in a long time. The band reformed in 2020 and added new musicians to the lineup, which created opportunities for new innovative compositions. After the rather dark 2019 Zëss, this new work Kãrtëhl features bright and resolutely optimistic collective new work, the result of an “Operation Kartëhl”. Kãrtëhl includes 6 new tracks and an additional 2 bonus tracks, which are demos from Christian Vander's personal collection, recorded at home in 1978.

Whether you get it or you don’t, Magma’s music is still growing stronger and stronger each day to blow those doors down with a giant battering ram ready to burst through. Sung in the styles of the Kobaïan language created by founder Christian Vander, they created forms of Jazz, Opera, Classical, Soul, Avant-Rock, and Progressive music for fifty-two years. This year Magma have released their 19th release from AKT series which covers their archival and musical live recordings. This 2-CD set consists of performances they did for their aborted French tour in Bourdeaux, Toulouse, and Perpignan on March 6, 7, and 8th before everything shut down due to the pandemic and COVID-19.

February 29, 2020: like wild beasts, we stormed the stage of Penmarc'h, the first concert of our tour. Then came Nantes, Bordeaux, Toulouse, Perpignan and Saint-Étienne. Every night, the band, honed like a blade, leapt at the chance for battle! In Besançon, our momentum was thrown off by an offbeat. ESKAHL captures the concerts of this new MAGMA and its new line-up, more vibrant than ever! Magma is there, will always be there. And nothing – no, nothing! – will stop us!

As stated before, this album is rather short, but man is it dense. This seems to be the perfect synthesis between the "old" more "violent" Magma and the "new" more vocal oriented Magma, and it is excellent. Highly recommended to adventurous listeners who enjoy intense, transcendental listening experiences.