Lark in the Morning: The Early Years is a mid-priced, two-disc rendering of the band's first three records. Remastered for the first time, Hark! the Village Wait, Please to See the King, and Ten Man Mop are featured in their entirety, and in their original sequence, making this an absolute necessity for fans, and a perfect entry point for the uninitiated. Steeleye Span are masters of arrangement, and nowhere is that more evident than on their debut. Though familial tension ran high during its recording, Hark! the Village Wait yielded some of the most agreeable tunes the band ever laid to tape. Beginning with the a cappella "A Calling-On Song," the group established itself as peerless singers, utilizing the dual lead vocals of sirens Gay Woods and Maddy Prior to a tee, particularly on "My Johnny Was a Shoemaker" and "Dark Eyed Sailor." The lineup is legendary, rivaling only Fairport Convention in their Sandy Denny/Richard Thompson heyday. Ashley Hutchings, Dave Mattacks, Tim Hart, future Pogue Terry Woods, and Gay and Maddy produced a landmark album that continues to inspire countless musicians and fans alike.

Live at Last is a live album by the British folk rock band Steeleye Span. It is the first live album the band issued, after eight years of performing and releasing 10 studio albums. It was originally intended to be a farewell album. "This then is our eleventh and final album. Steeleye Span amicably disbanded five days after making this recording for reasons that are irrelevant here.” It is one of only two albums the band issued on which John Kirkpatrick played (not counting a later live reunion album, The Journey), making it one of only two albums to employ an accordion as a primary instrument. The album is also notable because only two of the tracks ("Saucy Sailor/Black Freighter" and "False Knight on the Road") were songs that the band had recorded before, so that most of the material on the album is essentially new material. The band went on to release a second live version of "The Maid and the Palmer" on The Journey.

3 CD Set, 60 great tracks. Mott The Hoople, Roxy Music, Electric Light Orchestra, The Sweet, Bay City Rollers, Smokie, Mud, Suzi Quatro, Steeleye Span, Madness, XTC, Blondie, The Hollies, Deep Purple, Hot Chocolate, The Isley Brothers, Earth Wind & Fire, Boney M, David Essex, Middle Of The Road, Dr. Hook, Gladys Knight & The Pips, T-Connection and more, and more.

Steeleye Span are amongst the biggest and most commercially successful folk rock bands. Their career, spanning over 50 years, has seen them achieve 4 Top 40 albums and 2 Top 20 singles as well as countless sold out live shows. Through an everchanging line up, their popularity has continued to this day. This collection brings together their recordings over an 11 year tenure with Chrysalis Records covering the years 1972-1983. Housed in a clamshell box with a 56 page perfect bound book, there are 145 tracks, (46 unreleased) over 12 CDs include a number of unreleased studio tracks including an expanded version of New York Girls (featuring Peter Sellers), a studio take of The Devil's Dream, 3 previously unavailable additional live tracks from the Live At Last" album, an Australian only live album, as well as 2 completely new live concerts from The Rainbow Theatre in London from 1974 and the Boston Berklee Performance Centre from 1976. The Rainbow show in particular has been the subject of much speculation with a small selection of tracks appearing on various low quality bootlegs over the years. The band are undertaking a (delayed) 50 year celebratory UK tour with 17 dates in May and a further 7 dates in October.

(2-CD set) Drawn from their 20 years on the Park Records label, The Essential Steeleye Span: Catch Up looks back at the recent history of one of the most prolific bands of their age. From 1996's Time up to their Wintersmith collaboration with the late Sir Terry Pratchett, the album features some of the most memorable moments in Steeleye's long and distinguished career; whether it be from their string of acclaimed Park releases or a number of new recordings of their most famous songs. Including rare and unreleased material, this is the perfect release for those new to the group or returning fans - a snapshot of a band still at the peak of their creative powers.

Recorded live on the spring tour 2011.
Even with a career that has brought us an incredible twenty-one studio albums, British folk legends Steeleye Span’s history still includes a number of records that stand out as landmarks. 1974’s Now We Are Six was one such moment, an album that saw the band expand both their line up to a six piece and with it their sound to explore even further their own unique blend of rock and folk music. A critical and commercial success, the record would provide a home to a number of band classics down the years.
Thirty-seven years later and Steeleye Span find themselves at another milestone…

The third Steeleye Span album, Ten Man Mop opens with possibly the most beautifully sung number of their entire history, "Gower Wassail," which also makes a very strong case for the use of electric guitars in a traditional folk setting. "Paddy Clancy's Jig/Four Nights Drunk" was the group's first great electric adaptation of traditional dance, None of the rest is quite that good, highlighted by Maddy Prior's haunting performance on "When I Was on Horseback" (although the song drones on a little too long at six-and-a-half minutes), the delightful "Marrowbones," the riveting "Stewball," and the rousing reels "Dowd's Favourite," "£10 Float," and "The Morning Dew."