Flesh and Blood (stylized as Flesh + Blood) is the seventh studio album by the English rock band Roxy Music. Released in late May 1980, it was an immediate commercial success peaking at No. 1 in the UK for one week in June and then returned to the summit in August for another three weeks, in total spending 60 weeks on the albums chart in the United Kingdom. The album also peaked at No. 35 in the United States and No. 10 in Australia. The album was made after their drummer Paul Thompson had left the band, essentially making Roxy Music a three-piece band consisting of Bryan Ferry, Andy Mackay and Phil Manzanera.

Falling halfway between musical primitivism and art rock ambition, Roxy Music's eponymous debut remains a startling redefinition of rock's boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures. Although no musician demonstrates much technical skill at this point, they are driven by boundless imagination – Brian Eno's synthesized "treatments" exploit electronic instruments as electronics, instead of trying to shoehorn them into conventional acoustic patterns. Similarly, Bryan Ferry finds that his vampiric croon is at its most effective when it twists conventional melodies, Phil Manzanera's guitar is terse and unpredictable, while Andy Mackay's saxophone subverts rock & roll clichés by alternating R&B honking with atonal flourishes.

Avalon is the eighth and final studio album by English rock band Roxy Music. Released in May 1982, it was recorded in 1981–82 at Compass Point Studios in Nassau, Bahamas, and is generally regarded as the culmination of the smoother, more adult-oriented sound of the band's later work. It was the band's most successful studio album, reaching No. 1 in the UK (for 3 weeks) and staying on the album charts for over a year. Although it only peaked at No. 53 in the United States, Avalon endured as a sleeper hit and became the band's only million-selling record in that country, ultimately receiving a platinum certification.

The first Ferry and Roxy collection to include Bryan's most recent work alongside such group and solo masterpieces as Virginia Plain; Street Life; Love Is the Drug; Avalon; More Than This; A Hard Rain's Gonna Fall; Both Ends Burning; Smoke Gets in Your Eyes; Angel Eyes; Over You; The Same Old Scene; Let's Stick Together (Let's Work Together); Sign of the Times, and more. 45 tracks from the most debonair (and complex) singer in rock.

Special 15 track collection from the lead singer and co-founder of Roxy Music's solo career. The tracks are drawn primarily from his solo albums along with a few Roxy chestnuts thrown in for good measure. Includes alt versions of "Let's Stick Together" and "The Price Of Love" as well as the only CD appearance of the song "Help Me" that was used in the motion picture "The Fly".

Recorded live in France in 1982 but not released on CD in the U.S. until 1990, Heart Still Beating isn't quite in a class with Roxy Music's first live album, Viva, but nonetheless gives us a lot to be excited about. Lead singer Bryan Ferry and guitarist Phil Manzanera sound quite inspired much of the time, and Manzanera delivers some excellent solos. Longtime Roxy devotees will want to savor engaging versions of "Out of the Blue" and "Both Ends Burning" (both of which were heard on Viva), as well as such favorites as "Dance Away," "Avalon" and the clever "Love Is the Drug." Roxy comes closer to a mainstream rock sound on enjoyable interpretations of Neil Young's "Like a Hurricane" and John Lennon's "Jealous Guy," but even then, the distinctive band's quirky art-rock tendencies remain.

Avalon is the eighth and final studio album by English rock band Roxy Music. Released in May 1982, it was recorded in 1981–82 at Compass Point Studios in Nassau, Bahamas, and is generally regarded as the culmination of the smoother, more adult-oriented sound of the band's later work. It was the band's most successful studio album, reaching No. 1 in the UK (for 3 weeks) and staying on the album charts for over a year. Although it only peaked at No. 53 in the United States, Avalon endured as a sleeper hit and became the band's only million-selling record in that country, ultimately receiving a platinum certification.

Flesh and Blood (stylized as Flesh + Blood) is the seventh studio album by the English rock band Roxy Music. Released in late May 1980, it was an immediate commercial success peaking at No. 1 in the UK for one week in June and then returned to the summit in August for another three weeks, in total spending 60 weeks on the albums chart in the United Kingdom. The album also peaked at No. 35 in the United States and No. 10 in Australia. The album was made after their drummer Paul Thompson had left the band, essentially making Roxy Music a three-piece band consisting of Bryan Ferry, Andy Mackay and Phil Manzanera.

In the four years between 1975’s ‘Siren’ and 1979’s ‘Manifesto’, pop music had undergone a series of seismic shifts, with both disco and new wave threatening to cast into obsolescence many of Roxy Music’s contemporaries. No such worries for Roxy, however. Not only had their early records stood the test of time, they’d helped formulate this new future anyway and many of the new guard from the Sex Pistols to Chic actively cited Roxy as influences whenever given the chance. Kicking off with the title track – as strong a statement of intent to begin any album – ‘Manifesto’ effortlessly surfed the 1979 zeitgeist and delivered some of the band’s best-loved songs to date. Meanwhile its second single, the soulful ballad ‘Dance Away’ became the UK’s 9th biggest-seller that year.

Original Hits: 70s is a decent six-disc set, highlighting 111 pop singles released in that decade. Along with the original versions of radio classics by Al Stewart, Blondie, the Knack, KC & the Sunshine Band, and Dr. Hook, are less-than-obvious inclusions by Peter Tosh, XTC, the Move, and Benny Hill!

As Roxy Music took an extended hiatus, the live album Viva! was released. Comprised of material recorded on tours from 1973, 1974, and 1975, Viva! is a tough, powerful document of Roxy at the peak of their live powers, featuring a fine cross-section of their best work.

THE COMPLETE LEGEDARY BROADCAST FROM 1974  Roxy Music’s fourth LP, Country Life, was released in November 1974 and was the first Roxy album to enter the US Top 40, albeit at No. 37. Country Life was met with widespread critical acclaim, with Rolling Stone referring to it "as if Ferry ran a cabaret for psychotics, featuring chanteurs in a state of shock".  The band had begun touring their new album in September of ’74, and had played more than 30 shows across the UK before heading off to continental Europe on November 5th, to perform a further handful in Germany, Sweden, Holland, Belgium, France and Switzerland through November. In February and March 1975, Roxy toured the US.  Roxy Music’s final two shows in the UK during this jaunt took place at Newcastle City Hall on October 27th & 28th 1974, and the latter of these two was recorded for live radio broadcast. Four numbers form this date appeared later on Roxy’s first live album, Viva! Roxy Music, released in August 1975, but previously the entire concert has remained unreleased.  This new CD now addresses this situation, featuring as it does the complete 28th October 1974 broadcast of Roxy Music live at Newcastle City Hall, certain to become a must-have item for the band’s thousands of fans still flying the flag for one of Britain’s finest and most challenging groups of the 1970s and 1980s.

Heels click on a pavement, an ignition key turns in a lock, a prowling bassline heralds the revving of an engine and as the stalking ‘Love Is The Drug’ settles into its groove we are well and truly off. Opening with one of the all-time great dancefloor singles of any era, and containing a collection of songs described by Greil Marcus as “perhaps the most perfectly crafted album of the decade” the fifth Roxy Music album in three years showcased all of the band’s fearless musical virtuosity to date and hitched it to an intense, rhythmic rock-based sound on dervishes like ‘Whirlwind’, ‘Just Another High’ and – yet another classic single – the pulsating ‘Both Ends Burning’. “Hell, who can sleep in this heat, this night?” pleads Bryan Ferry as the latter reaches its shimmering climax, encapsulating ‘Siren’’s overall atmosphere in a single phrase.

The first Roxy album to break the US Top 40 demonstrated that, four records in, the band were every bit as hungry, audacious and pioneering as on their debut two years earlier. Opening with the urgent, propulsive ‘The Thrill Of It All’, ‘Country Life’ effortlessly embraces avant-garde song structures, touching ballads, English nostalgia, visceral hard rock, European influences and even medieval Christian references without skipping a beat. The resulting album is yet another immensely satisfying musical experience. Compared to their peers, it’s almost frightening what sounds Roxy Music could perfect and make their own. The album is considered by many critics to be among the band's most sophisticated and consistent.

Stranded, the third long playing outing from Roxy Music, not only gave the band their first No. 1 album in the UK but was also the first to come to the wider attention of US audiences. An incredibly accomplished and consistent collection of songs, Stranded thrills from start to finish – from the definitive album opener (and hit single) ‘Street Life’ to the affecting ballad ‘Just like You’, the smouldering ‘Song For Europe’ and the epic (and one of the all-time great Bryan Ferry compositions) ‘Mother Of Pearl’. From its Antony Price-styled sleeve in, Stranded is nothing short of a musical hothouse, brim-full of colour, drama and exotica.