It s got to be a very special release that has Suzi Quatro announce proudly: The Devil In Me is the best album in my career to date! After all, the American rock vocalist would hardly utter such superlatives lightly. Suzi s enthusiasm for her latest offering has many reasons, twelve of them to be precise. Because The Devil In Me consists of exactly a dozen songs, each of them from the opening track and title song to the final Motor City Riders a real highlight. The reasons for Suzi s remarkable creative explosion: on the one hand the lockdown, which kept her from her usual touring life in spring 2020, and on the other another collaboration with her son Richard Tuckey, which had already worked out extremely well on her predecessor album No Control.

Thorough retrospective with 32 of the best tracks she cut for the Bell, Big Tree and RSO labels, including all of her U.S. chart hits for these labels: her top five collaboration with Chris Norman, 'Stumblin' In', plus 'She's In Love With You', 'I've Never Been In Love', 'If You Can't Give Me Love', 'Can The Can' and 'All Shook Up'.

Original Hits: 70s is a decent six-disc set, highlighting 111 pop singles released in that decade. Along with the original versions of radio classics by Al Stewart, Blondie, the Knack, KC & the Sunshine Band, and Dr. Hook, are less-than-obvious inclusions by Peter Tosh, XTC, the Move, and Benny Hill!

This is one fantastic record!. The fact that the bulk of this material was recorded in 1983 and not released until it's first reincarnation in 1997, and then, now again by 7T's records is a mystery to me. Every track on this infectious album comes alive and showcases Suzi's abilities to handle a wide range of material. The band is top notch - production and guitar work by Len Tuckey is subliminal.

As glam rock debut albums go, you'll have to search a long way to find one that outclasses Suzi Quatro's opening shot. Though her fame and, of course, her hit singles thus far were based around songwriters Nicky Chinn and Mike Chapman's guileless ability to crank out the classics, away from the glare of TV and radio play the pair allowed Quatro and partner Len Tuckey full rein. The result was an album of several very distinct parts, inextricably linked by the sheer power of the Quatro personality. The heart of Suzi Quatro lies in the band's choice of covers.

With Joan Jett witnessing something of a revival thanks to the recent Runaways biopic, the original leather-jumpsuit-wearing rock icon Suzi Quatro returns to prove that nearly 40 years on from her self-titled debut, she can still pack a few punches herself. Co-written with previous collaborator Mike Chapman (Blondie, Mud), In the Spotlight, her first album since 2006's Back to the Drive, shows that unlike many of her counterparts, the contemporary pop scene hasn't completely passed her by.

Although glam had long slipped off the radar by 1981, that year found Suzi Quatro releasing one of her finest albums. With Nicky Chinn and Mike Chapman (the producers behind her biggest hits) at the controls, Quatro and her band craft a series of songs that blend the hard rock power that fueled her glam rock era hits with a new soundscape that tarts up the songs with some ear attracting new wave hooks. The tone is set by the title track, which starts the album with a blast thanks to its effective combination chugging guitar riffs, a stomping beat, and a shout-along chorus that praises the song's tough female heroine.

Celebrating a new chapter in a nearly 60 year career as a trailblazing rocker, Suzi Quatro brings her signature style to a series of iconic covers on a new EP from Sun Records. Suzi Quatro: Uncovered reminds us why Suzi is “The Boss,” featuring tracks originally made famous by artists like James Brown, Creedence Clearwater Revival, Otis Redding, and Carole King, plus she calls on the legendary Steve Cropper for collaboration on his own songs, “Midnight Hour” and “Sittin’ On the Dock of the Bay.”

Roll back the carpet, roll back the years grab the hairbrush or air bass guitar. I bet many of you remember singing into your hair brush or playing your air bass guitar with relish along to Suzi Quatro. Well, Suzi is back with a double album of delights The Best Is Legend. “The hits are the hits”, says Suzi about the Best Of Album’, “but as Mickie Most always told me ‘your self-penned songs are the meat of what you do Suzi’. Enjoy some of my personal choices.” Twenty tracks Suzi Quatro The Best Is Legend Her New Album.

In April Chrysalis Records will issue The Rock Box 1973-1979: The Complete Recordings, a 7CD+DVD collection of Suzi Quatro’s ‘70s output. Featuring six studio albums, a live album and a DVD with promos and rare footage.

Meet Suzi Quatro, the American singer who's become an international music star since breaking through in the glam-rock Seventies. This compilation celebrates her unique career, featuring hits like UK chart-toppers 'Can The Can' and 'Devil Gate Drive' and US breakthrough single 'If You Can't Give Me Love', topping them off with choice album tracks and live cuts. Stand by for a double helping of rock n' roll dynamite, Suzi style! Includes detailed sleeve notes in an 8-page booklet.

Although glam had long slipped off the radar by 1981, that year found Suzi Quatro releasing one of her finest albums. With Nicky Chinn and Mike Chapman (the producers behind her biggest hits) at the controls, Quatro and her band craft a series of songs that blend the hard rock power that fueled her glam rock era hits with a new soundscape that tarts up the songs with some ear attracting new wave hooks. The tone is set by the title track, which starts the album with a blast thanks to its effective combination chugging guitar riffs, a stomping beat, and a shout-along chorus that praises the song's tough female heroine. Other hard rocking highlights include "Glad All Over," a cover of the Dave Clark Five classic that uses a backbeat reminiscent of a squad of rolling tanks on its chorus, and "Lipstick," a kiss-off to a cheating lover that pits power chords against bubblegum-styled handclaps to create a beguiling fusion of pop hooks and rock & roll muscle…

Suzi Quatro was hardly the first Tough Girl in rock & roll – there were plenty of precursors, from Wanda Jackson and the Shangri-Las to Grace Slick and Janis Joplin – but Quatro codified a type of rock & roll woman who didn't exist before she took the stage, one who looked as tough as the guys and wasn't merely a singer but also an instrumentalist, the leader of the band who made the noise right along with the rest of the group. With her trademark leather jumpsuit and big bass guitar (which seemed even bigger given her diminutive stature of just five feet), Quatro created a new and potent image for women in rock, one that spoke of both strength and sexiness, and she became a major international star in the '70s, though it would take a while before she was as readily recognized in the United States as in the United Kingdom.

Suzi Quatro's fifth album took its title from one of her earliest U.K. press interviews, a mouth-agape appraisal of the leather-clad vixen whose headline, "If you knew Suzi…like the tattooist knew Suzi," seemed to sum up every ounce of the image that the glam scene's most glamorous newcomer exuded. Five years later, however, the second half of that statement wasn't simply forgotten, it was all but meaningless to the majority of her audience, so thoroughly had she reinvented herself. Gone was the leather, gone were the guts, gone was the violent threat that Quatro once posed to passing manhood, to be replaced – as the album's cover made clear – by a demure, cord-clad lass in a pastel blouse and a look of such winsome vulnerability that, when she sang "Don't Change My Luck," it was enough to break your heart.