After almost two decades of hibernation under the ambient waves and dub currents of the Sargasso Sea, LSD announces the next installment of the seminal ‘Auntie Aubrey's' series, an Orb Remix Project. This 2 x CD compilation is a veritable smorgasbord of classic, new and unreleased labour-of-love remixes that span three decades yet still transcend space and time.

After releasing their outstanding 17th album 'Abolition of The Royal Familia' earlier this year, The Orb are back with further guest appearances on their remix album 'Abolition Of The Royal Familia - Guillotine Mixes.' Including mixes from David Harrow, Moody Boyz, Youth, Violeta Vicci, Andy Falconer and more.

A double-disc compilation of over two and a half hours of remixes, Auntie Aubrey's Excursions Beyond the Call of Duty, Pt. 1 includes Orb reworkings of well-known bands (Primal Scream, Erasure, Depeche Mode, Killing Joke) and more obscure acts (Keiichi Suzuki, Love Kittens). Several mixes sound a bit dated, and the scattershot quality of the set can distract listeners, but the inclusion of several epiphanous moments (Material's "Praying Mantra," Primal Scream's "Higher Than the Sun," and Sun Electric's "O'Locco") makes the album worthwhile for fans.

It's fair to say that the Orb never would have reached the British pop Top 40 without the influence and promotion of John Peel, who sponsored three sessions between 1989 and 1995. (There have also been two additional dates for other presenters.) Peel, a veteran of the late-'60s British music scene, appreciated the Orb's blend of futurism and folky traditionalism, seeing them not just as dance saviors but another dot in the line that connected pixilated popsters like T. Rex and the Incredible String Band (both of which Peel had been closely associated with). The Orb's first session was recorded in 1989, well before they had released an album, and it boosted the popularity of both the group and the ambient house phenomenon immeasurably…

The Orb virtually invented the electronic genre known as ambient house, resurrecting slower, more soulful rhythms and providing a soundtrack for early-morning ravers once the clubs closed their doors. Frontman Dr. Alex Paterson's formula was quite simple: he slowed down the rhythms of classic Chicago house and added synth work and effects inspired by '70s ambient pioneers Brian Eno and Tangerine Dream. To make the whole a bit more listenable - as opposed to danceable - obscure vocal samples were looped, usually providing a theme for tracks that lacked singing. The group popularized the genre by appearing on the British chart show Top of the Pops and hitting number one in the U.K. with the 1992 album U.F.Orb…

After releasing their outstanding 17th album 'Abolition of The Royal Familia' earlier this year, The Orb are back with further guest appearances on their remix album 'Abolition Of The Royal Familia - Guillotine Mixes.' Including mixes from David Harrow, Moody Boyz, Youth, Violeta Vicci, Andy Falconer and more.

After almost two decades of hibernation under the ambient waves and dub currents of the Sargasso Sea, LSD announces the next installment of the seminal ‘Auntie Aubrey's' series, an Orb Remix Project. This 2 x CD compilation is a veritable smorgasbord of classic, new and unreleased labour-of-love remixes that span three decades yet still transcend space and time.

A decade after they delivered Okie Dokie It's the Orb on Kompakt on…Kompakt, Alex Paterson and Thomas Fehlmann return to the stalwart Cologne label with an album bearing a less sportive title and it sounds like serious sci-fi business. The standard edition consists of four tracks, each one between nine and 15 minutes in length. Not one of them is humorously titled "Captain Korma" or "Komplikation," unless "God's Mirrorball" triggers a recollection of the first Tad album. Unlike Okie Dokie, this is all new, not an amalgamation of tweaked, previously released tracks and new material. Lest this be seen as the Orb's "most mature work to date," within seconds of the opener, a mild-mannered voice from a colorful documentary about Sumerian gods intones, "If you believe in evil, then you probably need a whack on the back of the neck with a big fucking stick." After four-and-a-half minutes of ambience that intensifies in gradual fashion, a fluid, sturdy beat and light chime-like accents enter to set the tone for the remainder of the 50-minute program.

Abolition of the Royal Familia is 17th album from Alex Paterson and his rotating roster of collaborative cohorts. It forms part two of of pair, and a continuation No Sounds Are Out Of Bounds. It’s also the first with Paterson and Michael Rendall as main writing partners, with Rendall having risen-up-the-ranks from a member of The Orb’s touring band. The album features guest turns from Youth, Roger Eno, Steve Hillage, Miquette Giraudy, and a whole lot more.