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Leif Segerstam, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra - Beethoven: Mass in C major (2020)

Posted By: ArlegZ
Leif Segerstam, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra - Beethoven: Mass in C major (2020)

Leif Segerstam, Chorus Cathedralis Aboensis, Turku Philharmonic Orchestra - Beethoven: Mass in C major (2020)
EAC | FLAC | Image (Cue & Log) ~ 298 Mb | Total time: 65:29 | Scans included
Classical | Label: Naxos | # 8.574017 | Recorded: 2018

The custom of marking the name-day of Princess Esterházy with a newly composed Mass began in the 1790s and for many years was carried out by Joseph Haydn. In 1807 Beethoven was commissioned and responded with his Mass in C major. Coolly received at court, it is a celebratory work of large-scale brilliance. The cantata Meeresstille und glückliche Fahrt is set to Goethe’s poems and contrasts calm with exuberance. In 1803 Beethoven set two numbers from Vestas Feuer, written by Emanuel Schikaneder, the librettist of Mozart’s Die Zauberflöte.

Giovanni Antonini, Il Giardino Armonico - Vivaldi: Ottone in villa (2010)

Posted By: ArlegZ
Giovanni Antonini, Il Giardino Armonico - Vivaldi: Ottone in villa (2010)

Giovanni Antonini, Il Giardino Armonico - Vivaldi: Ottone in villa (2010)
EAC | FLAC | Image (Cue & Log) ~ 644 Mb | Total time: 135:08 | Scans included
Classical | Label: Naïve | # OP30493 | Recorded: 2010

Vivaldi's first opera, Ottone in Villa (loosely, Ottone's Vacation), is something of an anomaly in the composer's output of largely tragic, heroic works: a pastoral comedy. Written in 1713 when the composer was 35, Ottone demonstrates Vivaldi's instinctive grasp of the operatic form and his gifts for characterization and dramatic development. Naïve continues its admirable series, The Vivaldi Edition, with this outstanding recording of the opera, a real gem. Giovanni Antonini leads Il Giardino Armonico, which plays with gleaming transparency. The performance is wonderfully lively and the opera's dancing energy is conveyed with high spirits and humor. Vivaldi is not a composer usually associated with comedy, so Ottone surprises with its wealth of delightful, sly wit.

Simon Rattle, Berliner Philharmoniker - Bach: Johannes-Passion (2014) [Blu-Ray]

Posted By: Vilboa
Simon Rattle, Berliner Philharmoniker - Bach: Johannes-Passion (2014) [Blu-Ray]

Simon Rattle, Berliner Philharmoniker - Bach: Johannes-Passion (2014) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 24774 kbps / 1080i / 29,970 fps | 135 min | 41,5 Gb
Audio1: Deutsch / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 3794 kbps / 24-bit
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BluRay-rip | AVC | MKV 1280x720 / 2735 kbps / 29,970 fps | 135 min | 6,20 Gb
Audio: Deutsch / PCM / 2ch / 48.0 KHz / 24 bits | DTS / 6ch / 48.0 KHz / 24 bits
Classical | Berliner Philharmoniker | Sub: German, English, French, Spanish, Japanese, Korean

As before with the St. Matthew Passion, star director Peter Sellars succeeded in creating a staging which made the spiritual and dramatic content of the Passion story even more intensive. The New York Times also praised the “brilliant and energetic” playing of the orchestra, the Frankfurter Allgemeine Zeitung the “haunting, almost unsurpassable singing of all those involved.”

Simon Rattle, Berliner Philharmoniker - Bach: Matthaus-Passion (2014) [Blu-Ray]

Posted By: Vilboa
Simon Rattle, Berliner Philharmoniker - Bach: Matthaus-Passion (2014) [Blu-Ray]

Simon Rattle, Berliner Philharmoniker - Bach: Matthäus-Passion (2014) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 17997 kbps / 1080i / 29,970 fps | 194 min | 42,1 Gb
Audio1: Deutsch / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 3855 kbps / 24-bit
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BluRay-rip | AVC | MKV 1280x720 / 2735 kbps / 29,970 fps | 194 min | 8,92 Gb
Audio: Deutsch / PCM / 2ch / 48.0 KHz / 24 bits | DTS / 6ch / 48.0 KHz / 24 bits
Classical | Berliner Philharmoniker | Sub: German, English, French, Spanish, Japanese, Korean

Sir Simon Rattle was in no doubt: the performance of the St. Matthew Passion which he realized together with the Berlin Philharmonic and the Rundfunkchor Berlin in 2010 was for him “the single most important thing we ever did here.” Critics around the world agreed. They praised the semi-staged “ritualization” by American star-director Peter Sellars, as well as the outstanding musical performances by the soloists, including Magdalena Kozená, Christian Gerhaher, Thomas Quasthoff, and Mark Padmore as the Evangelist.

Adam Fischer, Wiener Philharmoniker - Mozart: Così fan tutte (2010) [Blu-Ray]

Posted By: Vilboa
Adam Fischer, Wiener Philharmoniker - Mozart: Così fan tutte (2010) [Blu-Ray]

Adam Fischer, Wiener Philharmoniker - Mozart: Così fan tutte (2010) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 23932 kbps / 1080i / 29,970 fps | 191 min | 44,3 Gb
Audio1: Italiano / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.0 / 48 kHz / 3837 kbps / 24-bit
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BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 191 min | 13,4 Gb
Audio: Italiano / PCM / 2ch / 48.0 KHz / 24-bit | DTS / 5ch / 48.0 KHz / 24-bit
Classical | EuroArts | Sub: Italian, English, French, German, Spanis, Japanese

The classy interpretation of Mozart's Così fan tutte concluded Claus Guth's Mozart-Da Ponte opera trilogy at the Salzburg Festival. Hosted in the intimate surroundings of the Haus für Mozart, the comic tale of fi ancée-swapping is fl irtatiously retold by a dynamic cast and the Vienna Philharmonic Orchestra under Adam Fischer. Guth's imaginative production maintains the opera's musical drama and humour in a contemporary setting, where young men test their lovers in an entertaining game of seduction and temptation.

Alan Curtis, Il Complesso Barocco - Gluck: Ezio (2011)

Posted By: ArlegZ
Alan Curtis, Il Complesso Barocco - Gluck: Ezio (2011)

Alan Curtis, Il Complesso Barocco - Gluck: Ezio (2011)
EAC | FLAC | Image (Cue & Log) ~ 646 Mb | Total time: 69:25+77:25 | Scans included
Classical | Label: Virgin Classics ‎| 5099907092923 | Recorded: 2008

Gluck wrote his opera seria Ezio in 1750 for production in Prague. (In 1762, after the formal and stylistic breakthroughs of Orfeo ed Euridice, he revised the opera for a Vienna production, but it's the original version that's recorded here.) The opera has many of the characteristics of Italian late Baroque opera; it's essentially a series of arias separated by accompanied recitatives, the formula that the composer reacted against in Orfeo. It's not Gluck at his most innovative or original, but it's a fine example of opera seria, with a number of impressive arias and some very expressive recitatives, and it can make quite an impact in a performance as fine as this one.

Iván Fischer, Orchestra of the Age of Enlightenment - Mozart: Così fan tutte (2007)

Posted By: ArlegZ
Iván Fischer, Orchestra of the Age of Enlightenment - Mozart: Così fan tutte (2007)

Iván Fischer, Orchestra of the Age of Enlightenment - Mozart: Così fan tutte (2007)
NTSC 16:9 (720x480) | Italiano (LinearPCM, 2 ch) | (DTS, 5 ch) | 210 min | 6,79+7,74 Gb (2xDVD9)
Classical | Label: Opus Arte | Sub: English, Francais, Deutsch, Espanol, Italiano | Recorded: 2006

Mozart's genius in setting to music Da Ponte's comic play of love, infidelity and forgiveness marks Così fan tutte as one of the great works of art from the Age of Enlightenment. Nicholas Hytner's beautiful production for the Glyndebourne Festival in 2006, with its sure touch and theatrical know-how, lives up to its promise to be 'shockingly traditional', while Iván Fischer teases artful performances from an outstanding international cast of convincing young lovers.

Alan Curtis, Il Complesso Barocco - Handel: Ariodante (2011)

Posted By: ArlegZ
Alan Curtis, Il Complesso Barocco - Handel: Ariodante (2011)

Alan Curtis, Il Complesso Barocco - Handel: Ariodante (2011)
EAC | FLAC | Image (Cue & Log) ~ 0,98 Gb | Total time: 69:54+63:50+59:15 | Scans included
Classical | Label: Virgin Classics | # 5099907084423 | Recorded: 2010

The scope and grandeur of Handel's operatic output – the musical variety and inventiveness, the depth of psychological insight, as well as the sheer volume of works – continue to astonish as new operas are brought to light and more familiar works are given productions and recordings that do justice to the material. Ariodante, written in 1735, is nowhere nearly as frequently performed as the more famous operas like Giulio Cesare, but neither is it entirely obscure, and there have been several very fine modern recordings. This version with Alan Curtis leading Il Complesso Barocco can be recommended without reservation to anyone coming to the opera for the first time or for anyone who's already a fan.

Ivor Bolton, Salzburg Mozarteum Orchestra, Salzburger Bachchor - Mozart: Requiem KV 626; Haas: Sieben Klangräume (2018)

Posted By: ArlegZ
Ivor Bolton, Salzburg Mozarteum Orchestra, Salzburger Bachchor - Mozart: Requiem KV 626; Haas: Sieben Klangräume (2018)

Ivor Bolton, Salzburg Mozarteum Orchestra, Salzburger Bachchor - Mozart: Requiem KV 626; Haas: Sieben Klangräume (2018)
EAC | FLAC | Image (Cue & Log) ~ 216 Mb | Total time: 53:22 | Scans included
Classical | Label: belvedere edition | BVE08047 | Recorded: 2005

At the end of April 1791, Wolfgang Amadé Mozart applied for the position of second Kapellmeister at St. Stephen’s Cathedral in Vienna, hoping to inherit the position from Leopold Hofmann, the incumbent Kapellmeister, the City Council of Vienna accepted Mozart’s petition in a strongly worded decree as a basis for the text in the vocal passages of his Sieben Klangräume accompanying the Unfinished Fragments of Mozart’s Requiem KV 626.

Emmanuelle Haim, Orchestre et Chœur Le Concert d’Astree - Rameau: Hippolyte et Aricie (2014)

Posted By: Vilboa
Emmanuelle Haim, Orchestre et Chœur Le Concert d’Astree - Rameau: Hippolyte et Aricie (2014)

Emmanuelle Haïm, Orchestre et Chœur Le Concert d’Astrée - Rameau: Hippolyte et Aricie (2014)
NTSC 16:9 (720x480) VBR | Francais (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 5.71 Gb+5.97 Gb (2xDVD9) | 174 min
Classical | ERATO | Sub: Francais, English

Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.

Antonio Vivaldi - Voices [6CDs] (2014)

Posted By: ArlegZ
Antonio Vivaldi - Voices [6CDs] (2014)

Antonio Vivaldi - Voices: Topi Lehtipuu, Ann Hallenberg, Lorenzo Regazzo, Paul Agnew, Marie-Nicole Lemieux, Sonia Prina, Sandrine Piau [6CDs] (2014)
EAC | FLAC | Image (Cue & Log) ~ 1,97 Gb | TT: 6:26:16 | Scans included
Classical | Label: Naïve | # NAI 30562 | Recorded: 2004-2010

This box set gathers the finest vocal recordings (opera, sacred music) from the Vivaldi Edition by some of the most reputed artists of today. Also it features the main vocal ranges: soprano, mezzo-soprano, contralto, tenor, bass.

John Eliot Gardiner, Orchestre Revolutionnaire et Romantique - Berlioz: Les Troyens (2010/2003) [Blu-Ray]

Posted By: Vilboa
John Eliot Gardiner, Orchestre Revolutionnaire et Romantique - Berlioz: Les Troyens (2010/2003) [Blu-Ray]

John Eliot Gardiner, Orchestre Révolutionnaire et Romantique - Berlioz: Les Troyens (2010/2003) [Blu-Ray]
2xBluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 314 min | 38,5 Gb+39,5 Gb
Audio1: Français / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.0 / 48 kHz / 24-bit
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BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 245 min | 13,2 Gb
Audio: Français / DTS / 5ch / 48.0 KHz / 24 bits
Classical | Opus Arte | Sub: English, French, German, Spanish

Sir John Eliot Gardiner conducts the Monteverdi Choir, Choeur du Théâtre du Châtelet and Orchestre Revolutionnaire et Romantique in a landmark recording of Berlioz's towering opera. A tragic tale of love and fate, war and peace and the intertwined destinies of two cities, the opera is based on Virgil's imperial vision of the founding myth of Rome. The American tenor Gregory Kunde as Aeneas and the Italian soprano Anna Caterina Antonacci lead an international cast in this stunning production.

William Christie, Les Arts Florissants - Rameau: Les Paladins (2005)

Posted By: ArlegZ
William Christie, Les Arts Florissants - Rameau: Les Paladins (2005)

William Christie, Les Arts Florissants - Rameau: Les Paladins (2005)
NTSC 16:9 (720x480) | Francais (LinearPCM, 2 ch) | (DTS, 5 ch) | 204 min | 5,25+7,51 Gb (2xDVD9)
Classical | Label: Opus Arte | Sub: Deutsch, English, Espanol, Francais, Italiano | Recorded: 2004

Inspired by a fable by La Fontaine, Rameau produced perhaps his most brilliant music for his penultimate great work, blending reality and the surreal on several levels. This passionate new production by José Montalvo stunningly choreographed by Montalvo and Dominique Hervieu, sets new standards in entertainment, charm and ingenuity. The sharp and spectacular multimedia staging does full justice to Rameau's dazzling burlesque, confirming Olivier Rouvière's statement that ‘Les Paladins' is the last laugh of a witty 77-year old composer’. Recorded live in 2004 at the Paris Théâtre du Châtelet in true surround sound, both the virtuoso cast and Les Arts Florissants are in top form, clearly enjoying themselves in the masterful hands of William Christie.

Alan Curtis, Il Complesso Barocco - Vivaldi: Catone in Utica (2013)

Posted By: ArlegZ
Alan Curtis, Il Complesso Barocco - Vivaldi: Catone in Utica (2013)

Alan Curtis, Il Complesso Barocco - Vivaldi: Catone in Utica (2013)
EAC | FLAC | Image (Cue & Log) ~ 876 Mb | Total time: 69:25+60:11+31:23 | Scans included
Classical | Label: Naïve | # OP 30545 | Recorded: 2012

The world of early 18th century opera was very different to that of, say, Mozart. The story was the thing. Librettos were offered to musicians as a means of getting the poetic drama before the public. Thus the great librettists were set multiple times. So it was with Vienna's imperial poet Metastasio's Catone in Utica. This story, set in the ancient Numidian city of Utica - now a ruin in Tunisia - involves the Roman Cato the Younger and his conflict with Julius Caesar. The plot itself is the usual mixture of love and betrayal, but because it was by Metastasio there were at least two settings, by Vinci and Hasse, even before Vivaldi composed the present piece.