Four CD box set featuring pioneering 70s US rock band, Fanny, often quoted as the "Godmothers of Women Who Rock". Bringing together their repertoire from the period 1970 to 1973. The most comprehensive collection released in over 20 years, brings together the band's four studio albums, plus many of the band's single versions, B-sides and vibrant live performances from the period while signed to Reprise Records. All tracks have been sourced from the Warner Bros tape archives. Eight tracks are appearing on CD for the first time. Presented in a clamshell box with each disc housed in a printed card sleeve. The CD booklet features exclusive sleeve notes written by band members June and Jean Millington and Alice de Buhr, sharing their memories of the period. There is also a UK discography.

Sdban Records, the renowned independent groove & jazz label behind Funky Chicken, Hip Holland Hip, and Discophilia Belgica, is thrilled to announce the upcoming release of its latest compilation album, "The Belgian Soundtrack: A Musical Connection of Belgium with Cinema." Packed with the finest soundtracks boasting an unmistakable Belgian connection, this compilation takes listeners on a captivating journey through a collection of cinematic hidden gems from the early sixties to the late seventies. Curated by the passionate duo Robin Broos and Tom ‘Pélé’ Peeters, known for their profound appreciation of obscure soundtracks, "The Belgian Soundtrack" showcases the exceptional talents of both local and internationally acclaimed composers and musicians. From obscure finds composed by lesser-known artists to Hollywood scores performed by world-renowned musicians, this compilation offers a vibrant blend of tracks, including the occasional contribution from renowned international artists who have lent their musical prowess to Belgian films.

The Look of Love is the sixth studio album by Canadian singer Diana Krall, released on September 18, 2001 by Verve Records. It became Krall's first album to top the Canadian Albums Chart. In 2002, the album earned Al Schmitt the Grammy Award for Best Engineered Album, Non-Classical. Jim Santella of All About Jazz commented "Lush strings and gliding flutes surround Diana Krall's tender vocals. Even her substantial piano interludes take on the appearance of drifting mists, through the mix of orchestral timbres. With an emphasis on her sultry vocal interpretations, the latest album reaches out to a broad, popular music audience. Nothing wrong with that. It's just that jazz fans usually want the improvised licks along with their melodies…

Based in Cleveland, Ohio, far from the cities of the historical performance mainstream, Apollo's Fire is an innovative, popular, and critically acclaimed group devoted to repertory from the Renaissance, Baroque, and early Classical eras. Typically, Apollo's Fire has a subscription concert schedule consisting of five to seven programs yearly, with each concert performed several times over a three- or four-day period. In addition, the group regularly tours throughout the U.S., Canada, and Europe. Offering the kind of freethinking that develops best when it's far from established scenes, Apollo's Fire continues to push historical performance in new directions. Most of its recordings have achieved both impressive sales and critical plaudits, recording with greater frequency since the turn of the new century. In 2022, Apollo's Fire issued a live recording taken from 2018 and 2020 of Jeannette Sorrell's O Jerusalem! City of Three Faiths.

Coverdale•Page is an album by Whitesnake lead vocalist David Coverdale and former Led Zeppelin and London session guitarist Jimmy Page (as Coverdale•Page), released by Geffen Records on 15 March 1993. The album was recorded at Little Mountain Sound Studios in Vancouver, Criteria Studios in Miami, Granny's House in Reno, Nevada and Abbey Road Studios, London. Recording commenced in the fall of 1991 and concluded in early 1992. It was produced by Jimmy Page, David Coverdale and Canadian record producer, Mike Fraser. Adding to the Led Zeppelin sound of this album was the John Bonham-influence of former Montrose drummer Denny Carmassi. According to David Coverdale, the traffic sign shown on the cover of the album signified "two roads joining to one road. Try to express unification or joining together."

Cybernetic disco maestro Patrick Cowley returns to Dark Entries with From Behind, a collection of grooving and ecstatic covers of 60s garage and soul cuts. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for films on compilation albums School Daze, Muscle Up, and Afternooners. From Behind reveals yet another facet of Cowley’s myriad influences; garage and soul. As a tripped-out teenage music freak who arrived in 60’s San Francisco, it should come as no surprise that these psychedelic sounds, both heady and visceral, infuse Cowley’s oeuvre. Recorded during Cowley’s most productive period, ‘80-’82, these tracks show the master flexing his virtuosity while paying loving tribute to the songs that shaped him.

Cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. Contains "Just A Song Before I Go" & "Shadow Captain".

Brewers Droop is the name of a Southern English band in which Mark Knopfler played for a few months in 1973. Knopfler split his time between teaching part-time, and playing with the band. The Booze Brothers, featuring Mark Knopfler & Dave Edmunds, is the second album released by Brewers Droop, an English blues band. Although most of the tracks were recorded back in 1973 the album was only released in 1989 when it was discovered that the album had involved the renowned producer/rocker Dave Edmunds and the line-up had included Pick Withers and Mark Knopfler, later of Dire Straits. Ron Watts, the founder of the band, became much better known later in the '70s as a punk rock promoter at venues such as 100 Club. Steve Darrington continued as a professional musician, appearing on over 50 albums, and is the organizer of the Swanage Blues Festival.

This 5 Disc Set set covers the years Kevin Ayers was signed to the legendary Harvest label, 1969-1974.

It’s been seven years since Maverick Sabre first arrived on the UK scene as a fresh-faced Irish (but London born) rapper with a brassy singing voice. Championed by Plan B, his music drew a line between the Irish, American and UK rap scenes he grew up on and the timeless blues and trad Irish music of his family’s heritage. His debut album, Lonely Are The Brave, was a roaring success, arriving at #2 on the UK album charts and going on to sell over 250,000 copies.

There are few World film composers that can boast the prolificacy of Piero Piccioni. Since the early 1950s Piccioni has been a truly innovative composer of film music. In the 1950s he composed under the pseudonym of Piero Morgan, and since his first soundtrack Il Mondo Le Condanna of 1952, many directors sought Piero Piccioni to score the soundtracks for their films: Luchino Visconti, Bernardo Bertolucci, Vittorio De Sica, Roberto Rossellini, Elio Petri, Francesco Rosi, Mario Monicelli, Alberto Lattuada, Alberto Sordi, Luigi Comencini, Antonio Pietrangeli, Lina Wertmuller, Tinto Brass, Dino Risi, are just some of the great directors for whom he scored more than 300 wondrous soundtracks. Swept Away, Le Mani sulla città’, Camille 2000, Colpo Rovente, The 10th Victim, Amore mio aiutami, More Than a Miracle, The Light at the Edge of the World, Puppet on a Chain, Lucky Luciano, Cristo si è Fermato a Eboli, Anna Karenina, Finché c’è guerra c’è speranza, Viaggio con papà, Fumo di Londra are just a few gems among many more. With great versatility, Piccioni incorporates jazz, funk, fusion, bossa, classical and contemporary 20th Century symphonic elements into his kaleidoscopic sounds which have been the lush sonic backdrop for everything from psychedelic, political, thriller, horror, romantic, comedy, western, classic novel adaptations, mythological, historic and epic film productions of the golden age of Italian and international cinema spanning four decades.

Deluxe digitally remastered and expanded two CD edition. Features nine previously unreleased mixes/different versions, six bonus tracks, and a 32-page booklet with a new essay, memorabilia, and photos. Founded in 1961 by George Kooymans and Rinus Gerritsen, Dutch rock band Golden Earring (or Golden Earring's, until 1969) started off as a beatband, experimented as a psychedelic quartet and finally became a heavy rock group.

L'auge del període barroc, a principis del segle XVIII, va ser un moment de guerres i aixecaments a Catalunya, però també de la creació d'una cort reial a Barcelona després de tres segles sense tenir-ne. Per això, els músics i compositors de Catalunya es van posar en contacte amb els estils i tècniques més avançats de Nàpols, París i Viena. Tomàs Milans (1672-1742) és un dels principals compositors d'aquest període, contemporani amb Fux, Delalande, Caldara, Scarlatti i Albinoni, tot i que va compondre només música religiosa per la seva obra com a mestre de capella a Barcelona i Girona.

Svaneborg Kardyb are Nikolaj Svaneborg – Wurlitzer, Juno, piano and Jonas Kardyb – drums, percussion a multi award winning duo from Denmark, where they won two “grammys” at the Danish Music Awards Jazz 2019: New artist of the year and Composer of the year.

Chandos's brave and important Parry series, conducted with sterling musicianship and remarkable insights by Matthias Bamert, adds another choral disc to the four out of the five symphonies so far issued. Recently The Soul's Ransom and The Lotos Eaters were released (1/92) and now comes the large-scale, nearly hour-long cantata Invocation to Music, a ten-movement setting of a poem by Parry's friend Robert Bridges and composed ''in honour of Henry Purcell'' for the bicentenary, in 1895, of his death. The first performance was at the Leeds Festival that year. How many have there been since then?