It’s been a long 16 years since Bon Jovi was last compiled, when Cross Road arrived for the holiday season of 1994, two years after Keep the Faith capped off a near-decade long run of dominance for the Jersey rockers. As it turned out, it was the first act of Bon Jovi’s career. A subdued second act followed in the ‘90s, with Jon Bon Jovi flirting with a solo career once again before returning to the fold late in the decade, with the band setting out for a decade of professionalism, sometimes cresting into the charts – usually with the assist of a canny country crossover – sometimes not. Greatest Hits condenses the highlights of this journey in a mere 16 songs, just two longer than Cross Road – its simultaneously released cousin, Ultimate Greatest Hits, adds a disc with 12 additional songs – and two of those are new tunes that are unlikely to show up on any subsequent best of.

Abandoning his rough-and-ready rock & roll band, Jon Bon Jovi took a stab at respectability with Blaze of Glory, the non-soundtrack to the film Young Guns II. Given his cowboy songs on Bon Jovi albums, it made sense that he'd be "inspired" by the Western, and he filled these songs (written without the help of bandmate Richie Sambora or Desmond Child) with references to shoot-'em-ups…

Slippery When Wet wasn't just a breakthrough album for Bon Jovi; it was a breakthrough for hair metal in general, marking the point where the genre officially entered the mainstream. Released in 1986, it presented a streamlined combination of pop, hard rock, and metal that appealed to everyone – especially girls, whom traditional heavy metal often ignored. Slippery When Wet was more indebted to pop than metal, though, and the band made no attempt to hide its commercial ambition, even hiring an outside songwriter to co-write two of the album's biggest singles. The trick paid off as Slippery When Wet became the best-selling album of 1987, beating out contenders like Appetite for Destruction, The Joshua Tree, and Michael Jackson's Bad.

Bon Jovi had perfected a formula for hard pop/rock by the time of New Jersey, concentrating on singalong choruses sung over and over again, frequently by a rough, extensively overdubbed chorus, producing an effect not unlike what these songs sounded like in the arenas and stadiums where they were most often heard…

John Francis Bongiovi, Jr. - American musician, singer, songwriter, and actor, best known as the founder, occasional rhythm guitarist, and lead singer of rock band Bon Jovi. Son of John Bongiovi, Sr. and nephew of Tony Bongiovi…

One thing buried amidst all Bon Jovi's detours of the new millennium – there wasn't just 2007's contemporary country Lost Highway, there was the acoustic reworking of hits This Left Feels Right in 2003 – is that the group has been sober-minded throughout the decade, reacting to 9/11 on 2002's Bounce, exploring the morass of W's America on 2005's Have a Nice Day, and now creating a soundtrack for the Great Recession on 2009's The Circle…

Have a Nice Day, Bon Jovi's ninth studio album of original material, picks up where 2002's Bounce left off, showcasing a harder, heavier band than either 2000's Crush or Jon Bon Jovi's 1997 solo effort, Destination Anywhere. Not only that, but this 2005 album finds Jon Bon Jovi picking up on the serious undercurrent of Bounce, writing a series of angry, somber neo-protest songs that form the heart of this record…

Bon Jovi's four-CD/one-DVD box set of rarities, 100,000,000 Bon Jovi Fans Can't Be Wrong, inspires two immediate reactions. The first: How in the world did Bon Jovi have four discs' worth of unreleased material in their vaults? The second: Who on earth would want to hear 50 rarities from Bon Jovi? To anybody who's not a devoted fan, the New Jersey group always seemed like a quintessential singles-driven band…

God knows why Bon Jovi felt the need to recut its best songs in an adult alternative style with Patrick Leonard as the producer. In the thorough liner notes – presented as an interview between Jon Bon Jovi and guitarist Richie Sambora – by the suddenly ubiquitous David Wild, Jon claims that the roots of the album derive from a Japanese show he recorded where the intent was to release live, acoustic versions of the band's standards…

Bounce is the eighth studio album by American rock band Bon Jovi, released on October 8, 2002 through Island Records. Produced by Luke Ebbin, Jon Bon Jovi and Richie Sambora, the album was recorded at Sanctuary II Studio in New Jersey…

Die-hard Bon Jovi fans will swear on their sacred Slippery When Wet albums that Bon Jovi is by far one of the best rock bands to sing (or scream) along to, no matter where you are – in the car, on the road, or in your room, crooning into your hairbrush or anything you can get your hands on. One Wild Night: Live 1985-2001 is the perfect album for fans and newcomers alike, as it features a plentiful bounty of the band's biggest hits and most-screamable tunes…

Bon Jovi is an American rock band from Sayreville, New Jersey. Formed in 1983, Bon Jovi consists of lead singer and namesake Jon Bon Jovi, pianist and keyboardist David Bryan, drummer Tico Torres, lead guitarist Phil X, and bassist Hugh McDonald. The band's lineup has remained mostly static during its history, with the only exceptions being the 1994 dismissal of bass player Alec John Such, who was unofficially replaced by Hugh McDonald, and the departure of longtime guitarist and co-songwriter Richie Sambora in 2013…

Even if it was classified as pop-metal, Bon Jovi never really was much of a metal band, relying on big, catchy melodies and not guitar riffs to make their songs memorable. That's why, in 2000, they're able to make an album like Crush, which strays far enough into pop/rock to actually stand a chance of getting airplay (which it did, with the hit lead single "It's My Life")…

Jon Bon Jovi's first official solo album, Destination Anywhere (apparently Blaze of Glory doesn't count because it was a soundtrack) finds the hard rocker attempting to simultaneously make his signature sound more mature and more contemporary…

With These Days, Bon Jovi firmly established themselves as an adult contemporary act. They still have their fair share of rockers, but they seem half-hearted and incomplete…