Certainly not the style of music McLachlan is known for, but Remixed is an album that will reach a new audience demographic that can at the very least appreciate her gorgeous voice, while serving as a continuing showcase for popular remixers and DJs now playing at a club near you…

New Old Songs is a remix album by American rap rock band Limp Bizkit. Released on December 4, 2001, the album contains hip hop remixes of songs from the band's albums Three Dollar Bill, Yall, Significant Other and Chocolate Starfish and the Hot Dog Flavored Water. The album is also the thirteenth best-selling remix album…

Chillout albums were all the rage during the early 2000s, but despite the attention, no one had made a record quite like Funki Porcini's Fast Asleep since the glory days of ambient techno, when the Orb's "A Huge Ever-Growing Pulsating Brain That Rules From the Centre of the Ultraworld" merged Tangerine Dream, the Mad Professor, and Larry Heard into a collage of pastoral bliss. Fast Asleep, though obviously functional in a variety of contexts, wasn't designed to soundtrack trips back from the clubs or lazy nights at home with friends, and as such, it neatly side-steps the conscious hipness that usually compromises chillout records. James Braddell, a downbeat veteran stretching back more than a decade, crafted Fast Asleep to move in and out of its framework, with lengthy transitions introducing - or deconstructing - virtually every production…

An album that fades in – grinding and beeping like a space shuttle returning to Earth – Born in the Echoes is the first LP in five years from the Chemical Brothers. It's a journey back home for the big beat or stadium dance duo, just like that spaceship intro implies, and one with all the necessary mutations. The dark, otherworldly, and prog rock sounds that kept many away from their 2010 release Further are back, although here they're framed much more attractively. Inspiration, innovation, and a well-chosen group of guest vocalists are rolled out sensibly, schooling the current EDM crowd on how to craft an album while balancing the heavy songs. With the hallucinatory, interlude-like "Taste of Honey" giving way to the Cate Le Bon feature on the Meco-meets-Nico title track, this album ebbs and flows as if the '70s Pink Floyd hadn't ignored disco. Speaking of, "Under Neon Lights" with St. Vincent as a robot siren is either Studio 54 on shrooms or The Matrix on acid. As usual, none of it is too garish even with all the loudness and chaos, and some of it is quite gothy and dark, including "EML Ritual" with Ali Love helping execute a mainstream dance tune that coolly acknowledges the passed-on genre of "witch house."

"Out of Control" was the third single from The Rolling Stones' album Bridges to Babylon. Credited to Mick Jagger and Keith Richards, it was their second and final single of 1998…

Twenty years after The Crystal Method’s debut album, Vegas, blazed a trail across the American desert, imagining sparkling breakbeat architectures where the early ’90s rave scene had largely crumbled, Scott Kirkland’s pioneering electronic project continues to thrill. On opener “The Raze,” the breakbeats sound bigger than ever, the guitars are practically heavy metal, and the synths have a widescreen grandeur. Electronic textures aglow, atmospheric instrumentals like “Turbulence” and “Let’s Go Home” reflect Kirkland’s parallel career scoring Hollywood films, while vocal standouts like “Ghost in the City” condense his unusual range of influences—breaks, trip-hop, and even hard-charging alt-rock—into potent hybrids.