Shake! by Black Market Audio is a playful and stylish fusion of retro lounge aesthetics, funky breakbeats, surf-inspired instrumentals, and cinematic electronic grooves. Released in 2006 on Supertracks Records, the album delivers a colorful listening experience packed with quirky rhythms, vintage textures, and infectious energy. Drawing inspiration from spy movie soundtracks, exotic lounge music, and modern nu-jazz production, Black Market Audio crafts an atmosphere that feels both nostalgic and contemporary. Tracks move effortlessly between funky bass-driven cuts, upbeat big beat rhythms, smooth vibraphone passages, and humorous experimental moments, creating a dynamic and entertaining flow throughout the album. Songs like “Waikiki Secret Service,” “Bombay Beatclub,” and “Sputnik Cafe” showcase the project’s ability to blend cool lounge sophistication with dancefloor-friendly grooves. Rich with personality and creative production ideas, Shake! stands as an enjoyable release for fans of eclectic downtempo music, cinematic funk, and retro-inspired electronic soundscapes.

101 Dance Hits is a large-scale electronic music compilation designed as a broad overview of club culture and dancefloor sounds from the late nineties and early 2000s. Released by Decadance Recordings UK, the collection spans four discs and presents an extensive selection of trance anthems, house classics, club favorites, and crossover electronic hits that helped define an era of dance music popularity. The compilation combines uplifting melodies, energetic beats, euphoric synthesizer arrangements, driving basslines, and memorable vocal performances across a wide range of styles. Featuring both mainstream successes and influential club records, the album reflects the atmosphere of festivals, radio dance shows, and packed nightlife scenes during a highly active period in electronic music history. The carefully arranged discs guide listeners through different moods and styles, from emotional trance melodies and peak-time club tracks to groove-based house productions and energetic dancefloor anthems. The result is a massive collection that captures the excitement and diversity of modern dance music culture.

Robin S. delivered one of the defining dance albums of the early 1990s with Show Me Love, a powerful blend of house music, soulful vocals, contemporary R&B, and infectious club grooves. Anchored by the timeless title track “Show Me Love,” which became a worldwide dance anthem and remains one of the most influential house records ever released, the album perfectly captures the energy and spirit of the golden era of club music. Robin S.’s commanding vocal performance brings warmth and emotional depth to upbeat productions filled with piano-driven melodies, deep basslines, and polished electronic arrangements. Tracks such as “Love For Love,” “I Want To Thank You,” and “What I Do Best” further showcase her ability to balance radio-friendly hooks with authentic dancefloor appeal. Combining soulful expression with vibrant house production, Show Me Love remains a landmark release that continues to inspire generations of dance and R&B artists worldwide.

Ministry of Sound Australia - Breaks 04 is a powerful double-disc breakbeat compilation mixed by renowned Australian DJ Kid Kenobi, capturing the explosive energy of the early-2000s breaks scene. Released during a period when breakbeat music was dominating underground clubs and festival stages, the collection blends electro-infused rhythms, heavy basslines, hip hop influences, and club-focused breakbeat production into an energetic nonstop listening experience. Featuring influential artists such as Stanton Warriors, Plump DJs, Freestylers, Elite Force, and The Crystal Method, the compilation showcases the diversity of the genre, ranging from funky party grooves and mashup-style edits to darker electro-breaks and progressive club tracks. Kid Kenobi’s seamless mixing style maintains strong momentum throughout both discs, combining acapellas, remix culture, and layered transitions that reflect the peak creativity of the breaks movement. Breaks 04 stands as an essential snapshot of the international breakbeat scene and highlights the important role Ministry of Sound Australia played in promoting electronic dance music culture.

Fuzzy Breaks Presents The History Of Breaks is an expertly curated journey through the evolution of breakbeat culture, assembled by Jonathan Wall and released on Tinted Records. The compilation traces the roots and progression of breaks music from foundational funk and soul recordings to hip hop classics, electro pioneers, rave-era anthems, and modern big beat productions. Featuring legendary artists such as James Brown, De La Soul, New Order, Fatboy Slim, and Freestylers, the album demonstrates how sampled drum breaks and rhythmic innovation shaped multiple generations of dance music. The collection moves seamlessly through funk grooves, old-school hip hop rhythms, acid house influences, and breakbeat-driven club tracks, offering both historical context and dancefloor energy. Tracks like “Funky Drummer” and “Think (About It)” highlight the original source material behind countless samples used throughout modern music history. This compilation serves as both an educational overview and an entertaining mix for fans of breaks, electronic music, hip hop culture, and sample-based production techniques.

Cruise Control is a stylish and energetic release by Skeewiff, blending breakbeat, electro, funk, lounge, and cinematic sampling into a highly entertaining retro-inspired groove experience. Known for their playful approach to production and heavy use of vintage influences, Skeewiff combines funky basslines, brass arrangements, classic soundtrack aesthetics, and upbeat electronic rhythms throughout the album. The record captures the spirit of 1960s and 1970s pop culture while updating it with modern breakbeat production techniques and dancefloor-friendly energy. Tracks such as “A Little Less Conversation” and “Watermelon Man” reinterpret familiar musical themes with a contemporary electronic twist, while instrumental cuts and interludes maintain the album’s smooth flow and humorous personality. Cruise Control balances lounge sophistication with club-oriented momentum, making it equally suitable for relaxed listening or upbeat party settings. The album became a notable example of early-2000s big beat and funk-infused electronic music, showcasing Skeewiff’s distinctive fusion of retro cool and modern production creativity.

DVD release 'Their Law: The Singles 1990-2005' containing a 10-song live set from Brixton Academy (20 December 1997), 15 promotional videos and also 8 bonus videos including unreleased 'Behind the Scenes' content.

Fierce rave-into-hardcore collective that became one of the best-selling dance acts ever thanks to the incendiary "Firestarter". Collection includes: 'Experience' (1992); 'Music For The Jilted Generation' (1994) 2CDs; 'The Fat of the Land' (1997); 'Always Outnumbered, Never Outgunned' (2004); 'Their Law: The Singles 1990-2005' (2005) 2CDs; 'Invaders Must Die' (2009) 2CDs.

Jean-Jacques Perrey – E.V.A. – The Best Of (1997) is a compilation album celebrating the pioneering electronic music of French composer Jean-Jacques Perrey. Released in 1997, the album features some of his most influential and playful tracks, blending early synthesizer sounds with whimsical melodies. Known for his innovative use of the Moog synthesizer and tape loops, Perrey helped shape the sound of electronic music in the 1960s and beyond. *E.V.A.* includes iconic pieces that showcase his quirky, futuristic style, appealing to fans of vintage electronic, experimental, and psychedelic music. It serves as an essential collection of his groundbreaking work.

VA - Hip House - Xeon (2000) is a music compilation album from the year 2000, featuring various artists in the hip house genre—a fusion of hip hop and house music. Released under the Xeon label, this album blends energetic house beats with rap vocals, capturing the dancefloor vibe of the late '90s and early 2000s. It showcases a mix of upbeat tracks that combine rhythmic grooves with catchy lyrics, appealing to fans of both hip hop and electronic dance music. The compilation reflects the era’s urban club culture, making it a notable release for collectors and enthusiasts of early hip house music.

VA - Queer As Folk - The Final Season (2005) is a compilation album featuring tracks from the soundtrack of the last season of the TV series *Queer As Folk*. Released in 2005, it includes a mix of electronic, dance, and pop songs that reflect the show’s vibrant club scene and emotional storylines. The album captures the energy and spirit of the series, making it a favorite for fans who enjoyed the music that accompanied the characters’ journeys in the final season.

All credit to Gary Moore for having the courage to leap into the relative unknown with A Different Beat. It is indeed greatly removed from anything he had released prior to 1999. Perhaps it was the new-found freedom from the guitarist's contract with Virgin that fuelled the change of direction–that and Moore's obvious affinity with outfits along the lines of Apollo 440 and Fatboy Slim (to whom "Fatboy" is a tribute).

A feisty 4CD clamshell box set exploring the melting pot of British indie dance music that shook the lager drenched dancefloors in the second half of the 1990s. A supersonic soundclash of iconic electronic outfits like The Prodigy, Fatboy Slim, Basement Jaxx, Leftfield, Death In Vegas, Moloko, Orbital and Bentley Rhythm Ace, alongside floor-fillers from indie titans like Blur, Shed Seven, Charlatans, Super Furry Animals, Supergrass, Tricky, Sleeper, Gomez, Radiohead and Cornershop. Over four hours of party tunes and afters grooves, packed with punchy remixes from Chemical Brothers, Arthur Baker, Norman Cook, Midfield General, Mint Royale and Lynch Mob. As Britpop exploded across UK culture, Cool Britannia ruled the airwaves and was plastered across the pages of magazines and newspapers. Music festivals were making their great comeback and DJs and dance acts were sharing stages and headline slots with the biggest guitar bands around. This compilation takes a slippery trip through the hedonistic tunes that were filling the dancefloors, fields, front rooms and bedrooms across Great Britain as the country drank, danced and partied towards a new millennium. Featuring over 50 cuts across 4CDs bouncing from Britpop to Trip Hop and bopping from Big Beat to Techno with a superb selection of relentless remixes, chart-topers and chilled beats thrown in for good measure.

Whatever one may think about the films of director Cameron Crowe, the former music journalist for Rolling Stone always manages to amass amazing soundtrack albums by calling on the connections he made as one of the most artist-friendly writers in music business history. This "music from" various-artists collection is certainly no exception. Vanilla Sky, Crowe's American remake of Spanish director Alejandro Amenábar's film Open Your Eyes, a psychological thriller with a science fiction element starring Tom Cruise, drew mixed notices from critics and filmgoers. But not many movies have theme songs specially written by Paul McCartney (a typically melodic folk-rock ballad) or feature an artist list including tracks by R.E.M., Radiohead, Peter Gabriel, Jeff Buckley, and Bob Dylan (a live acoustic take of "Fourth Time Around" from Blonde on Blonde). Lesser-known artists such as Julianna Gianna, Red House Painters, and Josh Rouse also contribute good songs. The result is an excellent mixtape, irrespective of the virtues of the cinematic complement to the music.

Mystic Mixes features new mixes of songs recorded 1969-1975.