Joshua Redman’s second Blue Note album, Words Fall Short, is a collection of original compositions that serves as the introduction of his new quartet featuring pianist Paul Cornish, bassist Philip Norris, and drummer Nazir Ebo, which formed as a working band for the world tour behind the saxophonist’s label debut where are we. As the quartet performed steadily on the road, Redman felt a vibe developing and was inspired to bring them into the studio to record a set of music he had composed during the pandemic that embraced the shifting moods of wistfulness, sadness, and resolve. The album also features special guest appearances by saxophonist Melissa Aldana, trumpeter Skylar Tang, and vocalist Gabrielle Cavassa.

Finnish pianist and composer Aki Rissanen returns with a bold new album, Imaginary Mountains, a Nordic jazz statement rooted in rhythmic intensity, sonic exploration, and emotional depth. Known for his acclaimed work with the Aki Rissanen Trio on albums such as Amorandom and Art in Motion, Rissanen continues to evolve, pushing the boundaries of form, space, and expression. “The title Imaginary Mountains refers to the emotional and psychological obstacles that can feel as real and massive as physical landscapes,” Rissanen explains. “It also nods to one of my favorite records growing up—Keith Jarrett’s Personal Mountains. In a world shaped by war, chaos, and numbness, this album is my way of climbing those unseen peaks.”

"In our imaginations, John was Buddy Holly and I was Little Richard." So said Paul McCartney many moons ago, admitting the key influences on both himself and John Lennon in terms of the pair’s initial vocal styling. In fact, Messrs Holly and Penniman were just two artists whose impact on The Beatles was evident from the band’s choice of cover tunes. Indeed, all of the tracks featured on this bespoke Mojo compilation were covered by John, Paul, George and Ringo during the band’s formative period.
Our 15-track collection starts with The Isley Brothers’ uproarious 1959 hit, Shout. The Beatles themselves first cut their version at London’s IBC Studios on April 19, 1964, for inclusion in Jack Good’s TV extravaganza, Around The Beatles…

Jon & Vangelis' first two albums really seemed to be building up to this point. With Private Collection, the two artists (Jon Anderson of Yes fame and Vangelis) have created what feels just a bit like a classical work. Truly the nearly 23-minute "Horizon" really feels a lot like a modern symphony. It is definitely the culmination of their work together, their most ambitious effort. The shorter cuts on the album all have their moments and surely hold up to anything from the previous releases, but "Horizon" stands far above them all. It combines the best elements of Anderson's work in Yes with the electronically classically tinged stylings of Vangelis to produce a work that is near masterpiece in its quality. It is a life-affirming, positive piece. Among the other highlights of the disc are "Deborah" and "He Is Sailing."

By the time of their fifth album, 2013's Thr!!!er, the dance punk revivalists with the funny name !!! had been playing their funky, gritty jams for more than a decade. Common wisdom might dictate that their best years were probably behind them at this point and they were all ready to start treading water, but that's not the case here at all. They are doing some serious gold medal-winning swimming instead. The album sounds amazing, with tightly wound and whip-smart production from Spoon's Jim Eno, and the band plays with a newfound loose and rubbery style that's warmer and more fun than anything they've done yet. The needle definitely lands closer to funk this time than it does punk, as the bouncy basslines, Chic-y guitars, and easy-to-sing choruses are bright and sunny with little of the political fever that infected Louden Up Now or the machine-driven grooves of Strange Weather…

Paul Cornish is part of a great heritage of jazz piano that has unfolded at the label, from Blue Note’s first 78-rpm releases by Meade Lux Lewis and Albert Ammons through Bud Powell, Thelonious Monk, Horace Silver, Herbie Hancock, McCoy Tyner, Andrew Hill, Don Pullen, Geri Allen, Jacky Terrasson, Gonzalo Rubalcaba, Renee Rosnes, Aaron Parks, Gerald Clayton and beyond.

John Patitucci stands as a towering figure in the global jazz scene, renowned for his groundbreaking contributions to modern jazz fusion and beyond. His bold new album, Spirit Fall, marks an exciting new phase in his career as a leader, featuring his trio with the extraordinary Brian Blade and Chris Potter, and stands as one of the most significant new signings to Edition Records.

Celebration, Volume 1 is the first in a series of archival releases that the legendary saxophonist and composer Wayne Shorter curated before he passed away in 2023. This thrilling 2014 live recording captured Shorter’s acclaimed quartet with pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade at the Stockholm Jazz Festival in Sweden. The intrepid set includes some of the band’s favorite vehicles of exploration including “Zero Gravity,” “Smilin’ Through,” “Orbits,” “Lotus,” and “She Moves Through The Fair.”

Nonesuch Records released pianist and composer Brad Mehldau’s Ride into the Sun—a songbook record of music by the late singer, songwriter, and guitarist Elliott Smith—on August 29, 2025. Featured musicians include singer/guitarist Daniel Rossen (Grizzly Bear); singer/mandolinist Chris Thile (Punch Brothers, Nickel Creek); bassists Felix Moseholm (Brad Mehldau Trio, Samara Joy) and John Davis (who also engineered and mixed the album); drummer Matt Chamberlain (Fiona Apple, Tori Amos, Randy Newman); and a chamber orchestra led by Dan Coleman, who also conducted on Mehldau’s 2010 album Highway Rider.

This is the second long-player to be taken from the same August 1958 Five Spot recordings that had yielded the similarly brilliant Thelonious in Action The quartet heard on these sets includes Monk (piano), Johnny Griffin (tenor sax), Roy Haynes (drums), and Ahmed Abdul-Malik (bass). Their overwhelming and instinctual capacities directly contribute to the powerful swingin' and cohesive sound they could continually reinvent. While these are Monk's tunes, arrangements, and band, it is Griffin who consistently liberates the performances. During "Nutty," his flurry of activity - which adeptly incorporates several lines from "Surrey With the Fringe on Top" - has a maniacal swing that is highlighted by some definitive counterplay from both Haynes and Monk. Additionally, the transition between Haynes and Monk is organic and seemingly psychic…