Clocking in at 75 minutes, this single-CD release is probably as much Rare Earth as most casual fans want (even though it only contains nine songs), and as a mid-priced item it's doubly attractive…

In 1966 two R & B bands local to Oldham (UK) merged to form a blues outfit THE BLUES KEEPERS. With sponsorship from a local businessman (also their manager) they rented an 18th century farmhouse where they practised extensively, gradually moving towards a progressive rock style then beginning to emerge…

This is the second album by One for All, an all-star sextet of young jazz veterans totally steeped in the hard bop tradition and group dynamic of Art Blakey and Horace Silver's classic ensembles. Eric Alexander, the rising tenor sax phenom, trombonist Steve Davis (Jazz Messengers, Jackie McLean, Chick Corea's Origin), and Peter Washington, the talented and ubiquitous bassist, are probably the best known players here…

Despite a huge hit single in the mid-'70s ("The Boys Are Back in Town") and becoming a popular act with hard rock/heavy metal fans, Thin Lizzy are still, in the pantheon of '70s rock bands, underappreciated. Formed in the late '60s by Irish singer/songwriter/bassist Phil Lynott, Lizzy, though not the first band to do so, combined romanticized working-class sentiments with their ferocious, twin-lead guitar attack. As the band's creative force, Lynott was a more insightful and intelligent writer than many of his ilk, preferring slice-of-life working-class dramas of love and hate influenced by Bob Dylan, Bruce Springsteen, and virtually all of the Irish literary tradition…

Ars Nova is back with a new cd which is different than their previous records. This new cd actually has a singer which plays one of the main roles along with the keyboards department. Ars Nova is still splendidly symphonic, however, this time things are a little different since there are vocals, violins and so on…

In an age of excess, 12" singles were a prime place for a band to preen, play out their pretensions, and indulge their every passing fancy. Programming the drum machine for an extra two minutes of tedium or allowing the rhythm section to carry on (and on) without the rest of a band was a popular maneuver for the creatively challenged (I mean you, Thompson Twins), with few bands actually utilizing the space in a meaningful manner…

Dead Lord’s fourth record “Surrender” is a one-stop shop of everything from sweet licks and stylish solos, to simply remarkable catchy songs that hit you in the feels and fill the gas tank to the brim. Stellar guitar rock, fresh and unleashed, as Dead Lord reinvigorates and rewires a long-lost style, rocketing it into a new era with stone-cold future studio classics. Surrender conveys the sense, palpable at the shows, of the magnetic chemistry and rolling thunder the Dead Lord live extravaganza always floors you with. You can hear the fun and fever, feel the crackle and burn of the reels as they capture a rare rock and roll lightning strike, as if you were standing in the wings with the drug-dealers and crazed leather rebels of days gone by.

The second in the AOR CITY series! The song selection and supervision is by Toshikazu Kanazawa, a leading AOR critic known for Light Mellow. It covers everything from AOR classics such as Boz Scaggs, TOTO, and AirPlay to rare tracks unique to this compilation. The artwork for the jacket is a new work by Hiroshi Nagai, a master of the illustration world known for Eiichi Ohtaki's masterpiece "A LONG VACATION".

Technical Ecstasy is the seventh studio album by English rock band Black Sabbath, produced by guitarist Tony Iommi and released in September 1976. The album was certified Gold on 19 June 1997 and peaked at number 51 on the Billboard 200 Album chart….

For a library user these multi-album sets are very handy! This contains the first five albums of the American Symphonic / Hard Prog legend Kansas, covering their best era. As usual, the original vinyl covers are duplicated as they are, which causes some uncomfort if one wishes to read the texts…

Soviet Grail presents an extended and official reissue of the album 'I See Earth' by the cult and respected among the diggers, the Turkmen jazz-rock and fusion band Gunesh, under the direction of Oleg Kimovich Korolev.