Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available. The best pre-1965 Beach Boys album featured their brilliant number one single "I Get Around," as well as other standout cuts in the beautifully sad "Wendy," "Little Honda" (one of their best hot rod tunes, covered by the Hondells for a hit), and their remake of the late-'50s doo wop classic "Hushabye." The nostalgic "All Summer Long," another great production, seemed (whether intentionally or not) like a sort of farewell to the frivolous California beach culture that had supplied the lyrical grist for most of their music up to this point, with a longing, regretful chorus that was totally at odds with the bouncy arrangement.

If remembered at all today, it is probably thanks to their silly astronaut costumes, but in the '60s the Spotnicks were one of the most successful instrumental rock groups, alongside the Shadows and the Ventures. Their very specific sound had more in common with the Shadows, being clean and intentionally gentle. It originated from their first primitive demo recordings, but the record company liked it and, being plastic and twangy, it was promoted as a space sound. That sound was already outdated in the late '60s, but that didn't stop the group from having big successes throughout the decade. In the '70s the sound was definitely antiquated, but like the Ventures, the Spotnicks found reliable audiences in Japan and Germany, as well as cult and nostalgia followings around the world.