5CD box set anthology of the legendary instrumental rock band including their greatest hits, covers from Japanese pop bands like Southern Allstars and The Spiders, film music and live recordings from their Japanese tour!

Emy Jackson (エミー・ジャクソン) was born in Essex, England as Emy Eaton. As a teenager in Yokohama she still couldn’t read Japanese well, but her ability to speak both English and Japanese fluently landed her a job as a youth DJ for the Good Hit Parade on Radio Kanto. In her notes to the excellent compilation Nippon Girls: Japanese Pop, Beat & Bossa Nova 1966-1970 Sheila Burgel writes: Her DJ career was cut short when her colleague Reiko Yukawa found Jackson singing “You Are My Sunshine” whilst strumming the guitar and sent word to A&R man Akira Izumi at Columbia Records. Akira insisted that Jackson break with the cover-pops tradition and tackle original songs written by Japanese songwriters in her native language of English.

Surfin' Safari Review by Richie Unterberger
The Beach Boys' debut album, recorded in an era in which little was expected of rock groups in the way of strong LP-length statements, is mostly thin and awkward in both the songwriting and production departments. The title track, their first true smash, is great, as is its flip side ("409"), which was not only a hit in its own right, but was the first vocal hot rod classic. "Surfin'," their debut single (and small national hit), is also good, and one of the few Beach Boys tracks that could be said to have a garage-like quality. Unfortunately, most of the other cuts (most of which are group originals) are substandard ditties, as Brian Wilson had a way to go before honing his compositional genius. It does, however, afford a glimpse of the group as they sounded when they were a true band in the studio, before most of their parts were played by session musicians. Two of the better cuts, "The Shift" and the instrumental "Moon Dawg," have a grittier-than-usual surf rock base that would flower on 1963 hits like "Surfin' U.S.A."[Surfin' Safari/Surfin' U.S.A, a Capitol two-fer CD, combines this and Surfin' U.S.A. onto one disc, with the addition of three rare bonus cuts from the same era.]

Your perfect vintage soundtrack for hot summer days and nights! 1-CD with 20-page booklet, 31 tracks. Total playing time approx. 79 min. • Summer! Heat! Swimming! Nature! Beach parties … and music!!! • This edition mercilessly continues what was started in the predecessors, 'Banana Split' (BCD17513), 'Another Banana Split, Please' (BCD17601) and 'Good Old Summertime' (BCD17528) by Bear Family. • On 31 tracks from 1952-1963, the most beautiful season of the year comes extremely alive, whether as a 'soundtrack' in the car or as a musical enhancement of the garden party! • You’ll hear classics of famous artists, for example songs by Keely Smith, Dinah Washington, Conway Twitty, The Brothers Four or Hank Snow! • On the other hand, we present plenty of recordings from the rarities box, some appear here for the first time on CD! • Instrumentals by the Viscounts or by Tito Puente with a summery Latin flair can be heard as well as early surf sounds by Dave York & The Beachcombers or The Fleetwoods! • The musical range is wide: from pop to jazz, rhythm 'n' blues, doo-wop, country music and lots of rock 'n' roll, with Ricky Dean, Johnny O'Neill, Sammy Salvo, Paul Peek and many others!

These Guitar Instrumentals from the UK '61-'64 were a short period when groups took control. There's a quick visit to Joe Meek's studios, and a track from The Gladiators without Nero and more. Compiled by psych musician/Psychic Circle Records' Nick Saloman (The Bevis Frond). Artists included: The Falcons, The Krew Kats, The Phantoms, Bobby Taylor, The Hunters, Dennis Newey, The Executives, The Nu-Notes, The Cougars, The Champions, The Fentones, The Gimmicks, Dunhill & Weiser, The Packabeats, The Planets, Johnny Howard Group, Rhet Stoller, The Players, The Violents, Group X, The Barons, Bob Miller & The Millermen, The Vengers and The Royal Showband, Waterford. 25 tracks.

Three CDs. Beginning their career as the most popular surf band in the nation, the Beach Boys finally emerged by 1966 as America's preeminent pop group, the only act able to challenge (for a brief time anyway) the overarching success of the Beatles with both mainstream listeners and the critical community. From their 1961 debut with the regional hit "Surfin'," the three Wilson brothers - Brian, Dennis, and Carl - plus cousin Mike Love and friend Al Jardine constructed the most intricate, gorgeous harmonies ever heard from a pop band. On The Many Faces of The Beach Boys, we explore their origins along with a review of their incredible catalog, plus the music scene that saw them emerge in the mid-'60s. With stellar artwork and remastered sound The Many Faces of The Beach Boys, is the most recent addition (and an essential one) to our wide collection of Many Faces for any music fan. And remember that the album it's not available on streaming platforms.

The Outfield's brisk pop sound gave them five Top 40 singles within the span of five years. Their sound is comprised of remnants of classic rock which is soothed by the fluidness of Tony Lewis' voice, and a front-line guitar attack driven by John Spinks. Big Innings is a generous, 16-track compilation made up of the Outfield's hits as well as their unreleased and B-side material, offering a delightful roam through their short-lived stint. With "Your Love," "All the Love in the World," and "Voices of Babylon" representing some of their greatest chart successes, the rest of the collection still houses many other pleasing contributions. The effectively encumbered guitar charge of "Since You've Been Gone" from 1987's Bangin' stands out, as does the sheer charm of "For You" off of 1990's Diamond Days. Although acoustic tracks such as "Alone With You" and "Through the Years" appear in mono, they are welcomed just the same. The disappointing Rockeye album contributes its two best efforts in "Closer to Me" and "Winning It All," while "One Hot Country" from the If Looks Could Kill soundtrack is the set's weakest contribution, sounding glitzy and overly effusive even for the '90s. Still, with only one or two feeble tracks, Big Innings is a more-than-sufficient hits package.

2008 collection containing 26 rockin' instrumentals from the studio that created the Chantey's' 'Pipeline' and the Rumblers' 'Boss'. This compilation ties together all the surf and rocking instrumentals recorded at the Downey Studios or for Downey Records in the early '60s. Most were released on small indie boutique labels, if not on the Downey imprint itself. There are some previously unreleased items, and a few that were initially unearthed for a now-deleted, badly mastered and totally un-annotated Dunhill CD in the '80s. With this release we have tried to include as much information as possible in Brian Nevill's exhaustive sleeve notes together with some great photos for the booklet. This is a must for surf and instrumental fans who like to have one studio, one label, one legend in one place. For everyone else, we've got alternate takes and unavailable masters, so there's no excuse for this not to be on your shelf. 26 tracks. Ace. 2008.

This is a totally traditional surf instrumental cd. If you like trad-surf, this is a must for your collection. There's not a dud tune on the whole disc. Nineteen songs, all original, all cool, all instrumental…what more could you want? ~ R.Davey

“Leo Fender’s contribution to the sound of modern music is immeasurable. The pop music explosion of the 1950s and 60s would not have happened without the electric guitar and, perhaps more importantly, the electric bass.”
So begins Martin Kelly’s notes for the CD of his book about Fender guitars. A book about music of course lacks the medium that it describes, so Martin came to Ace with a proposal to produce an accompanying CD that would make his pages even more vibrant. We were more than happy to celebrate the great sounds that Leo Fender helped conceive through his inspirational instruments.

Takeshi Terauchi (寺内タケシ, Terauchi Takeshi, born January 17, 1939 in Tsuchiura, Ibaraki Prefecture, Japan), also known as Terry, is a Japanese instrumental rock guitarist. His preferred guitar is a black Mosrite with a white pickguard. His guitar sound is characterized by frenetic picking, heavy use of tremolo picking and frequent use of his guitar's vibrato arm…

The ultimate hardcover digi-Longbox for Surf music lovers! From the 60s pioneers to today's surfin' musicians! The 20 page booklet tells the history of Surf Music written by Alain Gardinier and includes the complete original record covers for each song on the set!

Reverberated, instrumental surf rock with a focus on melody, ripping guitars and powerhouse drums.
"This is quite definitely our album of the year - my God is it good! In a break from the sublime Pollo Del Mar, Ferenc Dobronyi put together Frankie & The Poolboys to rearrange some of Pollo's instrumentals into a surf style. They added new tunes and two covers…

32 Tracks. The Ventures, The Shadows, John Barry Seven, The Fentones, The Dakotas, Sandy Nelson, The Cannons, The Cougars, Norrie Paramor, The Packabeats, The Piltdown Men, B. Bumble & The Stingers, The Nu-Notes, Johnny Dankworth & His Orchestra, The Federals and many more.

Quentin Tarantino soundtracks are often as deliriously exciting as the films themselves and Death Proof is no exception to the rule. His half of the exploitation double-bill Grindhouse concerns a serial killer called Stuntman Mike who offs girls with his indestructible car – a blend of no less than three B-movie staples that provides a perfect vehicle for a perfect soundtrack, which Death Proof comes pretty close to being. Given the inspirations behind this stylized exploitation flick, it should come as no surprise that this soundtrack also borrows heavily from the '60s and '70s, digging up a bunch of forgotten soul, pop, rock, surf, and soundtrack songs that aren't commonly heard. There are some familiar names here – whether it's composers Jack Nitzsche and Ennio Morricone or soul singers Joe Tex and Eddie Floyd – but the closest this comes to familiar territory is T. Rex's glam staple "Jeepster" and maybe Smith's one-shot wonder "Baby It's You." But the pleasure of this soundtrack is precisely how all these little-known songs create their own fantastical spin on the late '60s and '70s, just like how Tarantino does it within the film itself. According to this, it was a time when the Coasters turned "Down in Mexico" into spacey, funky doo wop, when Dave Dee, Dozy, Bich & Tich turned out fizzy pop pleasures like "Hold Tight" and when Pacific Gas & Electric turned "Staggolee" into a psychedelic pimp. Thow in a down-n-dirty Willy DeVille number and the girl power of April March's "Chick Habit," and this is turns into an addictive record – one that's perfect for long, dark drives or just about any other kind of good time you could name.