One of rock's most underrated guitarists (both from a technical and compositional point of view), Gary Moore is arguably one of the finest musicians that Britain has ever produced, with a career that dated back to the 1960s, there were few musical genres that Gary Moore had not turned his hand to. From his early beginnings in a local rock group called Skid Row, that featured a young singer by the name of Phil Lynott, Gary has been a resolute guitarist in music industry. His paring with Lynott was rekindled when Phil Lynott went on to form Thin Lizzy. Gary Moore went on to have a successful solo career with eleven UK Top 40 single releases. Here we present 28 tracks of some of his greatest work including Parisienne Walkways (Live), Nuclear Attack, Run To Mama, and Stormy Monday to name a few.

Although he took a pop-metal detour during the '80s, guitarist Gary Moore was always a blues-rock guitarist at heart. After all, his chief instrument throughout his career has been a Les Paul that once belonged to Fleetwood Mac's Peter Green, and he played on the original version of Thin Lizzy's slow-burning bluesy tour de force "Still in Love With You." By the dawn of the '90s, Moore had grown tired of trying to keep pace with the Def Leppards of the rock world, and returned to his original love. The move paid off immediately for Moore, as 1990's Still Got the Blues was a worldwide hit, and as a result, the guitarist continued with this direction for much of the decade. The 2003 12-track compilation Blues Collection is true to its title, as it includes the cream of this aforementioned rootsy era.

Ballads & Blues 1982-1994 is a compilation album by Northern Irish rock guitarist, singer and songwriter Gary Moore. Released in 1994, the album encompasses the softer, romantic ballads and blues songs Moore had recorded since 1982. It contains three previously unreleased tracks.

Have Some Moore: The Best Of is a compilation album by Gary Moore. Released in 2002, the 2CD album contains a total of 32 tracks. The first disc is a selection of the best blues rock, and the second is a collection of the best hard rock songs by Gary Moore.

By the late '90s, guitarist Gary Moore was at a career crossroads. Should he continue on the path that brought him his biggest stateside success (Still Got the Blues), or try something a bit contemporary? The ex-Thin Lizzy member decided on the latter, issuing Dark Days in Paradise, an album that saw Moore utilize electronic beats and, of course, his trademark soaring guitar work, rather than blues-rockers. And you have to give the guitarist credit – he does venture outside of what you'd usually expect from a new Moore album, whether it be the Beatlesque "One Fine Day" (which contains a bassline quite similar to the Fab Four's "Rain") or the keyboard-heavy ballad "Like Angels" (which sounds like it's straight from 1987).

1979 was a busy year for Irish guitarist Gary Moore, who after years of seemingly aimless wandering across the musical landscape (including a flirtation with jazz-rock fusion while fronting G-Force) simultaneously re-launched his long-dormant solo career and became a full-time member of Thin Lizzy. Moore had originally agreed to help his old partner in crime Phil Lynott only temporarily, while longtime Lizzy guitarist Brian Robertson recovered from a broken hand incurred in a barroom brawl.

With countless Gary Moore compilations released over the years, it's understandable for fans to greet the release of yet another, 2006's Platinum Collection, with skepticism. But what differentiates this three-disc set from the previous compilations is that it does a fine and dandy job of collecting highlights from all phases of Moore's career – heavy metallist, mainstream melodic rocker, and blues enthusiast. A cover of the Yardbirds' "Shapes of Things" allows Moore to show off his smoking six-string skills, and serves as proof that with a little more luck, Moore would have been up there with Van Halen, Vai, and Satriani as top rock guitarists of the '80s. Elsewhere, a pair of tracks recorded with the late great Phil Lynott – "Parisienne Walkways" and "Out in the Fields" – show the promise that future collaborations between these onetime Thin Lizzy bandmates held, if Lynott hadn't senselessly died young. Also, you'll find tracks that show Moore streamlining his sound in hope of crossover success – which he did obtain in Europe ("Over the Hills and Far Away," "Wild Frontier") – as well as his early-'90s rebirth as a bluesman ("Still Got the Blues," "Oh Pretty Woman," "Since I Met You Baby").

Japan issue with 5 tracks, including the 4 tracks on the standard issue, plus the killer 5th track, a 10+ minute live version of Stormy Monday (featuring Albert King). Track 5 recorded live at Hammersmith Odeon, London.

This album is a jaw-dropping affair for anyone who believes that Eddie Van Halen is the ultimate guitar-shredding experience. Gary Moore's classic live album We Want Moore! is about as good as it gets. Drawing mainly from the Irish guitarist's previous two studio albums, every cut gets a shot in the arm from Moore's extended soloing, most notably the Yardbird's "Shapes of Things" at almost nine minutes. Recorded in places as distant as Tokyo, Glasgow and Detroit, the performances also benefit from the impressive vocal tag team between Moore and rhythm guitarist Neil Carter.

Robert William Gary Moore was a Northern Irish guitarist and singer-songwriter. During his teenage years in the 1960's, Moore played in the line up of a number of local Belfast based bands, before a move to Dublin, Ireland, after being asked to join the Irish band Skid Row, whose soon to depart lead singer, was one Phil Lynott. Later on, Moore could be seen playing in the likes of Thin Lizzy and British jazz-rock fusion band Colosseum II, as well as having his own, highly successful solo career split between the genres of heavy metal and blues. Moore shared the stage with such blues and rock musicians as B.B. King, Albert King, John Mayall, Jack Bruce, Ginger Baker, Albert Collins, George Harrison, and Greg Lake.

Grinding Stone is hard to place musically in Gary Moore's early, pretty varied career, but fits somewhere in between Colosseum II and Skid Row. In any case, as well as being his solo debut, it is one of Gary Moore's most overlooked albums. A description of the music could be something as seemingly self contradictory as experimental boogie rock, but on the album Moore explores a number of styles, from the title track's instrumental boogie rock to soulful vocals in "Sail Across the Mountain" and 17 minutes of guitar and keyboard excursions in the surprisingly funky "Spirit." In some ways Grinding Stone gives a taste of what would be heard from Colosseum II a few years later, but if the word fusion can be used here, it is not in the generic sense…