Porter Robinson had already moved beyond festival-ready EDM by the time Worlds, a full-length debut filled with widescreen electro-pop tunes inspired by anime and video games, arrived in 2014. After the album became a massive success, topping Billboard's Dance/Electronic Albums chart and influencing numerous producers, Robinson felt pressured to deliver another major statement that would live up to his reputation. He scored a gold-certified hit with "Shelter," his 2016 collaboration with Madeon, and following the duo's extensive international tour, he branched off with Virtual Self, a hyper-fun side project influenced by trance and Dance Dance Revolution, which surprisingly earned the producer his first Grammy nomination.

Fantastic singing by the Finnish ensemble, who display a remarkable ability to convey the 'polyphony' - the sounding together of 'many tunes'. For their focus is very much on ensuring each voice is phrasing & singing their 'tune', with the lovely harmonies a result rather than their main target. It's good to hear an ensemble singing this way, all too often we hear the same 'vertical' (harmonic) approach that is the basis of the last 200+ years of concentration on tune+harmony, rather than a truly 'horizontal' focus on the lines of the music.

Ronald Brautigam presents two of Franz Schubert’s late masterpieces, the Sonatas D 959 and D 960. They are played here on a fortepiano built by Paul McNulty after an instrument from around 1819 by the Viennese instrument maker Conrad Graf and presumably similar to the instrument on which Schubert composed. Although it is tempting to see Schubert’s final works as the testament of a doomed artist who feels his end is nearing, the reality is quite different: the composer displayed vitality, optimism and a prodigious capacity for work. His last two sonatas also show that he had reached a new level, having successfully emancipated himself from the Beethovenian model.

For the past thirty years, Paolo Pandolfo has been one of the leading viola da gambists of his generation, researching and promoting the repertoire of his instrument in all directions. In 1989, he was appointed successor to Jordi Savall as professor of viola da gamba at his alma mater, the Schola Cantorum Basiliensis (SCB), a position he holds to the present day. On this new recording in the SCB series on Glossa, Pandolfo presents the complete solo pieces for ‘lyra viol’ included in Alfonso Ferrabosco’s 1609 London publication Lessons for 1. 2. and 3. Viols. The lyra viol is a special type of viola da gamba that includes sympathetic resonant strings under the normal strings, thereby creating a fascinating sonority that often seems produced by more than one instrument.

Acclaimed pianist and organist Jae-Hyuck Cho, one of the most active concert artists in South Korea, returns to Orchid with an album of piano concertos by Mozart, partnered by Hans Graf and the Royal Philharmonic Orchestra.For this new album Cho has created a programme which draws on two unique works featuring piano. The piano concerto No.20 in D minor, with it's distinctive interactions between soloist and orchestra, is part of the pantheon of great Mozart works in D Minor, while the Piano Concerto No.23 in A major is known for a remarkable second movement in the lesser-explored key of F-sharp minor.In addition to being a soloist in recitals and appearing in front of large orchestras, Jae-Hyuck Cho is also widely known as a musical mediator, initiating new concert formats and making regular appearances on various broadcasting formats. He has been described as "a musician who is nearing perfection with an extraordinary breadth of expression, flawless technique, composition, sensitivity, intelligence, insightful and detailed playing without exaggeration."

Following the release of several operas by Franz Schreker during past years on cpo (some of them in premiere recordings), our label now turns to the orchestral works of a man who in some circles continues to be dismissed as a mere 'sound magician', even though he was a melodist and harmonist of the first water and had learned his craft so thoroughly at the Vienna Conservatory that he himself became a sought-after teacher. The present program traces Schrekers path from his studies with Robert Fuchs to his first enduring success the captivating pantomime The Birthday of the Infanta (1908) after the fairy tale by Oscar Wilde, which definitely numbers among the finest creations of the musical art nouveau.

After 1683, when Polish troops saved Vienna from a Turkish siege, Turkey was no longer a threat to Western Europe and became a symbol of the mysterious Orient. For European musicians, however, Turkey was less nebulous, as Turkish instruments (including drums, cymbals, and triangles) entered the European orchestra and composers emulated the sound of the Turkish military band. A charming introduction to eighteenth century musical Orientalism in Europe, this album features exquisite performances by Concerto Köln and Sarband, a traditional Turkish ensemble. The opening track, a scintillating rendition of the overture for Mozart's Oriental opera Die Entfuhrung as dem Serail, features traditional Turkish percussion that adds zest to the performance.

With this latest volume in their ongoing cycle, recorded in 2023, the Quartetto Noûs passes the halfway mark of Shostakovich’s 15 quartets. The previous instalments have been recognised and praised for their full-blooded intensity and uncompromising address to the detail of these absorbing scores.

To commemorate the bicentennial of Beethoven’s Diabelli Variations, the Divine Art label proudly presents “ 200 Years: Diabelli Variations”. Originally introduced by Anton Diabelli with words of admiration for its innovation and artistic brilliance, the Diabelli Variations have since transcended time, becoming a cornerstone of the piano repertoire, rivalling even the esteemed works of J.S. Bach.

In his final performances with the Lucerne Festival Orchestra in August 2013, Claudio Abbado conducted Anton Bruckner's unfinished Symphony No. 9 in D minor, and this recording is drawn from the best takes from those concerts. Considering that this rendition came near the end of Abbado's life and stands as a worthy testament to his achievements, it's easy to read too much into the interpretation, and to view it as a mystical or transcendent reading because of the circumstances. On the one hand, Abbado's understanding of this symphony was as thorough as any conductor's, and the Lucerne musicians played with seriousness and dedication, offering a version that has impressive power and expressive depth. On the other hand, there are many competitive recordings that either match Abbado's for strength and feeling, or surpass it in purely technical terms of sound quality and reproduction. Certainly the sound is exceptional, according to Deutsche Grammophon's high standards, and this stereo recording is exceptionally clean and noise-free.

The Magician's Birthday is the fifth album by British rock band Uriah Heep, released in 1972 by Bronze Records in the UK and Mercury Records in the US. The concept was "based loosely on a short story" written by Ken Hensley in June and July 1972. In a retrospective review, Sputnikmusic praised The Magician's Birthday, saying, "Though probably not as cohesive as it could be, it still offers plenty of highlights, earning its place among Heep's finest albums". Reviewer Daniel Dias singled out "Sunrise", noting that it was "a highlight in Heep's catalog and one of the band's finest progressive rock ballads". AllMusic noted the album's prog elements as well, and said, "The Magician's Birthday never quite hits the consistent heights of Look at Yourself or Demons and Wizards but remains a solid listen for Uriah Heep fans". The Magician's Birthday was certified Gold on 22 January 1973.

Siren's Song is the second studio album by The Union, the English rock band formed by ex-Thunder guitarist Luke Morley and Peter Shoulder (formerly of Winterville). It was released on 3 October 2011. The Union was formed by guitarist Luke Morley and vocalist/guitarist Peter Shoulder after Luke’s twenty-year career with Thunder came to an end in 2009. Peter Shoulder was the vocalist, songwriter and musical rudder of Winterville. In 2006 he won The W.C Handy Blues Foundation award, presented to him in Memphis for co-writing the American Blues Song of the Year, ‘Think of Me’. The song was performed by blues legend Little Milton. At the time of winning there were only two other British artists to have received that particular award, the others being Eric Clapton and Peter Green.

"Into the night" is the final part of a trilogy by Poland's own Satellite, the previous parts being "A Street Between Sunrise And Sunset" (2003, the band's first album) and "Evening Games" (2005). Originally intended as a solo project by Collage's Wojtek Szadkowski, the band have rapidly evolved into one of the finest protagonists of neo-prog currently recording. Jarek Michalski takes over on bass, but the line up is otherwise unchanged. Jarek's bass playing is notable throughout the album, adding an underlying depth to the sound. The music here will appeal not just to those who enjoy the melodic power of bands such as Arena and Porcupine Tree, but also to those who favour the classic prog bands such as Yes and Pink Floyd.