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    Louis Lortie, Residentie Orchestra The Hague, George Pehlivanian - Liszt: Works for Piano and Orchestra (2006)

    Posted By: tirexiss
    Louis Lortie, Residentie Orchestra The Hague, George Pehlivanian - Liszt: Works for Piano and Orchestra (2006)

    Louis Lortie, Residentie Orchestra The Hague, George Pehlivanian - Liszt: Works for Piano and Orchestra (2006)
    EAC | FLAC (image+.cue, log) | Covers Included | 03:33:43 | 814 MB
    Genre: Classical | Label: Chandos Records | Catalog: CHAN 10371(3)X

    These are exuberant performances, overflowing with arch character and impish brio. Lortie doesn't merely phrase responsively; he deftly teases and articulates, so that even routine passage-work lifts into scintillant repartee, wittily met by Pehiavanian and The Hague Residentie Orchestra. For salient instance, this is the first time I've heard the young Liszt's hilariously slapdash, formally sprawling Lelio Fantasy actually.

    Ferenc Fricsay, Stanislav Macura, Herbert von Karajan, Rafael Kubelik - Franz Liszt: Symphonic Poems Vol. 1 (2017)

    Posted By: Designol
    Ferenc Fricsay, Stanislav Macura, Herbert von Karajan, Rafael Kubelik - Franz Liszt: Symphonic Poems Vol. 1 (2017)

    Franz Liszt: Symphonic Poems Vol. 1 (2017)
    RIAS Symphony Orchestra, Ferenc Fricsay; Prague RSO, Stanislav Macura
    Berliner Philharmoniker, Herbert von Karajan; Bavarian RSO, Rafael Kubelik

    EAC | FLAC | Image (Cue&Log) ~ 422 Mb | Mp3 (CBR320) ~ 196 Mb | Scans included
    Genre: Classical | Label: Praga | # PRD/DSD 350 124 | Time: 01:19:56

    Both the term symphonic poem and the form itself were invented by Franz Liszt, who in works such as Les Préludes (1848; after Alphonse de Lamartine’s Méditations poétiques) used thematic transformation to parallel the poetic emotions. That’s true again with Byron (Tasso, lamento e trionfo), Schiller (Die Ideale) and Victor Hugo (Mazeppa). A winning quartet!

    Eugene Ormandy - The Philadelphia Orchestra 1958-1963 [88CDs] Part 1 (2023)

    Posted By: ArlegZ
    Eugene Ormandy - The Philadelphia Orchestra 1958-1963 [88CDs] Part 1 (2023)

    Eugene Ormandy - The Philadelphia Orchestra 1958-1963 [88CDs] Part 1 (2023)
    XLD | FLAC | Image (Cue & Log) ~ 8,10 Gb | Total time: 75:52:53 | Scans included
    Classical | Label: Sony Classical | # 194399774328 | Recorded: 1958-1963

    Following up on the success of Sony Classical’s recent large-scale Ormandy collections – his monaural discographies with the Minneapolis Symphony and Philadelphia orchestras – the label now presents the conductor’s stereo recordings from Philadelphia containing all recordings released from 1958 to 1963 (plus some fillers from later years) Eugene Ormandy took over the music directorship in Philadelphia from Leopold Stokowski in 1938 and held the position for 42 years. During that time his name and the orchestra’s became inseparable as he cultivated and further developed the voluptuous sound that originated with his predecessor.

    Lise de la Salle, Gulbenkian Orchestra, Lawrence Foster - Shostakovich, Liszt, Prokofiev: Piano Concertos (2006)

    Posted By: tirexiss
    Lise de la Salle, Gulbenkian Orchestra, Lawrence Foster - Shostakovich, Liszt, Prokofiev: Piano Concertos (2006)

    Lise de la Salle, Gulbenkian Orchestra, Lawrence Foster - Shostakovich, Liszt, Prokofiev: Piano Concertos (2006)
    EAC | FLAC (tracks+.cue, log) | Covers Included | 59:28 | 277 MB
    Genre: Classical | Label: Naïve | Catalog: V 5053

    Pianist Lise de la Salle has a big tone and a strong technique, but while she is surely up to the technical requirements of Prokofiev's and Shostakovich's first piano concertos, she seems out of her depth in their interpretive demands. She can pound her way through the muscular rhythms and massive sonorities in the outer movements of Prokofiev's concerto but appears immune to the lyrical poetry in the legato lines of the work's central Andante assai.

    Liebrecht Vanbeckevoort - Liszt: Piano Concertos Nos. 1 & 2, Sonata in B minor (2011)

    Posted By: tirexiss
    Liebrecht Vanbeckevoort - Liszt: Piano Concertos Nos. 1 & 2, Sonata in B minor (2011)

    Liebrecht Vanbeckevoort - Liszt: Piano Concertos Nos. 1 & 2, Sonata in B minor (2011)
    EAC | FLAC (image+.cue, log) | Covers Included | 01:11:19 | 273 MB
    Genre: Classical | Label: Etcetera | Catalog: KTC 4037

    Pianist Liebrecht Vanbeckevoort (1984) was one of the laureates and the audience’s favourite of the Queen Elisabeth Competition in Belgium in 2007. Since that time he has built an honourable reputation as a concert pianist, giving recitals in prestigious concert halls in Europe, Israel, China, South Africa, Canada and the USA.

    Daniel Barenboim, Berliner Philharmoniker - Franz Liszt: Dante Symphony & Dante Sonata (1994)

    Posted By: Designol
    Daniel Barenboim, Berliner Philharmoniker - Franz Liszt: Dante Symphony & Dante Sonata (1994)

    Daniel Barenboim, Berliner Philharmoniker - Franz Liszt: Dante Symphony & Sonata (1994)
    EAC | FLAC | Image (Cue&Log) ~ 270 Mb | Mp3 (CBR320) ~ 170 Mb | Scans included
    Genre: Classical | Label: Teldec | # 9031-77340-2 | Time: 01:06:31

    Liszt’s Dante Symphony is a work of astonishing imagination. His evocation of the ‘Inferno’, the shade of Francesca da Rimini and her sad remembered love is marked by strokes of genius which, with bewildering frequency, pre-empt the mature Wagner (who was, incidentally, the dedicatee of the work). If the second and third movements – the ‘Paradiso’ was wisely commuted to a setting of part of the Magnificat plus a brief Hosanna – don’t quite match the sweep and control of the first, they have their own particular magic. Even so, the work has not acquired the popularity of the Faust Symphony. Barenboim’s new recording with the Berlin Philharmonic is thus particularly welcome. Not only does it augment the number of available recordings to four, it is also the most polished. Even performing ‘live’, the Berlin Philharmonic turns in a performance of near-perfection – the solo lines are a particular joy.

    Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa - Franz Liszt: Konzerte für Klavier und Orchester, Totentanz (1988)

    Posted By: tirexiss
    Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa - Franz Liszt: Konzerte für Klavier und Orchester, Totentanz (1988)

    Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa - Franz Liszt: Konzerte für Klavier und Orchester, Totentanz (1988)
    EAC | FLAC (image+.cue, log) | Covers Included | 55:48 | 241 MB
    Genre: Classical | Label: Deutsche Grammophon | Catalog: 423 571-2

    This well recorded disc from 1987 delivers truly exciting performances of all three works in typically crisp manner by Zimerman. Ozawa and the Boston orchestra give excellent support. The emphasis here is on excitement largely created by fast speeds delivered with clarity. The more gentler parts of all three works are played with due regard to sensitivity but there is no denying that in these recordings these works are seen as primarily as virtuoso display works and that is what we are given.

    Leif Ove Andsnes - The Warner Classics Edition [36CDs] (2023)

    Posted By: ArlegZ
    Leif Ove Andsnes - The Warner Classics Edition [36CDs] (2023)

    Leif Ove Andsnes - The Warner Classics Edition [36CDs] (2023)
    EAC | FLAC | Image (Cue & Log) ~ 7,22 Gb | Total time: 38:41:06 | Scans included
    Classical | Label: Warner Classics | # 5054197414008 | Recorded: 1990-2010

    Leif Ove Andsnes is a leading pianist of his time, known for his exceptional musicianship and subtil touch, his considerable technical flair being unfailingly put at the service of his interpretations. He was a pioneer for being the first home-trained superstar pianist to have emerged from Norway. This box is the story of a 20-year partnership that has yielded a rich seam of recorded treasures, first for Virgin and then for EMI. Running through this cornucopia of 34 albums (36 CDs), we find recurring themes: Grieg (Andsnes even recorded some Lyric Pieces on the composer’s own piano at Troldhaugen), Nordic music in general, Schumann, Rachmaninov, Schubert.

    GrauSchumacher Piano Duo, WDR Rundfunkchor Köln, Rupert Huber - Liszt: Via Crucis (2009)

    Posted By: tirexiss
    GrauSchumacher Piano Duo, WDR Rundfunkchor Köln, Rupert Huber - Liszt: Via Crucis (2009)

    GrauSchumacher Piano Duo, WDR Rundfunkchor Köln, Rupert Huber - Liszt: Via Crucis (2009)
    WEB | FLAC (tracks) - 218 MB | 01:03:02
    Genre: Classical | Label: Neos

    Franz Liszt's Via Crucis (Stations of the Cross), composed in 1878, dates from the end of his career, when the formerly flamboyant composer joined a monastic order and spent part of his time living a spartan life in a small apartment near Rome. The work combines extreme spareness with the chromatic experimentation characteristic of the composer's late years, with simple melodies subjected Bachian part-writing that veers into expressive chromatic depths. The work shows off the powers of a small choir and has been recorded many times, but this German release, featuring the West German Radio Chorus of Cologne under Rupert Huber, is a standout for several reasons.

    Cécile Ousset - Liszt: Piano Sonata, Paganini Etudes (1985)

    Posted By: tirexiss
    Cécile Ousset - Liszt: Piano Sonata, Paganini Etudes (1985)

    Cécile Ousset - Liszt: Piano Sonata, Paganini Etudes (1985)
    EAC | FLAC (image+.cue, log) | Covers Included | 55:02 | 204 MB
    Genre: Classical | Label: EMI | Catalog: CDC 7 47514 2

    Even though EMI has reissued some interesting old recordings in its "encore" series, there are some that seem to have been brought out of storage a bit past their prime and that may be disappointing because of their weak audio reproduction. Cécile Ousset's flashy readings of Franz Liszt's Sonata in B minor, S. 178, and the Paganini Studies, S. 141, date from 1984, and as one might expect, they sound like early digital recordings in their lack of presence, chilly ambience, and shallow dimensions. Something of a rarity, Ousset's animated and energetic interpretations may rescue this CD for fans who have never heard her play Liszt before; or the budget price may at least make it acceptable for others.

    Nelson Freire - Franz Liszt: Harmonies du Soir (2011)

    Posted By: ArlegZ
    Nelson Freire - Franz Liszt: Harmonies du Soir (2011)

    Nelson Freire - Franz Liszt: Harmonies du Soir (2011)
    EAC | FLAC | Image (Cue & Log) ~ 192 Mb | Total time: 58:09 | Scans included
    Classical | Label: Decca | # 478 2728 | Recorded: 2010

    In celebration of the Liszt year 2011, multi-award winning pianist Nelson Freire has personally selected the repertoire for his latest recording – his contribution to the anniversary of the pianist-composer’s birth in 1811. The very personal selection includes Liszt showpieces such as the Harmonies du soir (12 Études d’exécution transcendante), the Hungarian Rhapsodies and Liebesträume.

    Arnaldo Cohen, John Neschling, Orquestra Sinfônica do Estado de São Paulo - Liszt: Totentanz, Piano Concertos 1 & 2 (2007)

    Posted By: ArlegZ
    Arnaldo Cohen, John Neschling, Orquestra Sinfônica do Estado de São Paulo - Liszt: Totentanz, Piano Concertos 1 & 2 (2007)

    Arnaldo Cohen, John Neschling, Orquestra Sinfônica do Estado de São Paulo - Franz Liszt: Totentanz, Piano Concertos 1 & 2 (2007)
    EAC | FLAC | Image (Cue & Log) ~ 211 Mb | Total time: 57:08 | Scans included
    Classical | Label: BIS Records | # BC 226 | Recorded: 2005

    The vast majority of Brazilian-born pianist Arnaldo Cohen's discography is devoted to the music of Franz Liszt. There is good reason for this; his technique and approach to the instrument seem especially suited for the demands Liszt makes of pianists, from extreme subtlety and introspection to the bravura, ostentatious displays of power and virtuosity. Cohen delivers all of this with remarkable clarity.

    New York Philharmonic, Leonard Bernstein - Brahms, Liszt, Enescu & Borodin (2011)

    Posted By: tirexiss
    New York Philharmonic, Leonard Bernstein - Brahms, Liszt, Enescu & Borodin (2011)

    New York Philharmonic, Leonard Bernstein - Brahms, Liszt, Enescu & Borodin (2011)
    WEB | FLAC (tracks) - 352 MB | 01:11:54
    Genre: Classical | Label: Sony Classical

    Les danses hongroises n°5 et 6 de Brahms (respectivement captées en 1967 et 1966) mettent d'entrée de jeu l'auditeur au parfum : c'est à une démonstration de dynamisme et de lyrisme que le grand chef américain nous convie. Ces danses de Brahms se hissent parmi les meilleures, et ne font poindre qu'un seul regret : qu'il n'y en ait que deux !
    Les Préludes de Liszt (1963) nous rappellent alors quelles formidables affinités Bernstein trouvait dans l'univers lisztien (il faut connaitre absolument sa fantastique Faust-Symphonie ).

    Brigitte Fassbaender - Liszt, R. Strauss: Lieder (2003)

    Posted By: tirexiss
    Brigitte Fassbaender - Liszt, R. Strauss: Lieder (2003)

    Brigitte Fassbaender - Liszt, R. Strauss: Lieder (2003)
    EAC | FLAC (image+.cue, log) | Covers Included | 58:36 | 212 MB
    Genre: Classical | Label: Deutsche Grammophon | Catalog: 474 536-2

    The extraordinary hold Fassbaender exerts over audiences, in the concert hall and on record, surely derives from her singular strength of personality reflected in her dark, vibrant mezzo with its emotional overtones evident in every bar she sings. Even when an excess of vibrato intervenes, which happens seldom in this recital, it seems part of the very individual and immediately recognizable Fassbaender manner.

    Leonard Bernstein - Bernstein: Haydn - Liszt (2023)

    Posted By: Rtax
    Leonard Bernstein - Bernstein: Haydn - Liszt (2023)

    Leonard Bernstein - Bernstein: Haydn - Liszt (2023)
    WEB FLAC (tracks) - 2.1 GB | MP3 CBR 320 kbps - 1.1 GB
    8:18:23 | Classical | Label: Deutsche Grammophon

    No figure in 20th century American classical music had as prominent or controversial a career – or did more to sell classical music to the general public as something genuinely exciting, and worth getting into a sweat over – than Leonard Bernstein. For more than 30 years, from his assumption of the post of Music Director of the New York Philharmonic in 1958 until the final concerts that he conducted in obviously failing health near the end of his life in 1990, he was the most prominent and widely recognized American-born conductor in the world, and the dominant personality in American classical music as both a conductor and, to a lesser degree, a composer. A flamboyant public figure, he burst three different times on the musical world – twice in classical with a rush of success on Broadway in between – in a blaze of glory, in the space of 15 years; and over a career lasting from the early '40s until the beginning of the '90s, he never lost an opportunity to advance his reputation as well as the cause of music.