This is the biggest piece of music that ever gets performed with any regularity. Anyone who avoids Schönberg because his name is synonymous with that nasty, atonal stuff need have no fear. This is a ripely romantic score with big tunes and cinematic orchestration. The story is simple. King Waldemar of Gurre is fooling around with Tove. The queen finds out and has her poisoned. The king curses God, and is condemned to ride on a ghostly hunt throughout all eternity, until the arrival of dawn signals an end to the nightly horror. This performance–which happily has been reissued at bargain price–has been the choice since the day it was released, both for interpretation and for recording. Magnificent doesn't begin to describe it.

This DVD presents Seiji Ozawa conducting two great choral masterpieces, beloved by audiences around the world. Orff's Carmina Burana, boisterous and lyrical, sets medieval songs in a celebration of life's pleasures. Beethoven's monumental Ninth Symphony, concludes with the uplifting 'Ode to Joy', a timeless plea for universal brotherhood.

Momo Kodama (whose acclaimed album, Point and Line, contrasted Toshio Hosakawa and Claude Debussy) presents the piano concerto which Hosakawa wrote for her, the shimmering "Lotus Under the Moonlight." Composed in 2006, "Lotus" is also an homage to Mozart, with distant echoes of his Concerto No.23 in A Major, the work with which it is paired here in a concert recording from Japan with Maestro Seiji Ozawa and his Mito Chamber Orchestra.

The 2nd of September 2010 marks Maestro Seiji Ozawa’s 75th birthday.
This new 11-CD set presents Seiji Ozawa in a wide variety of symphonic repertory with the orchestra’s with which he has been most closely associated since the early 1970s – from the San Francisco Symphony in 1972 in a programme of music centred round Romeo and Juliet, through his twenty-nine years at the Boston Symphony, to the Vienna and Berlin Philharmonics and the Saito Kinen Orchestra in Japan – a celebration of a truly international Maestro.

Momo Kodama whose acclaimed New Series solo album Point and Line contrasted Toshio Hosakawa and Claude Debussy here presents the piano concerto which Hosakawa wrote for her, the shimmering Lotus under the moonlight. Composed in 2006, Lotus is also a homage to Wolfgang Amadeus Mozart, with distant echoes of Mozart’s Concerto. No 23 in A Major, the work with which it is paired here in a concert recording from Japan, with Maestro Seiji Ozawa and his Mito Chamber Orchestra. In a composer’s note Hosakawa writes that “Momo Kodama’s transparency, sensitivity and expressiveness have continued to inspire my piano music deeply. As she touches this magical instrument, she touches the mysterious energy of the universe and stirs my soul.”

The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninoff between the autumn of 1900 and April 1901. The second and third movements were first performed with the composer as soloist on 2 December 1900. The complete work was premiered, again with the composer as soloist, on 9 November 1901, with his cousin Alexander Siloti conducting. This piece is one of Rachmaninoff's most enduringly popular pieces, and established his fame as a concerto composer.

Four decades of friendship and musical partnership brings these two titans of classical music together again. Eagerly anticipated follow-up to their now-legendary recording of the first concerto. Recorded live in concert in Japan in May 2019.

Swan Lake was the first of Tchaikovsky's three great ballets– works which added a new level of depth and sophistication to what had been a purely superficial art form. Today the music is so well-known and popular that it's impossible to comprehend the difficulties the composer experienced at early performances. Audiences found the music "too symphonic," and the dancers were put off by the prominence given to the orchestra which, they felt, distracted ballet fans from the action on stage. Of course, all of these supposed "defects" are precisely what we admire about the music today, and this elegant but exciting performance reveals the music in all of its glory.

Decca Classics announces the release of a new record marking the 85th birthday of Grammy-winning conductor/OMF director, Seiji Ozawa. Recorded live in 2016/17, Ozawa leads the Saito Kinen Orchestra in performances of Beethoven’s Symphony No.7 and Leonore Overture No. 3, also marking the German composer’s 250th birthday year.

Das war ein Abend, wie Opernfreunde ihn lieben: Tschaikowskis »Pique Dame«, ein Werk des Repertoires und doch selten gespielt, ein Ensemble nicht nur berühmter Namen, sondern großer Singschauspieler, dazu ein Dirigent der Sonderklasse – eine Aufführung, wie sie auch an einem Haus wie der Wiener Staatsoper nicht zum »Alltag« gehört. Der Erfolg der Aufführung, der Jubel waren gleichsam vorprogrammiert. Zumal die Wiener Staatsoper ihrem Publikum noch eine ganz besondere Attraktion anzubieten hatte: Im Mittelpunkt des Abends und schier endloser Ovationen stand eine der großen Heroinen der Opernbühne, Martha Mödl, die hier in den Fünfziger- und Sechzigerjahren des Jahrhunderts als Leonore in Beethovens »Fidelio«, als Isolde und Brünnhilde, aber auch in so manchen Partien des dramatischen Mezzofachs Triumphe gefeiert hatte.

Ozawa's interpretation of The Planets is assuredly not in the Boult tradition, but brings a fresh approach to Holst's sole excursion into extravagance. Tempos are not those to which we are accustomed: ''Mars'' brings war at record speed and ''Mercury'' is more leisurely winged messenger than usual. Both ''Venus'' and ''Jupiter'' are presented more conventionally and are finely played by the Boston Symphony Orchestra. Ozawa misses some of the tenor of ''Saturn'', seeming to treat it more as an exercise in sonorities, but is exhilarating in ''Uranus'', where the timpanist has a field day.

45 years after his debut Philips recording of Beethoven’s 9th, Seiji Ozawa returns to this epic masterpiece. The Mito Chamber Orchestra features many international star players including Radek Baborák (horn), Ricardo Morales (clarinet) and Philippe Tondre (oboe). The German baritone Markus Eiche leads a quartet of leading Japanese soloists and the Tokyo Opera Singers in a fascinating performance on a chamber orchestra scale.

Tout le monde devrait connaitre certaines oeuvres classiques. Les requiems de Mozart ou de de Saint Sens en font parti, à mes yeux.