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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Berliner Philharmoniker, Herbert von Karajan - Karajan conducts Tchaikovsky (8CD) (2001)

    Posted By: tirexiss
    Berliner Philharmoniker, Herbert von Karajan - Karajan conducts Tchaikovsky (8CD) (2001)

    Berliner Philharmoniker, Herbert von Karajan - Karajan conducts Tchaikovsky (8CD) (2001)
    WEB | FLAC (tracks) - 2.54 Gb | 08:47:31
    Genre: Classical | Label: Deutsche Grammophon

    Karajan was unquestionably a great Tchaikovsky conductor. Yet although he recorded the last three symphonies many times, he did not turn to the first three until the end of the 1970s, and then proved an outstanding advocate. In the Mendelssohnian opening movement of the First, the tempo may be brisk, but the music's full charm is displayed and the melancholy of the Andante is touchingly caught.

    Peter Maag, Herbert von Karajan, Erich Kleiber - Mozart, la derniere annee (Les indispensables de Diapason) (2025)

    Posted By: ciklon5
    Peter Maag, Herbert von Karajan, Erich Kleiber - Mozart, la derniere annee (Les indispensables de Diapason) (2025)

    Peter Maag, Herbert von Karajan, Erich Kleiber - Mozart, la derniere annee (Les indispensables de Diapason) (2025)
    FLAC (tracks), Lossless | 2:39:41 | 515 Mb
    Genre: Classical

    Herbert von Karajan was the most renowned conductor to emerge from Europe in the post-World War II era – and through fortuitous timing throughout his career, and in spite of controversy that dogged his early years, he was the most recorded conductor of the 20th century, and is likely to remain one of the most visible (and biggest-selling) conductors well into the 21st century. Born in Salzburg and descended from a family of Greek origin with deep roots in Austria – including scholars and physicians in Vienna and Salzburg – he was a music prodigy, playing the piano at three and playing his first recital a year later.

    Herbert von Karajan - Live in Paris 1960 & 1962 (Remastered) (2021)

    Posted By: Rtax
    Herbert von Karajan - Live in Paris 1960 & 1962 (Remastered) (2021)

    Herbert von Karajan - Live in Paris 1960 & 1962 (2021)
    SACD FLAC (tracks) - 0.98 GB | MP3 CBR 320 kbps - 417 MB
    2:59:37 | Classical | Label: Global Culture Agency

    The best-selling Paris live performances by the great Karajan with the BPO and VPO are now available on SACD! The bestseller is back again with a new remastering and a surprise reissue of the bestseller, featuring the most coveted performances of Beethoven, Locatelli, R. Strauss and more. This is a remarkable disc with a new charm different from the CD version, carefully remastered using the original INA sound source (24bit/192kHz). The 180 minutes of content is recorded on a single disc, taking advantage of the recording time available only on SACD. The 1960 recording with the Berlin Philharmonic is from the final day of the Beethoven Ticles in Paris, which began on April 21 of the same year.The 1962 recording with the Vienna Philharmonic is also available in stereo. The very rare concerto concerto by Locatelli is sublime and gorgeous, and Boskovsky's solo is a gem. From the main work, Schubert's "Unfinished," to Karajan's eponymous "Zarathustra," to the encore, you will be struck by the seamless and magnificent sound. King International

    S. Richter, M. Rostropovich, D. Oistrakh - Beethoven: Triple Concerto, Op. 56; Brahms: Double Concerto, Op. 102 (2012)

    Posted By: Designol
    S. Richter, M. Rostropovich, D. Oistrakh - Beethoven: Triple Concerto, Op. 56; Brahms: Double Concerto, Op. 102 (2012)

    Beethoven - Triple Concerto, Op. 56; Brahms - Double Concerto, Op. 102 (2012)
    Sviatoslav Richter, piano; Mstislav Rostropovich, cello; David Oistrakh, violin
    Berliner Philharmoniker, Herbert von Karajan; Cleveland Orchestra, George Szell

    EAC | FLAC | Image (Cue&Log) ~ 351 Mb | Mp3 (CBR320) ~ 181 Mb | Scans included
    Genre: Classical | Label: EMI | # 50999 6 78705 2 3 | Time: 01:10:09

    The air on Mt. Olympus must have been something like that in Berlin’s Jesus-Christus-Kirche when, in September 1969, the threesome of Richter, Oistrakh and Rostropovich joined Herbert von Karajan for this majestic recording of Beethoven’s underrated Triple Concerto. That there could have been such a meeting of the minds in this gathering of greats is difficult to believe, until one remembers that the three soloists were frequent collaborators who all spoke the same musical language, and after years in the trenches knew each other and their conductor very well. As one would expect, the solo work of the three Russians is brilliant and deeply musical. But just as delightful is the way they adjust from solo to ensemble roles and play together, with perfect unanimity, in the duet and trio passages. Karajan and the Berliners provide a monumental accompaniment, weighty, powerful, and rich in tone. The recording, one of the best from EMI in this venue, has been remastered in exemplary fashion and is impressively detailed and vivid.

    Karajan conducts NHK Symphony Orchestra in 1954 - Pyotr Ilyich Tchaikovsky: Symphony No. 6 (1999)

    Posted By: ArlegZ
    Karajan conducts NHK Symphony Orchestra in 1954 - Pyotr Ilyich Tchaikovsky: Symphony No. 6 (1999)

    Karajan conducts NHK Symphony Orchestra in 1954 - Pyotr Ilyich Tchaikovsky: Symphony No. 6 (1999)
    EAC | FLAC | Image (Cue & Log) ~ 214 Mb | Total time: 47:38 | Scans included
    Classical | Label: Deutsche Grammophon | # 445 640-2 | Recorded: 1954

    In April and May 1954, Herbert von Karajan visited Japan for the first time as a guest conductor of the NHK Symphony Orchestra. He conducted sixteen concerts with them – two of which were for broadcast only (one for television, the other radio) – and the rest were public concerts given in Tokyo, Nagoya and Kyoto.

    Arnold Schoenberg: Verklarte Nacht, Op.4; Alban Berg: Lyrischen Suite; Anton Webern: Passacaglia, Op.1 (2007)

    Posted By: Designol
    Arnold Schoenberg: Verklarte Nacht, Op.4; Alban Berg: Lyrischen Suite; Anton Webern: Passacaglia, Op.1 (2007)

    Arnold Schoenberg: Verklärte Nacht, Op.4;
    Alban Berg: Lyrischen Suite; Anton Webern: Passacaglia, Op.1 (2007)
    Berliner Philharmoniker, conducted by Herbert von Karajan

    EAC | FLAC | Image (Cue&Log) ~ 262 Mb | Mp3 (CBR320) ~ 146 Mb | Scans included
    Classical | Label: Deutsche Grammophon | # UCCG-5148 | Time: 00:59:29

    Karajan reportedly felt so strongly about his recordings of the Second Viennese School that he agreed to finance them himself when DG balked at picking up the tab. These are great performances, to be sure. Indeed, there may be some others that are comparable, but none are superior. The Berg pieces never have sounded so decadently beautiful, nor the Webern so passionately intense, or the Schoenberg so, well, just plain listenable. The Berlin Philharmonic strings make their usual luscious sounds, but here the winds, brass, and even percussion rise to the occasion as well. And sonically these were always some of Karajan's best efforts. Essential, then, and a perfect way to get to know these three composers on a single disc.

    Ferenc Fricsay, Stanislav Macura, Herbert von Karajan, Rafael Kubelik - Franz Liszt: Symphonic Poems Vol. 1 (2017)

    Posted By: Designol
    Ferenc Fricsay, Stanislav Macura, Herbert von Karajan, Rafael Kubelik - Franz Liszt: Symphonic Poems Vol. 1 (2017)

    Franz Liszt: Symphonic Poems Vol. 1 (2017)
    RIAS Symphony Orchestra, Ferenc Fricsay; Prague RSO, Stanislav Macura
    Berliner Philharmoniker, Herbert von Karajan; Bavarian RSO, Rafael Kubelik

    EAC | FLAC | Image (Cue&Log) ~ 422 Mb | Mp3 (CBR320) ~ 196 Mb | Scans included
    Genre: Classical | Label: Praga | # PRD/DSD 350 124 | Time: 01:19:56

    Both the term symphonic poem and the form itself were invented by Franz Liszt, who in works such as Les Préludes (1848; after Alphonse de Lamartine’s Méditations poétiques) used thematic transformation to parallel the poetic emotions. That’s true again with Byron (Tasso, lamento e trionfo), Schiller (Die Ideale) and Victor Hugo (Mazeppa). A winning quartet!

    Herbert von Karajan - Live in Berlin 1953-1969 (Remastered) (2025)

    Posted By: Rtax
    Herbert von Karajan - Live in Berlin 1953-1969 (Remastered) (2025)

    Herbert von Karajan - Live in Berlin 1953-1969 (Remastered) (2025) (SACD)
    SACD FLAC (tracks) - 7.06 GB | MP3 CBR 320 kbps - 3.2 GB
    24:25:30 | Classical | Label: Berliner Philharmoniker Recordings

    Star conductor Herbert von Karajan is best known today for his studio recordings. However, although as a media pioneer he recognised the technical possibilities for creating recordings, he always considered the live concert to be the ideal. The radio recordings with the Berliner Philharmoniker, which were made in Berlin between 1953 and 1969 and which we present to you in this edition – mostly as first releases – represent an exciting paradox in this respect: they are snapshots that capture the spontaneity of the live performance, the magic of the unique musical moment. Never before has it been possible to experience Karajan the live artist and his joint work with the Berliner Philharmoniker as vividly as in this comprehensive edition.

    Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002

    Posted By: Designol
    Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan - Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002

    Wolfgang Amadeus Mozart: Requiem In D Minor, K.626 (1976) Reissue 2002
    Anna Tomowa-Sintow (soprano), Agnes Baltsa (contralto), Werner Krenn (tenor), José van Dam (bass)
    Wiener Singverein, Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
    Recording: Berlin, 9/1975

    EAC | APE | Tracks (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 133 Mb | Scans included
    Classical, Choral | Label: Deutsche Grammophon | # 471 639-2 | Time: 00:53:12

    Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness. In this account, the orchestra is paramount, followed in importance by the chorus, then the soloists. Not surprisingly, the singing of the solo quartet sounds somewhat reined-in, especially considering these singers' pedigrees. By contrast, the Vienna Singverein, always Karajan's favorite chorus, sings with a huge dynamic range and great intensity, though with an emotional detachment nonetheless. Perfection, if not passion or poignancy, is the watchword. The Berlin orchestra plays majestically, and the sound is pleasingly vivid.

    Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan - Mendelssohn, Brahms: Violin Concertos (1994)

    Posted By: tirexiss
    Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan - Mendelssohn, Brahms: Violin Concertos (1994)

    Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan - Mendelssohn, Brahms: Violin Concertos (1994)
    WEB | FLAC (tracks) - 346 MB | 01:10:50
    Genre: Classical | Label: Deutsche Grammophon

    I must say that this recording surely has something magic about it. But I wouldn't really go as far as the previous reviewer, to say it's sexual - it's far more than earthly pleasures - it's ethereal. You can just sit back in your sofa, close your eyes and feel that there's something more than just the music you hear in this recording. Sensitive, intensitive, and sensual, sometimes on the border to vulnerability, is the playing from especially Ms Mutter.

    Anne-Sophie Mutter, António Meneses, Herbert von Karajan - Brahms: Violin Concerto, Double Concerto (1993)

    Posted By: tirexiss
    Anne-Sophie Mutter, António Meneses, Herbert von Karajan - Brahms: Violin Concerto, Double Concerto (1993)

    Anne-Sophie Mutter, António Meneses, Berliner Philharmoniker, Herbert von Karajan - Brahms: Violin Concerto, Double Concerto (1993)
    WEB | FLAC (tracks) - 399 MB | 01:14:46
    Genre: Classical | Label: Deutsche Grammophon

    I"m much more a fan of Mutter/Karajan Brahms violin concerto than the double concerto that is paired here. I have other Brahms Double Concerto recordings I prefer. But, this Karajan GOLD Brahms Violin Concerto is definitely a sonic upgrade from a standard DG (non-gold) issue when the Violin Concerto was all that was put on the disc. I'm hearing more spatial relationships, more tonal accuracy, more upper end and balance.

    Herbert von Karajan, Berliner Philharmoniker, Wiener Singverein - Joseph Haydn: Die Schöpfung (1991)

    Posted By: ArlegZ
    Herbert von Karajan, Berliner Philharmoniker, Wiener Singverein - Joseph Haydn: Die Schöpfung (1991)

    Herbert von Karajan, Berliner Philharmoniker, Wiener Singverein - Joseph Haydn: Die Schöpfung (1991)
    EAC | FLAC | Image (Cue & Log) ~ 558 Mb | Total time: 57:53+51:02 | Scans included
    Classical | Label: Deutsche Grammophon | 435 077-2 | Recorded: 1966-1969

    Herbert von Karajan recorded between 1966 and 1968 with the Berlin Philharmonic Orchestra and a cast of stars this reference version of 'The Creation' by Joseph Haydn.
    After a legendary concert given in 1965 in Salzburg, Herbert von Karajan entered the studio a few months later to record Haydn's masterpiece with the same lead singers, Fritz Wunderlich and Gundula Janowitz. Almost completed in 1966, the recording was abruptly interrupted by the accidental and tragic death of Fritz Wunderlich at the age of 35, on September 17, 1966. The sessions then resume with a young tenor, Werner Krenn, who replaces Wunderlich on the songs. recitatives in particular.

    Herbert von Karajan, Berliner Philharmoniker, Chor Der Deutschen Oper Berlin - Joseph Haydn: Die Jahreszeiten (1988)

    Posted By: ArlegZ
    Herbert von Karajan, Berliner Philharmoniker, Chor Der Deutschen Oper Berlin - Joseph Haydn: Die Jahreszeiten (1988)

    Herbert von Karajan, Berliner Philharmoniker, Chor Der Deutschen Oper Berlin - Joseph Haydn: Die Jahreszeiten (1988)
    EAC | FLAC | Image (Cue & Log) ~ 659 Mb | Total time: 79:16+74:00 | Scans included
    Classical | Label: EMI | CMS 7 69224 2 | Recorded: 1972

    Die Jahreszeiten, or The Seasons, is not as well loved as Haydn's other late oratorio, The Creation; here Haydn tried to force pastoral imagery – by 1801 a set of ideas that had been musically rehashed for centuries – into his late and in many respects proto-Romantic musical language. He resented, he wrote to a correspondent, having to compose "French trash" at one point in the score that called for frog sounds, and the score contains a menagerie of other rustic creatures and sounds – shepherds, shepherdesses, horn calls, birds, trees, bees, herbs, fish, roosters, rifle shots, thunder and lighting, stags, sunrises, and sunsets, among others. Yet the work is a strange mixture of cute and exultant.

    Herbert von Karajan, Wiener Philharmoniker - Antonín Dvořák: Symphony No. 9; Bedřich Smetana: Moldau (1985)

    Posted By: ArlegZ
    Herbert von Karajan, Wiener Philharmoniker - Antonín Dvořák: Symphony No. 9; Bedřich Smetana: Moldau (1985)

    Herbert von Karajan, Wiener Philharmoniker - Antonín Dvořák: Symphony No. 9; Bedřich Smetana: Moldau (1985)
    EAC | FLAC | Image (Cue & Log) ~ 239 Mb | Total time: 55:12 | Scans included
    Classical | Label: Deutsche Grammophon | # 439 009-2 | Recorded: 1985

    The world-renowned Wiener Philharmoniker, under the masterful direction of Herbert von Karajan, presents a stunning album featuring two beloved works by Czech composers Antonín Dvořák and Bedřich Smetana. Dvořák's iconic "Symphonie No. 9 »Aus Der Neuen Welt = From The New World = Du Nouveau Monde«" showcases the composer's signature blend of Bohemian folk melodies and lush Romantic harmonies. Meanwhile, Smetana's "Moldau" takes listeners on a picturesque journey through the Czech countryside, evoking the beauty and majesty of the famous river. With the perfect combination of virtuosity and emotion, this album is a must-have for any classical music lover.

    Herbert von Karajan, Berliner Philharmoniker - Anton Bruckner: Symphony No. 8; Richard Wagner: Preludes (1996)

    Posted By: ArlegZ
    Herbert von Karajan, Berliner Philharmoniker - Anton Bruckner: Symphony No. 8; Richard Wagner: Preludes (1996)

    Herbert von Karajan, Berliner Philharmoniker - Anton Bruckner: Symphony No. 8; Richard Wagner: Preludes (1996)
    EAC | FLAC | Image (Cue & Log) ~ 486 Mb | Total time: 121:31 | Scans included
    Classical | Label: Seraphim / EMI | # 7243 5 69093 2 8 | Recorded: 1957, 1975

    Herbert von Karajan made Anton Bruckner’s mammoth 8th Symphony a center of his large repertory, recording it for release four times, in 1944, 1957, 1975 and finally in 1988, shortly before the maestro’s death. Karajan’ s emotional connection with the 8th is obvious and, in comparing the last two of these releases, I’ve been very impressed with how an aging conductor could re-invent his interpretations. As one can tell from these two Karajan performances and those from other musicians, the 8th can support many different approaches, with an almost kaleidoscopic array of musical and emotional elements revealing different colors as its components are played in different ways.