On their first two albums, Led Zeppelin unleashed a relentless barrage of heavy blues and rockabilly riffs, but Led Zeppelin III provided the band with the necessary room to grow musically. While there are still a handful of metallic rockers, III is built on a folky, acoustic foundation that gives the music extra depth. And even the rockers aren't as straightforward as before: the galloping "Immigrant Song" is powered by Robert Plant's banshee wail, "Celebration Day" turns blues-rock inside out with a warped slide guitar riff, and "Out on the Tiles" lumbers along with a tricky, multi-part riff. Nevertheless, the heart of the album lies on the second side, when the band delve deeply into English folk.

Led Zeppelin is a boxed set by English rock band Led Zeppelin. It was the first compilation of songs by the group and the selection and remastering of the tracks were supervised by Jimmy Page. Atlantic Records released it on 7 September 1990 on several formats: four compact discs, six vinyl records, or four cassette tapes. This set contains two previously unreleased tracks and one new mix. "Travelling Riverside Blues" was recorded on 24 June 1969 at the BBC Maida Vale Studio. "White Summer/Black Mountain Side" was recorded at the Playhouse Theatre, London on 27 June 1969. The "Moby Dick/Bonzo's Montreux" mix took place at the Atlantic Synclavier Suite in New York, in May 1990. It also includes the band's only non-album B-side, "Hey, Hey, What Can I Do" of the 1970 single "Immigrant Song", previously unavailable on compact disc.

The Song Retains the Name Vol. 1 & 2 compiles both installments of the cult classic underground tribute series originally released by Mad Rover Records and Safe House. Bringing together two dozen alternative, indie rock, punk, and roots acts, the double-volume set delivers a reinterpreted, idiosyncratic showcase of Led Zeppelin's legendary hard rock catalog. Volume 1 features raw, garage-tinted takes on classics like Black Dog, Immigrant Song, and No Quarter by indie outfits including Dalai Lamas, Headface, and I Love Ethyl. Volume 2 expands the genre borders further with standout contributions from cowpunk icon Mojo Nixon & The Toadliquors tackling When The Levee Breaks, hardcore punk veterans 7 Seconds taking on Misty Mountain Hop, and bluegrass/country-punk outfit Bad Livers reimagining Dancing Days. Clever, irreverent, and undeniably creative, this collection is an essential listen for fans of 80s/90s American underground rock and inventive Led Zeppelin covers.

For all of the acclaim it received, there's no denying that No Quarter was a tentative reunion for Page & Plant, containing only a handful of new songs that were scattered among many reworked old favorites. Since its supporting tour went well, the duo decided to make their reunion permanent, setting to work on an album of entirely new material. Taking the world music dabblings of No Quarter as a cue, Page & Plant tempered their eclecticism with a healthy dose of their monolithic guitar army, hiring Steve Albini, the indie rock producer notorious for his harsh, brutal recordings, to helm the boards. In other words, it sounds perfect on paper - groundbreaking veteran artists still taking chances and working with younger collaborators who would challenge them. If only Walking into Clarksdale actually played that way…

Ever since Led Zeppelin parted ways after the death of drummer John Bonham, fans were clamoring for the mighty band to reunite. This willfully ignored both the vital contribution Bonham gave to the group's mystique and Zeppelin's woeful one-off reunion at the 1985 Live Aid charity concert, but the legend of the band was so strong, reunion rumors reached a fever pitch whenever vocalist Robert Plant or guitarist Jimmy Page had a new album in the stores. In 1994, following Plant's moody, misunderstood 1993 album Fate of Nations and Page's widely lambasted collaboration with Whitesnake singer David Coverdale, the two quietly reunited to record a concert for MTV's then-popular acoustic concert series Unplugged. Page & Plant interpreted the Unplugged moniker rather liberally, bringing in a full orchestra, mandolins, and a hurdy-gurdy among other instruments, and Page turned to an electric guitar on occasion…

Released independently in 2013, Harp Attack is the electrifying and highly innovative studio album from the internationally renowned dynamic twin harpists, Camille and Kennerly Kitt. Reverting the traditional expectations of the instrument, the "Harp Twins" deliver a stunning collection of virtuosic, heavy acoustic rock and classic metal covers arranged entirely for two concert grand harps. Stripped of distortion but packed with rhythmic intensity and percussive slap techniques, the album showcases their incredible technical synergy and unique sonic textures. The tracklist is a dream sequence for classic rock and metal fans, bridging the gap between orchestral chamber music and arena rock. It spans from the haunting gothic grandeur of Iron Maiden's Fear of the Dark and Metallica's melancholic Nothing Else Matters to propulsive, high-energy interpretations of AC/DC's Highway to Hell and Guns N' Roses' Sweet Child O' Mine. Preserved in a pristine, high-fidelity digital archive with full scans, this release stands as a brilliant testament to instrumental creativity and genre-bending crossover performance.

Disc one contains the group's stunning show recorded at The Municipal Auditorium, in Mobile, Alabama on 13th May 1973, a couple of months following the release of Houses Of The Holy, and featuring an early live version of 'Trampled Under Foot', a staple of the next Zep album, 'Physical Graffiti'. Disc two features one of Zeppelin's best concerts of 1975, recorded while on the Physical Graffiti tour, this one from Earls Court in London, on 25th May that year. Disc three concludes this dynamic set with a fine performance whilst on the Presence tour, recorded at Richfield Coliseum, in Richfield, Ohio, on 27th April 1977.

Led Zeppelin What the Beatles were to the '60s, Led Zeppelin were to the '70s: a band so successful and innovative they wound up creating the prism through which their entire epoch was seen. Zeppelin ushered in the era of album rock – they refused to release singles off their albums, even when they were garnering massive radio play – and of arena rock, playing ever-larger stadiums as their ticket sales skyrocketed. Other bands played on a similar field but Led Zeppelin carried a unique mystique cultivated by cryptic album art, distance from the press, and, of course, their music. Drawing upon postwar electric blues, early rock & roll, and psychedelia, Zeppelin created a titanic roar in their earliest days but even then they weren't merely heavy. Underneath the wattage, there was a strong undercurrent of folk-rock and the quartet would soon thread in world music, funk, country, and synthesizers, creating an adventurous body of work that had a long, lasting influence on hard rock, heavy metal, and alternative rock.Quite a feat for a band whose origins lie in the ashes of the pioneering British rock band the Yardbirds.

Led Zeppelin What the Beatles were to the '60s, Led Zeppelin were to the '70s: a band so successful and innovative they wound up creating the prism through which their entire epoch was seen. Zeppelin ushered in the era of album rock – they refused to release singles off their albums, even when they were garnering massive radio play – and of arena rock, playing ever-larger stadiums as their ticket sales skyrocketed. Other bands played on a similar field but Led Zeppelin carried a unique mystique cultivated by cryptic album art, distance from the press, and, of course, their music. Drawing upon postwar electric blues, early rock & roll, and psychedelia, Zeppelin created a titanic roar in their earliest days but even then they weren't merely heavy. Underneath the wattage, there was a strong undercurrent of folk-rock and the quartet would soon thread in world music, funk, country, and synthesizers, creating an adventurous body of work that had a long, lasting influence on hard rock, heavy metal, and alternative rock.Quite a feat for a band whose origins lie in the ashes of the pioneering British rock band the Yardbirds. Jimmy Page, a guitarist who made his reputation as a sessionman in the '60s, joined the band in 1966, functioning as the replacement for bassist Paul Samwell-Smith, but he soon split lead guitar duties with Jeff Beck and took over that position entirely once Beck departed.

Recorded live in San Francisco, Fillmore West 3/27/69 Only 1000 Discs printed incl. a ltd. numbered edition of 50 for the Four Symbols Led Zeppelin Club

Led Zeppelin What the Beatles were to the '60s, Led Zeppelin were to the '70s: a band so successful and innovative they wound up creating the prism through which their entire epoch was seen. Zeppelin ushered in the era of album rock – they refused to release singles off their albums, even when they were garnering massive radio play – and of arena rock, playing ever-larger stadiums as their ticket sales skyrocketed. Other bands played on a similar field but Led Zeppelin carried a unique mystique cultivated by cryptic album art, distance from the press, and, of course, their music. Drawing upon postwar electric blues, early rock & roll, and psychedelia, Zeppelin created a titanic roar in their earliest days but even then they weren't merely heavy. Underneath the wattage, there was a strong undercurrent of folk-rock and the quartet would soon thread in world music, funk, country, and synthesizers, creating an adventurous body of work that had a long, lasting influence on hard rock, heavy metal, and alternative rock.Quite a feat for a band whose origins lie in the ashes of the pioneering British rock band the Yardbirds. Jimmy Page, a guitarist who made his reputation as a sessionman in the '60s, joined the band in 1966, functioning as the replacement for bassist Paul Samwell-Smith, but he soon split lead guitar duties with Jeff Beck and took over that position entirely once Beck departed.

Grant helped the band sign a record-setting contract with Atlantic Records in the United States before the end of the year; they were paid a reported $200,000 advance, at that date the largest sum for any new band. Early in 1969, Led Zeppelin set out on their first American tour, which helped set the stage for the January release of their eponymous debut album. Two months after its release, Led Zeppelin had climbed into the U.S. Top Ten.

Led Zeppelin What the Beatles were to the '60s, Led Zeppelin were to the '70s: a band so successful and innovative they wound up creating the prism through which their entire epoch was seen. Zeppelin ushered in the era of album rock – they refused to release singles off their albums, even when they were garnering massive radio play – and of arena rock, playing ever-larger stadiums as their ticket sales skyrocketed. Other bands played on a similar field but Led Zeppelin carried a unique mystique cultivated by cryptic album art, distance from the press, and, of course, their music. Drawing upon postwar electric blues, early rock & roll, and psychedelia, Zeppelin created a titanic roar in their earliest days but even then they weren't merely heavy. Underneath the wattage, there was a strong undercurrent of folk-rock and the quartet would soon thread in world music, funk, country, and synthesizers, creating an adventurous body of work that had a long, lasting influence on hard rock, heavy metal, and alternative rock.Quite a feat for a band whose origins lie in the ashes of the pioneering British rock band the Yardbirds.

Led Zeppelin What the Beatles were to the '60s, Led Zeppelin were to the '70s: a band so successful and innovative they wound up creating the prism through which their entire epoch was seen. Zeppelin ushered in the era of album rock – they refused to release singles off their albums, even when they were garnering massive radio play – and of arena rock, playing ever-larger stadiums as their ticket sales skyrocketed. Other bands played on a similar field but Led Zeppelin carried a unique mystique cultivated by cryptic album art, distance from the press, and, of course, their music. Drawing upon postwar electric blues, early rock & roll, and psychedelia, Zeppelin created a titanic roar in their earliest days but even then they weren't merely heavy. Underneath the wattage, there was a strong undercurrent of folk-rock and the quartet would soon thread in world music, funk, country, and synthesizers, creating an adventurous body of work that had a long, lasting influence on hard rock, heavy metal, and alternative rock.Quite a feat for a band whose origins lie in the ashes of the pioneering British rock band the Yardbirds. Jimmy Page, a guitarist who made his reputation as a sessionman in the '60s, joined the band in 1966, functioning as the replacement for bassist Paul Samwell-Smith, but he soon split lead guitar duties with Jeff Beck and took over that position entirely once Beck departed.

Obed Calvaire, Bob Franceschini, Kevin Hays, and Orlando Le Fleming will be releasing their album, Whole Lotta Love: The Music of Led Zeppelin with Chesky Records this summer. The album features the quartet playing jazz arrangements of some of Led Zeppelin’s most famous tracks like “Immigrant Song,” “Kashmir,” and “Whole Lotta Love.”