TRIPLE CD SET FEATURING THE BEST OF LED ZEPPELIN S 1969 LIVE RECORDINGS The four musicians who would become forever known as Led Zeppelin, played together for the first time in a room below a record store on Gerrard Street in London, in August 1968. However, at this juncture, they were calling themselves The New Yardbirds, a name under which they toured Scandinavia together in September 68. Later that month, they began recording their first album, which was based on their live set. The album was recorded and mixed in nine days, and Jimmy Page covered the costs. After the record's completion, the band were forced to change their name after Chris Dreja of the old-Yardbirds, issued a cease and desist letter, stating that Page was allowed to use the New Yardbirds moniker for the Scandinavian dates only. The source of their new name is a tale told many times, but in their first year Led Zeppelin released their self-titled debut, completed four US and four UK concert tours, and also released their second album, Led Zeppelin II. It was between the release of their first and second LPs that the recordings that make up this 3CD Set were recorded. Kicking off on DISC ONE, Zep s performance at the Texas International Pop Festival, just outside Dallas, on 31st August 69, is featured in its entirety.

On June 23, 1977, a familiar legendary live appeared in the best version with two high-quality sound sources as the main!
Version 1-3 edited mainly from the old high-quality analog LP (Source 1), version 4-6 version also based on the familiar ultra-high-quality mirrored source (Source 2) Complementing each other with the missing parts in the main source, and supplementing the missing parts with sources 3 and 4, both versions complete recording. By thoroughly editing and mastering each time you are familiar, follow up missing missing that has been missed in the past. It may be said that the title has been edited so far for the first time.

Cardboard sleeve reissue box set from Led Zeppelin featuring all ten albums over twelve discs in advanced cardboard sleeve replicas of the original UK E-style album jackets, plus six bonus cardboard sleeves including five alternate jackets for "In Through The Out Door" and one alternate jacket for "Led Zeppelin I" utilizing the original ink. Each CD comes with OBI-strip and insert/booklet in japanese. Inserts, booklets, inner envelope printings and extended sleeve design are like the original LP releases. The box is printed on "satin-like" black paper. Printed/Manufactured in Japan.

From A Live FM Broadcast Recorded At Festival Hall, Osaka, Japan, 28th September 1971.

Led Zeppelin is a boxed set by English rock band Led Zeppelin. It was the first compilation of songs by the group and the selection and remastering of the tracks were supervised by Jimmy Page. Atlantic Records released it on 7 September 1990 on several formats: four compact discs, six vinyl records, or four cassette tapes. This set contains two previously unreleased tracks and one new mix. "Travelling Riverside Blues" was recorded on 24 June 1969 at the BBC Maida Vale Studio. "White Summer/Black Mountain Side" was recorded at the Playhouse Theatre, London on 27 June 1969. The "Moby Dick/Bonzo's Montreux" mix took place at the Atlantic Synclavier Suite in New York, in May 1990. It also includes the band's only non-album B-side, "Hey, Hey, What Can I Do" of the 1970 single "Immigrant Song", previously unavailable on compact disc.

On their first two albums, Led Zeppelin unleashed a relentless barrage of heavy blues and rockabilly riffs, but Led Zeppelin III provided the band with the necessary room to grow musically. While there are still a handful of metallic rockers, III is built on a folky, acoustic foundation that gives the music extra depth. And even the rockers aren't as straightforward as before: the galloping "Immigrant Song" is powered by Robert Plant's banshee wail, "Celebration Day" turns blues-rock inside out with a warped slide guitar riff, and "Out on the Tiles" lumbers along with a tricky, multi-part riff. Nevertheless, the heart of the album lies on the second side, when the band delve deeply into English folk.

The Led Zeppelin's Sources of Inspiration compilation contains 20 original jazz and blues recordings circa the 1920s and 1930s that would inform some of Led Zeppelin's most revered reworkings and original compositions. In fact many of these sides have been erroneously credited to either Jimmy Page and/or Robert Plant. The authenticity becomes instantly evident from the copious surface noise taken from the original 78 rpm source materials. That caveat aside, there is some vital music here, which could be considered the rock & roll of its era. Most of the titles found on this volume can be easily associated with their obvious counterparts. Case in point, the 1929 recording of "When the Levee Breaks" by Kansas Joe and Memphis Minnie as well as Bukka White's "Shake 'Em on Down" from 1937, which Zep dubbed "Custard Pie" for inclusion on Physical Graffiti (1975)…

Encompassing heavy metal, folk, pure rock & roll, and blues, Led Zeppelin's untitled fourth album is a monolithic record, defining not only Led Zeppelin but the sound and style of '70s hard rock. Expanding on the breakthroughs of III, Zeppelin fuse their majestic hard rock with a mystical, rural English folk that gives the record an epic scope. Even at its most basic - the muscular, traditionalist "Rock and Roll" - the album has a grand sense of drama, which is only deepened by Robert Plant's burgeoning obsession with mythology, religion, and the occult. Plant's mysticism comes to a head on the eerie folk ballad "The Battle of Evermore," a mandolin-driven song with haunting vocals from Sandy Denny, and on the epic "Stairway to Heaven"…

Led Zeppelin returned from a nearly two-year hiatus in 1975 with the double-album Physical Graffiti, their most sprawling and ambitious work. Where Led Zeppelin IV and Houses of the Holy integrated influences on each song, the majority of the tracks on Physical Graffiti are individual stylistic workouts. The highlights are when Zeppelin incorporate influences and stretch out into new stylistic territory, most notably on the tense, Eastern-influenced "Kashmir." "Trampled Underfoot," with John Paul Jones' galloping keyboard, is their best funk-metal workout, while "Houses of the Holy" is their best attempt at pop, and "Down by the Seaside" is the closest they've come to country. Even the heavier blues - the 11-minute "In My Time of Dying," the tightly wound "Custard Pie," and the monstrous epic "The Rover" - are louder and more extended and textured than their previous work…

Japan only compilation CD with a one-sheet insert and separate 4 x CD size fold-out insert with lyrics in English. Song titles are printed on both the CD disc and on the reverse of the jewel-case in Japanese followed by English. The release date is unknown.

Commonly dismissed as a disappointment upon its initial release, the soundtrack to Led Zeppelin's concert movie The Song Remains the Same is one of those '70s records that has aged better than its reputation - it's the kind of thing that's more valuable as the band recedes into history than it was at the time, as it documents its time so thoroughly. Of course, that time would be the mid-'70s, when the band was golden gods, selling out stadiums across America and indulging their wildest desires both on and off stage. It was the kind of excess that creates either myth or madness, and this 1976 live album - comprised of highlights from their three shows at Madison Square Garden during July 1973 - has its fair share of both, as Zeppelin sounds both magnificent and murky as they blow up songs from their first five albums to a ridiculously grand scale…

Contrary to popular perception, Led Zeppelin isn't exactly averse to reunions. If anything, Jimmy Page and Robert Plant can't keep away from each other. Just four years after John Bonham's 1980 death, Page laid down guitar on Robert Plant's oldies act the Honeydrippers, and not long after that, John Paul Jones joined the pair for a performance at 1985's Live Aid. That set was trashed by the public and band alike, as was their subsequent 1988 appearance at Atlantic Records' 40th Anniversary celebration, but despite these lackluster gigs, rumors of a full-fledged reunion continued to circulate well into the new millennium, even after Page & Plant recorded a pair of albums in the mid-'90s - a project that caused tension with Jones, who was unaware of the collaboration until its release…

The untitled fourth studio album by the English rock band Led Zeppelin, commonly known as Led Zeppelin IV, was released on 8 November 1971 by Atlantic Records. Produced by guitarist Jimmy Page, it was recorded between December 1970 and March 1971 at several locations, most prominently the Victorian house Headley Grange. Led Zeppelin IV was a commercial and critical success, featuring many of the band's best-known songs, including "Black Dog", "Rock and Roll", "Going to California" and "Stairway to Heaven". The album is one of the best-selling albums of all time with more than 37 million copies sold. It is tied for third highest-certified album in the United States at 23x platinum. Writers and critics have regularly cited it on lists of the greatest albums of all time.

BBC Sessions is a compilation album featuring studio sessions and a live concert recorded by English rock group Led Zeppelin for the BBC. It was released on 11 November 1997, by Atlantic Records. Disc one consists of material from four different 1969 BBC sessions. Disc two contains most of the 1 April 1971 concert from the Paris Theatre in London. Countless bootlegs of these recordings circulated for years before the official release. This release was widely welcomed by Led Zeppelin fans as it was the first live release since The Song Remains the Same in 1976. Others have criticized the decision to edit some of the songs and drop others that were recorded for the BBC. Most notable are one session from 1969 which included the unreleased song "Sunshine Woman", and about seven minutes of the "Whole Lotta Love" medley from 1971.

Deluxe 2CD package with the original artwork, plus the newly created negative artwork for the companion audio. The original album is newly remastered; the 2nd CD features previously unreleased studio outtakes. 16 page booklet.
Houses of the Holy follows the same basic pattern as Led Zeppelin IV, but the approach is looser and more relaxed. Jimmy Page's riffs rely on ringing, folky hooks as much as they do on thundering blues-rock, giving the album a lighter, more open atmosphere. While the pseudo-reggae of "D'Yer Mak'er" and the affectionate James Brown send-up "The Crunge" suggest that the band was searching for material, they actually contribute to the musical diversity of the album. "The Rain Song" is one of Zep's finest moments, featuring a soaring string arrangement and a gentle, aching melody…