Gaucho is the seventh studio album by the American jazz rock band Steely Dan, released on November 21, 1980 by MCA Records. The sessions for Gaucho represent the band's typical penchant for studio perfectionism and obsessive recording technique. To record the album, the band used at least 42 different musicians, spent over a year in the studio, and far exceeded the original monetary advance given by the record label. Gaucho marked a significant stylistic change for Steely Dan, introducing a more minimal, groove and atmosphere-based format. The harmonically complex chord changes that were a distinctive mark of earlier Steely Dan songs are less prominent on Gaucho, with the record's songs tending to revolve around a single rhythm or mood, although complex chord progressions were still present particularly in "Babylon Sisters" and "Glamour Profession". Gaucho proved to be Steely Dan's final studio album before a 20-year hiatus from the recording industry.

Partly because of Donald Fagen's reluctance to sing onstage, partly due to he and Walter Becker's perfectionism, and partly because the pairs' compositions and arrangements were so complex - requiring all manner of studio hardware to reproduce - Steely Dan played very few live concerts during their early career, indeed by the middle of 1974 they had given up touring entirely. The one album they did promote on the road however was their third masterpiece, the enigmatically titles 'Pretzel Logic', released in the USA on February 20th 1974. The tour started on March 9th, and this CD features the complete second show played by the group, at the University Of California the following night.

Steely Dan have sold more than 30 million albums worldwide, and helped define the sountrack of the 70s with hits including Rikki Dont Lose That Number, Hey Nineteen and Do It Again, culled from their seven platinum albums issued between 1972 and 1980. They were inducted into the Rock and Roll Hall of Fame in 2001. This 2CD set contains the full show, recorded on September 1st 1993. Official FM Broadcast.

These two concerts come from a period when the band were at the point of headlining their own concerts but shortly after these concerts the band decided to concentrate on studio recordings rather than concert performances.

The Sultans of Swing are at it again! Fresh from the success of their Two Against Nature record, Donald Fagen & Walter Becker decided to assult nature in their own way and assembled their troops for a 3 continent world tour. Mixing several of their long standing commarades in arms, such as Cornelius Bumpus (tenor Sax), Tom Barney (Bass) and Ricky Lawson (Drums) with newcomers to the Dan world such as Jon Herrington on guitar, they dazzled audiences world wide with both old chestnuts such as "My Old School" and "FM", together with new soon-to-be-standards such as "Cousin Dupree" and "Jack Of Speed". Prepare yorself to deal with the miracle of musical virtuosity! Prepare thyself for a massive dose of live Steely Dan.

The band Steely Dan - in essence the musicianship and songwriting team of Walter Becker and Donald Fagen - has long divided the critics : some have marvelled at a highly imaginative blend of intelligent, "literary" lyrics and a carefully crafted influence of jazz and Latin rhythms within the rock template, whilst others have detected a certain coldness in the work, due perhaps to over-elaboration and perfectionism. Of course, deciding to name your b.nd after a dildo in William Burroughs's cult novel Th Naked Lunch will invite criticism , but none of those who questioned Steely Dan's Status at the top of the tree of 70s rock could ever seriously dispute the immaculate execution of their vision…

"Do It Again", "FM", "Bodhisattva" are only a few of the very intriguing songs that the duo of Walter Becker and Donald Fagen have given us through the years. After a several year absence in 1996 they hit the road on another great tour. This time with a crackerjack band that featured fusion wunderkind Wayne Krantz, they proceeded to amaze audiences in arenas all over the US, For those unfortunateones who counln't make it to one of the gigs, this document we now present to you is a fitting consolation prize. For thoes fortunate ones who were there, sitting and relieve the memories of one of those fabulous nights.

This 1978 ABC set was issued to bide time between Aja and Gaucho. Despite the generous 18 tracks covering the 1972-1977 work, this didn't take on mythical proportions due to the fact that the band's separate albums all remained strong and the group's better moments weren't always the biggest hits. Despite the cavils, some great work is here. "Do It Again" and "Reelin' in the Years" both broadened what listeners expected from singles as Donald Fagen's ironic vocals were instantly singular and made all of the lyrics stick.

It's not surprising that Steely Dan co-founder Walter Becker's debut solo album sounds like a Steely Dan record. What is a little surprising, though, is that, in his lead singing debut, he sounds so much like his erstwhile partner, Donald Fagen. Not that you'd mistake the two (Fagen projects more and is slightly grittier), but they sing in the same register with the same sly phrasing and the same accent. Other differences from the Dan are equally subtle: Becker adopts a sparer musical approach, for one thing, the missing element being the prominence of Fagen's keyboards (although Fagen does play on the record and co-produced it). Nothing gets in the way of Becker's voice, and he proves to be a less ornate lyricist than Fagen, restricting himself largely to tales of romantic dislocation. On the whole, this album sounds like what you'd expect – one half of Steely Dan.

Most rock & roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. Steely Dan never subscribed to that aesthetic. As the vehicle for the songwriting of Walter Becker and Donald Fagen, Steely Dan defied all rock & roll conventions…

Walter Becker and Donald Fagen were remarkable craftsmen from the start, as Steely Dan's debut, Can't Buy a Thrill, illustrates. Each song is tightly constructed, with interlocking chords and gracefully interwoven melodies, buoyed by clever, cryptic lyrics. All of these are hallmarks of Steely Dan's signature sound, but what is most remarkable about the record is the way it differs from their later albums. Of course, one of the most notable differences is the presence of vocalist David Palmer, a professional blue-eyed soul vocalist who oversings the handful of tracks where he takes the lead. Palmer's very presence signals the one major flaw with the album – in an attempt to appeal to a wide audience, Becker and Fagen tempered their wildest impulses with mainstream pop techniques.