For about the thousandth time, these very early recordings by Walter Becker and Donald Fagen that have remained officially unreleased for a reason: they're terrible and only vaguely resemble the actual Steely Dan that came years later. This is not to say that there is no merit to them, only very little, and only for those who are so obsessed by the Steely Dan legend they need to hear every bent note, of which there are plenty here. This is another shabby Dressed to Kill effort that should be avoided. Period.

Donald Fagen‘s classic 1982 album The Nightfly is being released as a live album in September. Produced by Gary Katz (who worked on all of the original era Steely Dan records), The Nightfly was a critical and commercial success with popular singles like ‘New Frontier’ and ‘I.G.Y.’ This new live release sees the whole of The Nightfly performed in its entirety, in order, by Steely Dan, or ‘The Steely Dan Band’ as they tend to be referred post Walter Becker’s 2017 death. Donald Fagen remains part of this band, in case that wasn’t clear! This is a performance from 2019.

Partly because of Donald Fagen's reluctance to sing onstage, partly due to he and Walter Becker's perfectionism, and partly because the pairs' compositions and arrangements were so complex - requiring all manner of studio hardware to reproduce - Steely Dan played very few live concerts during their early career, indeed by the middle of 1974 they had given up touring entirely. The one album they did promote on the road however was their third masterpiece, the enigmatically titles 'Pretzel Logic', released in the USA on February 20th 1974. The tour started on March 9th, and this CD features the complete second show played by the group, at the University Of California the following night.

Steely Dan have sold more than 30 million albums worldwide, and helped define the sountrack of the 70s with hits including Rikki Dont Lose That Number, Hey Nineteen and Do It Again, culled from their seven platinum albums issued between 1972 and 1980. They were inducted into the Rock and Roll Hall of Fame in 2001. This 2CD set contains the full show, recorded on September 1st 1993. Official FM Broadcast.

These two concerts come from a period when the band were at the point of headlining their own concerts but shortly after these concerts the band decided to concentrate on studio recordings rather than concert performances.

The Sultans of Swing are at it again! Fresh from the success of their Two Against Nature record, Donald Fagen & Walter Becker decided to assult nature in their own way and assembled their troops for a 3 continent world tour. Mixing several of their long standing commarades in arms, such as Cornelius Bumpus (tenor Sax), Tom Barney (Bass) and Ricky Lawson (Drums) with newcomers to the Dan world such as Jon Herrington on guitar, they dazzled audiences world wide with both old chestnuts such as "My Old School" and "FM", together with new soon-to-be-standards such as "Cousin Dupree" and "Jack Of Speed". Prepare yorself to deal with the miracle of musical virtuosity! Prepare thyself for a massive dose of live Steely Dan.

The band Steely Dan - in essence the musicianship and songwriting team of Walter Becker and Donald Fagen - has long divided the critics : some have marvelled at a highly imaginative blend of intelligent, "literary" lyrics and a carefully crafted influence of jazz and Latin rhythms within the rock template, whilst others have detected a certain coldness in the work, due perhaps to over-elaboration and perfectionism. Of course, deciding to name your b.nd after a dildo in William Burroughs's cult novel Th Naked Lunch will invite criticism , but none of those who questioned Steely Dan's Status at the top of the tree of 70s rock could ever seriously dispute the immaculate execution of their vision…

"Do It Again", "FM", "Bodhisattva" are only a few of the very intriguing songs that the duo of Walter Becker and Donald Fagen have given us through the years. After a several year absence in 1996 they hit the road on another great tour. This time with a crackerjack band that featured fusion wunderkind Wayne Krantz, they proceeded to amaze audiences in arenas all over the US, For those unfortunateones who counln't make it to one of the gigs, this document we now present to you is a fitting consolation prize. For thoes fortunate ones who were there, sitting and relieve the memories of one of those fabulous nights.

This 1978 ABC set was issued to bide time between Aja and Gaucho. Despite the generous 18 tracks covering the 1972-1977 work, this didn't take on mythical proportions due to the fact that the band's separate albums all remained strong and the group's better moments weren't always the biggest hits. Despite the cavils, some great work is here. "Do It Again" and "Reelin' in the Years" both broadened what listeners expected from singles as Donald Fagen's ironic vocals were instantly singular and made all of the lyrics stick.

Deluxe Audiophile Pressing Strictly Limited to 6000 Numbered Copies. Donald Fagen's largely autobiographical The Nightfly remains one of the best-sounding albums ever made. Revered by audiophiles, the Steely Dan co-founder's 1982 set immediately became a demonstration disc at audio salons and hi-fi shows the world over. It also quickly emerged as an irreplaceable monitor-evaluating tool for recording-studio engineers and front-of-the-house testing device for concert-venue soundboard engineers who continue to use it today. Painstakingly recorded over eight months by producer Gary Katz and engineers Roger Nichols and Elliot Scheiner, The Nightfly endures as a rare trifecta of superlative performance, consummate songwriting, and crisp, benchmark production. Mobile Fidelity is honored to give this seminal effort unsurpassed treatment befitting the most serious music connoisseurs.

Steely Dan's baby pictures? Sort of–these are studio demos Dan honchos Becker and Fagen made as struggling songwriters in the period before they actually conceptualized the band. Some of them–"Brooklyn," "Barrytown," "Parker's Band," "Charlie Freak," "Any World That I'm Welcome To" and "The Caves of Altamira"–later turned up on Steely Dan albums; here they're presented in bare-bones version (mostly just piano and vocals, with only adequate sound) that while interesting obviously don't have Steely Dan's trademark instrumental sheen. The unfamiliar tracks are uneven (a must to avoid: "The Mock Turtle's Song"), but even the least of them show that Becker and Fagen's writing style was fully formed even at this early stage.