A portrait of the artist as a young man, The Nightfly is a wonderfully evocative reminiscence of Kennedy-era American life; in the liner notes, Donald Fagen describes the songs as representative of the kinds of fantasies he entertained as an adolescent during the late '50s/early '60s, and he conveys the tenor of the times with some of his most personal and least obtuse material to date. Continuing in the smooth pop-jazz mode favored on the final Steely Dan records, The Nightfly is lush and shimmering, produced with cinematic flair by Gary Katz; romanticized but never sentimental, the songs are slices of suburbanite soap opera, tales of space-age hopes (the hit "I.G.Y.") and Cold War fears (the wonderful "The New Frontier," a memoir of fallout-shelter love) crafted with impeccable style and sophistication.

The release of ‘Sun Mountain' completes the three volume set released on the Thunderbolt label and featuring the early work of Walter Becker and Donald Fagen (see also 'Old Regime' CDTB 040 and 'Stone Piano' CDTB 054). The first nine tracks on this release represent the first known recordings by the duo. Prominent throughout are the distinctive lead vocals and keyboard skills of Donald Fagen with Walter Becker providing the bass line and occasional harmonies. These have been compiled with four tracks each from the earlier two releases. The first four of these are taken from 'Stone Piano' and clearly illustrate the development of artists towards a more complex instrumental backing for their compositions.

Hard-core Steely Dan fans will find hints of the band in these pre-Dan demos recorded between late 1968 and 1971: there's an early version of "Brooklyn (Owes The Charmer)," and one song even uses the phrase "steely dan." Nevertheless, this is no more than promising juvenilia, not in the same league with the Dan masterpieces, and should be approached as a historical curiosity. This material has been reissued by various record companies in various countries under various titles.

For about the thousandth time, these very early recordings by Walter Becker and Donald Fagen that have remained officially unreleased for a reason: they're terrible and only vaguely resemble the actual Steely Dan that came years later. This is not to say that there is no merit to them, only very little, and only for those who are so obsessed by the Steely Dan legend they need to hear every bent note, of which there are plenty here. This is another shabby Dressed to Kill effort that should be avoided. Period.

A portrait of the artist as a young man, The Nightfly is a wonderfully evocative reminiscence of Kennedy-era American life; in the liner notes, Donald Fagen describes the songs as representative of the kinds of fantasies he entertained as an adolescent during the late '50s/early '60s, and he conveys the tenor of the times with some of his most personal and least obtuse material to date. Continuing in the smooth pop-jazz mode favored on the final Steely Dan records, The Nightfly is lush and shimmering, produced with cinematic flair by Gary Katz; romanticized but never sentimental, the songs are slices of suburbanite soap opera, tales of space-age hopes (the hit "I.G.Y.") and Cold War fears (the wonderful "The New Frontier," a memoir of fallout-shelter love) crafted with impeccable style and sophistication.

Gold is a compilation album by Steely Dan, released in 1982. It mostly comprises hits both post-dating and not included on their 1978 Greatest Hits, essentially acting as "Volume 2"; it also features additional album tracks, offering a broad perspective on the band's career to that point.

The band Steely Dan - in essence the musicianship and songwriting team of Walter Becker and Donald Fagen - has long divided the critics : some have marvelled at a highly imaginative blend of intelligent, "literary" lyrics and a carefully crafted influence of jazz and Latin rhythms within the rock template, whilst others have detected a certain coldness in the work, due perhaps to over-elaboration and perfectionism. Of course, deciding to name your b.nd after a dildo in William Burroughs's cult novel Th Naked Lunch will invite criticism , but none of those who questioned Steely Dan's Status at the top of the tree of 70s rock could ever seriously dispute the immaculate execution of their vision.

A companion album to Northeast Corridor: Steely Dan Live, Donald Fagen's The Nightfly Live captures a 2019 performance of the 1982 album by Steely Dan (or the Steely Dan Band, as Fagen chooses to call them in the years following Walter Becker's 2017 death). Original producer Gary Katz is on board to capture all the sonic intricacies of this concert, helping the live album to sound remarkably similar to its studio predecessor. There are differences, to be sure: the digital punch of the 1982 record has been warmed, the beats swing a bit more, Fagen's voice is thin and wispy, the backup singers take the lead on "Maxine," and there's a bit more emphasis on R&B rhythms – all elements that make this feel like a concert despite the precision of the production and performances. It's enough to keep Donald Fagen's The Nightfly Live fleet on its feet, which is enough to keep this record fun.

Kamakiriad is the second solo album by Steely Dan artist Donald Fagen, released in 1993. It was his first collaboration with Steely Dan partner Walter Becker since 1986, on Rosie Vela's album Zazu. Becker played guitar and bass and produced the album. The album is a futuristic, optimistic eight-song cycle about the journey of the narrator in his high-tech car, the Kamakiri (Japanese for praying mantis). It was nominated for a Grammy Award for Album of the Year 1994.

Donald Fagen‘s classic 1982 album The Nightfly is being released as a live album in September. Produced by Gary Katz (who worked on all of the original era Steely Dan records), The Nightfly was a critical and commercial success with popular singles like ‘New Frontier’ and ‘I.G.Y.’ This new live release sees the whole of The Nightfly performed in its entirety, in order, by Steely Dan, or ‘The Steely Dan Band’ as they tend to be referred post Walter Becker’s 2017 death. Donald Fagen remains part of this band, in case that wasn’t clear! This is a performance from 2019.

Partly because of Donald Fagen's reluctance to sing onstage, partly due to he and Walter Becker's perfectionism, and partly because the pairs' compositions and arrangements were so complex - requiring all manner of studio hardware to reproduce - Steely Dan played very few live concerts during their early career, indeed by the middle of 1974 they had given up touring entirely. The one album they did promote on the road however was their third masterpiece, the enigmatically titles 'Pretzel Logic', released in the USA on February 20th 1974. The tour started on March 9th, and this CD features the complete second show played by the group, at the University Of California the following night.

Steely Dan have sold more than 30 million albums worldwide, and helped define the sountrack of the 70s with hits including Rikki Dont Lose That Number, Hey Nineteen and Do It Again, culled from their seven platinum albums issued between 1972 and 1980. They were inducted into the Rock and Roll Hall of Fame in 2001. This 2CD set contains the full show, recorded on September 1st 1993. Official FM Broadcast.