With Melancholia, Rick Wakeman completes a remarkable trilogy of solo piano works that began with Piano Portraits (2017) and continued with Piano Odyssey (2018) - both landmark albums that found him reaching new heights of popularity and critical esteem as a solo artist. But while those records looked outward, reinterpreting beloved melodies and exploring sweeping themes, Melancholia turns inward, inviting us into the most personal, introspective, and perhaps profound music of Wakeman’s storied career.

Acclaimed saxophonist/composer Jerome Sabbagh reconvenes his longstanding quartet for the first time in more than a decade for the timely "Stand Up!".

Named one of the 100 Greatest Albums of the 1980s by Rolling Stone. Featuring the anthem “I Love L.A.," that helped define his legacy as a voice in American music. This edition will also feature Un Samedi En Décembre, a promotional live album originally released exclusively in France and included with early French copies of the album and the previous unissued demos. With Warner Bros. hitmakers Russ Titelman and Lenny Waronker producing, and star-studded cast of guest vocalists including Paul Simon, Linda Ronstadt, and Bob Seger, the 1983 collection display the craftsmanship that would make the singer-songwriter one of the most sought-after composers for film and TV.

Get ready to groove with Freestyle 4 Funk's latest release, Volume Ten! This compilation features fifteen sizzling tracks handpicked by label head, Timewarp, showcasing the best of our artist roster. From disco to house to downtempo afro, this unique electronic funk genre has it all.

Described by the brothers as “a rock album made without any electric guitars” All Systems Are Lying was built entirely from modular synths, live drums, tape machines and processed vocals. It’s a fractured mirror held up to modern society on the brink — where truth is distorted by filters, algorithms and noise.

The revered debut from the genre-spanning guitarist, singer and songwriter, Terry Callier, has returned to vinyl. Originally recorded in 1964 for Prestige Records, the album features Callier’s version of standards such as “Cotton Eyed Joe” and “900 Miles.” AllMusic calls it Callier’s “most timeless and inviting” release.” Newly remastered from the original tapes and available in hi-res.

Chris Rea has one of the most distinctive voices in rock, and since the release of ‘Driving Home For Christmas’ in 1988, it has become as synonymous with Christmas as holly, mistletoe and turkey!

While playing for Phil Lesh, I became friends with his son, Grahame, and we started booking shows called Dead Blues, a Phil and Friends offshoot that used the traditional blues and folk songs from the Grateful Dead catalog as a vehicle to bring new musicians from the blues and rock scene into Phil’s orbit like the Blind Boys of Alabama, Charlie Musselwhite, G. Love, JD Simo, and many others.

23 live tracks from the acclaimed Luck and Strange Tour. Recorded at selected shows from the tour and blends solo tracks from David’s most recent album, including a stirring rendition of Between Two Points with Romany Gilmour as well as classic Pink Floyd anthems such as Sorrow, High Hopes, Breathe (In The Air), Time, Wish You Were Here, and Comfortably Numb.

The Legendary A&M Sessions is an extended play featuring five songs by Captain Beefheart & His Magic Band, recorded early in their career for their original record label A&M Records. The EP was released by the company in 1984 after Captain Beefheart had gone into retirement. The EP is compiled from two singles originally released through A&M in 1966. The first of these paired the Bo Diddley cover "Diddy Wah Diddy" with a track written by Don Van Vliet (Beefheart) called "Who Do You Think You're Fooling?"

These three superb string quartets by one of our finest composers showcase the refined artistry of a remarkably talented ensemble. MELENCOLIA is an album to cherish, a recording that lovers of fine music will appreciate for years to come.

Seefeel is a pioneering, experimental electronic band. Formed in London in the early 1990s, they emerged as one of the most innovative bands bridging shoegaze and electronic music, known for their textured soundscapes, minimalist rhythms and ambient sensibilities. This new, expanded version of Pure, Impure brings together Seefeel’s three classic EPs; More Like Space, Plainsong, and Time to Find Me, and includes Aphex Twin mixes and a previously unreleased demo of “Moodswing”. Remastered by Geoff Pesche at Abbey Road Studios, this 11-track collection also features newly reimagined artwork. This release will be available as a 2XLP or CD.

Celebrating the 45th anniversary, Vibecraft Records presents the first OFFICIAL reissue of the rare Gary Fink record! Officially licensed from the Fink family, with newly transferred and remastered audio from the Fink archives.

Deadbeat is the upcoming fifth studio album by Tame Impala, the musical project of Australian multi-instrumentalist Kevin Parker. It is scheduled for release on 17 October 2025 by Columbia Records, preceded by the singles "End of Summer", "Loser" and "Dracula".

BRIGITTE FONTAINE'S LANDMARK 1968 LP, ARRANGED BY JEAN-CLAUDE VANNIER REDEFINED FRENCH POP THREE YEARS BEFORE GAINSBOURG’S HISTOIRE DE MELODY NELSON. THE ALBUM IS REISSUED HERE IN A DELUXE EDITION FEATURING THE ORIGINAL ALBUM PLUS A WEALTH OF BONUS MATERIAL - THE 2-LP EDITION FEATURES A 20-PAGE BOOKLET WITH RARE PHOTOS AND CONTRIBUTIONS BY STEREOLAB’S LAETITIA SADIER, JEREMY ALLEN, BENOÎT MOUCHART AND BENJAMIN BAROUH “Brigitte Fontaine is not crazy, she talks about the complex, unhinged world we still live in” Lætitia Sadier. Wewantsounds is delighted to reissue French pop icon Brigitte Fontaine’s landmark 1968 album Brigitte Fontaine Est Folle, originally released on the cult label Saravah and arranged by Jean-Claude Vannier. approved by the artist, this reissue features the original album, newly remastered from the original tapes, along with demos, instrumentals, and a live rendition of “Il Pleut” recorded for France Inter/ORTF. The LP and CD editions also includes a bilingual booklet with introductions by journalist Jeremy Allen and Stereolab’s Laetitia Sadier, essays by Brigitte Fontaine’s biographer Benoît Mouchart and Benjamin Barouh, plus full lyrics and rare archival photos.