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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    John Fogerty - Premonition (1998) Reissue 2004

    Posted By: Designol
    John Fogerty - Premonition (1998) Reissue 2004

    John Fogerty - Premonition (1998) [Reissue 2004]
    EAC | FLAC | Image (Cue&Log) ~ 506 Mb | Mp3 (CBR320) ~ 173 Mb | Scans included
    Label: Geffen Records | # 0602498634943 | Time: 01:08:31
    Heartland Rock, Swamp Rock, Roots Rock, Rock & Roll

    Upon its release in the spring of 1997, John Fogerty's long-awaited comeback album Blue Moon Swamp was lavished with praise – it didn't become the crossover hit that Centerfield was, but it earned great reviews and a solid cult audience. Furthermore, his tour – his first ever to feature classic Creedence material – was, if anything, even better received than Blue Moon Swamp, so it made some sense that he quickly released Premonition, his first solo live album, in 1998. Premonition is frighteningly good – Fogerty doesn't sound like a veteran rocker, he sounds nearly as powerful as he did on old Creedence live shows. He also sounds more mature, bringing increased depth to his older songs as he energizes recent material, from "The Old Man Down the Road" to "Swamp River Days." Premonition is essentially the province of dedicated Fogerty fans – there's only one new song, and the differences in the live performances are things only the hardcore will spot – but they'll be delighted with the quality of the music.

    Creedence Clearwater Revival - Creedence Clearwater Revival (1968) {2010, Japanese Reissue, Remastered}

    Posted By: popsakov
    Creedence Clearwater Revival - Creedence Clearwater Revival (1968) {2010, Japanese Reissue, Remastered}

    Creedence Clearwater Revival - Creedence Clearwater Revival (1968) {2010, Japanese Reissue, Remastered}
    EAC Rip | FLAC (Img) + Cue + Log ~ 421 Mb | MP3 CBR320 ~ 167 Mb
    Full Scans | 00:54:55 | RAR 5% Recovery
    Roots Rock / Swamp Rock / Southern Rock / Classic Rock / Psychedelic Rock
    Fantasy Records / Universal Music #UCCO-4056

    Released in the summer of 1968 – a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations. While many of Fogerty's obsessions and CCR's signatures are in place – weird blues ("I Put a Spell on You"), Stax R&B (Wilson Pickett's "Ninety-Nine and a Half"), rockabilly ("Susie Q"), winding instrumental interplay, the swamp sound, and songs for "The Working Man" – the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of "Susie Q," the backward guitars on "Gloomy," and the directionless, awkward jamming that concludes "Walking on the Water."

    Thorbjørn Risager & The Black Tornado - House Of Sticks (2025)

    Posted By: popsakov
    Thorbjørn Risager & The Black Tornado - House Of Sticks (2025)

    Thorbjørn Risager & The Black Tornado - House Of Sticks (2025)
    EAC Rip | FLAC (Img) + Cue + Log ~ 352 Mb | MP3 CBR320 ~ 179 Mb
    Full Scans | 00:42:53 | RAR 5% Recovery
    Blues, Swamp Rock, Blues Rock | Provogue Records #PRD77372

    Danish roots-rock sensation Thorbjorn Risager & The Black Tornado are back with their brand new album of high energy swamp rock, smouldering ballads and cinematic blues-rock on House of Sticks, which will be released via Provogue / Mascot Label Group. Their much-anticipated new album offers a fresh, modern take on the blues, channelling the vibes of contemporary giants like The Black Keys and My Baby or a modern JJ Cale take while staying true to the band's deep blues roots. The award winning Danes have already released the pulsating groove of "Long Time Ago," which sees Risager's soulful vocals swoon around the swampy, raw energy that has become synonymous with The Black Tornado's sound.

    Redbone - A's and B's (Remastered) (2023)

    Posted By: Rtax
    Redbone - A's and B's (Remastered) (2023)

    Redbone - A's and B's (Remastered) (2023)
    CD Rip | FLAC (tracks, no cue, no log) - 786 MB | MP3 CBR 320 kbps - 285 MB
    2:04:13 | Swamp Rock, Blues Rock, Funk, Psychedelic Rock | Label: BGO Records

    Native American rockers Redbone's A's and B's for Sony and RCA Records. 1970's 'Maggie' was their first hit in the US and Europe. This was quickly followed by 'The Witch Queen Of New Orleans', which was a huge world-wide smash. 'We Were All Wounded At Wounded Knee' was a Number 1 in Belgium and Holland, and 'Come And Get Your Love' was a Top 5 US hit. Fifty years on, this track is still used for ads of all descriptions! Redbone, led by original founding member Pat Vegas, continue to tour and record. Digitally remastered and slipcased, and with new notes. Also available on BGO Records: BGOCD1277 Already Here / Wovoka / Beaded Dreams Through Turquoise Eyes.

    Tony Joe White - One Hot July (1998)

    Posted By: Designol
    Tony Joe White - One Hot July (1998)

    Tony Joe White - One Hot July (1998)
    EAC | FLAC | Image (Cue&Log) ~ 397 Mb | Mp3 (CBR320) ~ 149 Mb
    Label: Mercury Records | # 558 894-2 | Time: 01:05:05 | Scans ~ 101 Mb
    Singer/Songwriter, Swamp Rock, Blues, Blues-Rock, Country-Rock

    Tony Joe's first U.S. release since 1983 finds the swamp-rocker in rare form. Produced by Roger Davies – Tina Turner's manager/producer, and the one responsible for her '80s breakthrough – this is the most cohesive album he's made since his early Monument LPs with Billy Swan. Tony Joe is kept tightly focused with a small combo (Hammond organ, bass, drums), and the rest of the space in the mix is occupied by the star's funky guitar, harmonica, and breathy vocals, recorded so close he sounds like he's two inches from the listener's face. It also helps that Tony Joe's songwriting skills have only sharpened over the years; the disc is simply loaded with great songs, including "Crack the Window Baby," "Gumbo John," "I Want My Fleetwood Back," and the moody "Cold Fingers," "I Believe I've Lost My Way," and "Across From Midnight." One of his very best, and as highly recommended as they come.

    Tony Joe White - Tony Joe White (1971) Reissue 1992

    Posted By: Designol
    Tony Joe White - Tony Joe White (1971) Reissue 1992

    Tony Joe White - Tony Joe White (1971) Reissue 1992
    EAC | FLAC | Image (Cue&Log) ~ 274 Mb | Mp3 (CBR320) ~ 102 Mb
    Label: Warner Bros. | # 7599-26929-2 | Time: 00:44:49 | Scans ~ 50 Mb
    Singer/Songwriter, Country-Rock, Swamp Rock, Soul, Blues-Rock

    Tony Joe White's self-titled third album, Tony Joe White, finds the self-proclaimed swamp fox tempering his bluesy swamp rockers with a handful of introspective, soul-dripping ballads and introducing horn and string arrangements for the first time. The album – White's 1971 debut for Warner Bros. – was recorded over a two-week period in December 1970, in two different Memphis studios (one was Ardent Studios, where Big Star later recorded their influential power pop albums). His producer was none other than London-born Peter Asher, who had just produced James Taylor's early hits for the label (he would continue to produce hits for Taylor and Linda Ronstadt on his way to becoming one of the most successful producers of the '70s). One can surmise that Warner Bros. may have put White and Asher together as a way for the producer to work his magic with an artist who had much promise.

    Tony Joe White - Black And White (1969) Reissue 1996

    Posted By: Designol
    Tony Joe White - Black And White (1969) Reissue 1996

    Tony Joe White - Black And White (1969) Reissue 1996
    EAC | FLAC | Image (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 95 Mb | Scans ~ 48 Mb
    Label: Warner Bros. | # 9362-46364-2 | Time: 00:41:48
    Singer/Songwriter, Country Pop, Pop-Soul, Swamp Rock

    When "Polk Salad Annie" blared from transistor radio speakers in the summer of 1969, the first thought was of Creedence Clearwater Revival, for Tony Joe White's swamp rock bore more than a passing resemblance to the sound John Fogerty whipped up on Bayou Country and Green River. But White was the real thing – he really was from the bayou country of Louisiana, while Fogerty's bayou country was conjured up in Berkeley, CA. Plus, White had a mellow baritone voice that sounded like it had been dredged up from the bottom of the Delta. Besides "Annie," side one of this album includes several other White originals. The best of these are "Willie and Laura Mae Jones," a song about race relations with an arrangement similar to "Ballad of Billie Joe," and "Soul Francisco," a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side consists of covers of contemporary hits, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff.

    Tony Joe White - Polk Salad Annie (1999)

    Posted By: popsakov
    Tony Joe White - Polk Salad Annie (1999)

    Tony Joe White - Polk Salad Annie (1999)
    EAC Rip | FLAC (Img) + Cue + Log ~ 211 Mb | MP3 CBR320 ~ 94 Mb
    Full Scans | 00:35:59 | RAR 5% Recovery
    Swamp Rock, Blues Rock, Pop Rock, Country, Blue-Eyed Soul | Movie Play Gold #MPG 74021

    Album originally released under the title "Black And White" (1969). Black and White was the first album released by Tony Joe White. It contained the single "Polk Salad Annie" which was a staple of Elvis Presley's live sets in the 1970s. It was recorded at RCA Victor Studios, Nashville and produced by Billy Swan. "Polk Salad Annie"'s lyrics describe the lifestyle of a generic Southern girl. Traditionally, the term to describe the type of food highlighted in the song is "poke salad." Its 1968 single release peaked at #8 on the Billboard Hot 100. The song vividly recreates the Southern roots of White's childhood and his music reflects this earthy rural background. As a child he listened not only to local bluesmen and countrysingers but also to the Cajun music of Louisiana, that rare hybrid of traditional musical styles introduced by French settlers at the turn of the century.

    JJ Grey & Mofro - Country Ghetto (2007)

    Posted By: popsakov
    JJ Grey & Mofro - Country Ghetto (2007)

    JJ Grey & Mofro - Country Ghetto (2007)
    EAC Rip | FLAC (Img) + Cue + Log ~ 324 Mb | MP3 CBR320 ~ 155 Mb
    Full Scans | 00:45:10 | RAR 5% Recovery
    Southern Rock / Blues Rock / Swamp Rock / Roots Rock
    Alligator Records #ALCD 4914

    For many people, the word "Florida" conjures up images of sunshine, white-hot sands, and white-hot nightlife. That's not the Florida JJ Grey inhabits. Sounding forth from his ancestral home 40 miles outside of Jacksonville, Grey's Florida is inhabited by water moccasins, gators, and characters whose murky, besotted Southern Gothic pasts match the dreary, desolate landscape. On Country Ghetto, his third album and debut for Alligator Records (of course), Grey and his bandmates revisit the hallowed but largely forsaken musical environs of swamp rock. Taking their cues from early Creedence Clearwater Revival and Tony Joe White, Mofro play a slinky, sinuous brand of Louisiana soul-funk-blues, while Grey himself alternates between the good ol' boy debauchery of Ronnie Van Zant and Lynyrd Skynyrd and the classic soul entreaties of Otis Redding and Clarence Carter.

    Creedence Clearwater Revival - Bayou Country (1969) {2008, 40th Anniversary Edition, Remastered}

    Posted By: popsakov
    Creedence Clearwater Revival - Bayou Country (1969) {2008, 40th Anniversary Edition, Remastered}

    Creedence Clearwater Revival - Bayou Country (1969) {2008, 40th Anniversary Edition, Remastered}
    EAC Rip | FLAC (Img) + Cue + Log ~ 415 Mb | MP3 CBR320 ~ 175 Mb
    Full Scans | 00:56:32 | RAR 5% Recovery
    Roots Rock, Swamp Rock, Southern Rock, Blues Rock | Fantasy Records #0888072308770

    Opening slowly with the dark, swampy "Born on the Bayou," Bayou Country reveals an assured Creedence Clearwater Revival, a band that has found its voice between their first and second album. It's not just that "Born on the Bayou" announces that CCR has discovered its sound – it reveals the extent of John Fogerty's myth-making. With this song, he sketches out his persona; it makes him sound as if he crawled out of the backwoods of Louisiana instead of being a native San Franciscan. He carries this illusion throughout the record, through the ominous meanderings of "Graveyard Train" through the stoked cover of "Good Golly Miss Molly" to "Keep on Chooglin'," which rides out a southern-fried groove for nearly eight minutes.

    Tony Joe White - Deep Cuts (2008)

    Posted By: Designol
    Tony Joe White - Deep Cuts (2008)

    Tony Joe White - Deep Cuts (2008)
    EAC | FLAC | Image (Cue&Log) ~ 313 Mb | Mp3 (CBR320) ~ 118 Mb | Scans ~ 73 Mb
    Label: Swamp Records | # 7708343-2 | Time: 00:51:46
    Swamp Rock, Swamp Blues, Blues-Rock, Rhythm & Blues

    Revered as one of the originators of swamp rock, Tony Joe White has recast a number of his classic songs on Deep Cuts, proving that time has no jurisdiction over funky. His signature groove, starting from his 1969 hit "Polk Salad Annie," is what he uses to paint a vivid picture of the world he experienced growing up, where poverty provided unity between otherwise divided races and bad-news women were sometimes too good to pass up. Tony Joe cut the tracks with his son Jody providing a rich palette of beats and loops, utilizing both digital and live drums, strings, organs, and the unmistakable timbre of his guitar. White's time-worn baritone is positively haunting, like a restless spirit conjured by the funk that was always the core of his music.

    Tony Joe White - Closer To The Truth (1991)

    Posted By: Designol
    Tony Joe White - Closer To The Truth (1991)

    Tony Joe White - Closer To The Truth (1991)
    EAC | FLAC | Image (Cue&Log) ~ 343 Mb | Mp3 (CBR320) ~ 132 Mb | Scans ~ 54 Mb
    Singer/Songwriter, Swamp Rock, Blues | Label: Remark | # 511 386-2 | Time: 00:57:59

    You'll recognise the wonderful Steamy Windows (covered by good friend Tina Turner with TJW backing her) but the awesome opening track Tunica Motel which tells of Tony Joe's return to his blues roots sets the stage for the whole album. Tunica Motel has it all - strong hooks and TJW's strong songwriting which starts as a song about getting away from it all, and becomes, gradually, a gut-spilling account. "I'm so tired of fighting with myself…" confesses TJW. Later, when he's contemplating his musical direction, he "sees the ghost of Robert Johnson" and for me the line brings an involunatary tingle down my spine every time I hear it, which is often. Tony Joe is Back! In this album he reintroduces us to his warm Stratocaster blues in gorgeous tracks: Ain't Going Down This Time and You're Gonna Look in Blues. In some ways these marked a new sound that he'd develop on subsequent albums - moving us closer to his use of Spanish guitar.

    Tony Joe White - Homemade Ice Cream (1973) Reissue 2002

    Posted By: Designol
    Tony Joe White - Homemade Ice Cream (1973) Reissue 2002

    Tony Joe White - Homemade Ice Cream (1973) Reissue 2002
    EAC | FLAC | Image (Cue&Log) ~ 201 Mb | Mp3 (CBR320) ~ 84 Mb | Scans ~ 62 Mb
    Label: Warner Bros. | # 7599-26923-2 | Time: 00:36:48
    Singer/Songwriter, Blues, Country, Rock & Roll, Soul, Swamp Rock, Blues Rock

    Going back and listening again to Tony Joe White's prodigious output from his early years, one is amazed at the depth of his talent as a guitarist, a singer and as a songwriter. After a series of albums that explored his love of deep Southern Blues, TJW took a warmer, more acoustic turn with Home Made Icecream. A lot of this is the back porch music he clearly loves - and here he is surrounded by fine session men who, if I recall from my old vinyl copy, include a drummer who wouldn't play until he'd read the lyrics…which as Tony Joe noted: "Is all right by me." The album flows beautifully, kicking off with a little rocker - Saturday Night in Oak Grove Louisiana (Tony Joe always had a thing about vehicles - little details like fender skirts - and here its the fibreglass mufflers on his pickup truck) and featuring among other things a gorgeous, lightly picked acoustic guitar and harp instrumental: the title track of the album. There's a ballad - Ol Mother Earth - but the standout is the last track which blows in like a cold breeze off a lake. "Did Somebody Make a Fool Out of You" is among his best ever examples of songwriting, singing and guitar playing.

    Creedence Clearwater Revival - Bayou Country (1969) {2010, Japanese Reissue, Remastered}

    Posted By: popsakov
    Creedence Clearwater Revival - Bayou Country (1969) {2010, Japanese Reissue, Remastered}

    Creedence Clearwater Revival - Bayou Country (1969) {2010, Japanese Reissue, Remastered}
    EAC Rip | FLAC (Img) + Cue + Log ~ 402 Mb | MP3 CBR320 ~ 163 Mb
    Full Scans | 00:56:32 | RAR 5% Recovery
    Roots Rock / Swamp Rock / Southern Rock / Blues Rock / Psychedelic Rock / Classic Rock
    Fantasy Records / Universal Music #UCCO-4057

    Opening slowly with the dark, swampy "Born on the Bayou," Bayou Country reveals an assured Creedence Clearwater Revival, a band that has found its voice between their first and second album. It's not just that "Born on the Bayou" announces that CCR has discovered its sound – it reveals the extent of John Fogerty's myth-making. With this song, he sketches out his persona; it makes him sound as if he crawled out of the backwoods of Louisiana instead of being a native San Franciscan. He carries this illusion throughout the record, through the ominous meanderings of "Graveyard Train" through the stoked cover of "Good Golly Miss Molly" to "Keep on Chooglin'," which rides out a southern-fried groove for nearly eight minutes.

    Tony Joe White - The Train I'm On (1972)

    Posted By: Designol
    Tony Joe White - The Train I'm On (1972)

    Tony Joe White - The Train I'm On (1972)
    EAC | FLAC | Image (Cue&Log) ~ 220 Mb | Mp3 (CBR320) ~ 96 Mb | Scans ~ 59 Mb
    Label: Warner Bros. | # 7599-26931-2 | Time: 00:42:03
    Singer/Songwriter, Country Pop, Soul, Swamp Rock, Blues-Rock

    Tony Joe White's second Warner Bros. album is an awesome, exquisite musical jewel and a departure from most of the attributes for which he is best known, from songs like "Polk Salad Annie." Acoustic textured for much of its length and built on a close, intimate sound overall, The Train I'm On is permeated with the dark side of White's usual swamp rock sound, filled with songs about unsettled loves and lives, and men caught amid insoluble situations. Betraying surprising vulnerability for much of its length, even on songs like "If I Ever Saw a Good Thing" and "300 Pounds of Hongry" (among the few full band numbers here, with a gorgeous sax solo by Charles Chalmers on the former), he shows off an emotional complexity that wasn't always obvious on his earlier work, only really cutting loose boldly on "Even Trolls Love Rock and Roll" and a tiny handful of other cuts. The rest is dark, pensive, soulful bluesy rock, highlighted by some bristling acoustic guitar work (check out "As the Crow Flies") and superb singing throughout ("The Migrant" is worth the price of admission by itself).