The Doobie Brothers had two distinct phases during their 1970s peak, evolving from boogie rockers with a penchant for mellow good vibes into a smooth blue-eyed soul outfit. Subsequent reunions and decades as a successful live attraction blurred the divide between the rambling "Black Water" and funky "What a Fool Believes," the band's two number one hits on Billboard.

Legendary hitmakers The Doobie Brothers' new 10-track album 'Walk This Road' features a reunited lineup of members Patrick Simmons, Tom Johnston, John McFee, and Michael McDonald.

The Doobie Brothers had two distinct phases during their 1970s peak, evolving from boogie rockers with a penchant for mellow good vibes into a smooth blue-eyed soul outfit. Subsequent reunions and decades as a successful live attraction blurred the divide between the rambling "Black Water" and funky "What a Fool Believes," the band's two number one hits on Billboard. The Doobies racked up numerous other hits in both incarnations, songs that wound up as classic rock perennials.

Sibling Rivalry is the twelfth studio album by The Doobie Brothers, released in 2000. The album was the band's first studio recording since Brotherhood in 1991. It was also the only album to feature lead vocal contributions from drummer Keith Knudsen and multi-instrumentalist John McFee both of whom had rejoined the group in 1993 after an eleven year absence. The group photograph in the inner booklet featured touring sidesmen Guy Allison (keyboards, backing vocals), Marc Russo (saxophone) and Skylark (bass, backing vocals). Allison and Russo also featured on the album, the former co-writing three tracks while occasional touring bassist John Cowan also featured and contributed the song Can't Stand to Lose written with Poco's Rusty Young.

Four-time Grammy-winning band The Doobie Brothers (with Michael McDonald) have teamed up with some of country music’s biggest stars for ‘Southbound’, an album of all-new recordings of the band’s classic hits. The studio lineup harkens back to the Doobie Brothers’ earliest days. Fellow singer-songwriter-guitarist-lead-vocalists Patrick Simmons and Tom Johnston continue to front the group, while multi-instrumentalist John McFee’s history with the Brothers dates back to 1978, after his stint with Southern Pacific. Michael McDonald returns to The Doobie Brothers for this project, which invites fans to once again “Listen to the Music” in a whole new way. Country stars Blake Shelton, Casey James, Charlie Worsham, Johnnyswim’s Amanda Sudano Ramirez, and Tyler Farr were among the first roster of artists choosing their favorite Doobie songs to record with the band, with selected tracks featuring special instrumental contributions from Hunter Hayes and Vince Gill. Other collaborators include Toby Keith, Brad Paisley, Zac Brown Band, Sara Evans, Chris Young, Jerrod Niemann, and Love and Theft. In choosing the album title, The Doobie Brothers’ Tom Johnston remarked, “Southbound seemed like the perfect name of this collaboration project with all these dynamic country artists. The band has a lot of roots, both musically and lyrically, from the South such as blues, country, R&B, and folk. To us it was a natural fit that it be called Southbound.”

Extended Versions culls ten live tracks from the Doobie Brothers 1996 reunion show Rockin' Down the Highway: The Wildlife Concert. A similar distillation of the live show appeared on 1999's Best of the Doobie Brothers Live, a 14-track version of Rockin' Down the Highway. Hardcore fans will opt for the original, while casual listeners will most likely gravitate to one of the myriad studio collections, rendering both budget-priced renderings more or less obsolete.

The Doobie Brothers is the debut studio album by American rock band The Doobie Brothers. The album was recorded at Pacific Recorders in San Mateo, California and released on April 30, 1971, by Warner Bros. Records. It is their only official studio album with all tracks featuring original bass player Dave Shogren, who left during the recording of their second album. The first single from the album, "Nobody," failed to chart, as did the album itself. The single was re-released in October 1974 with a slightly edited length of 3:27 after the group had become a highly successful touring and recording act, peaking at #58 on the Billboard Hot 100.

Double The Doobie Brothers! 'Best of The Doobies' Volumes 1 & 2 is a jam-pack of the best-selling Greatest-Hits collections. Including fan favorites "China Grove", "Takin' It to the Streets", "Listen to the Music", "What a Fool Believes", and many more! Pre-order now in 2xLP and 2xCD formats.

Livin' on the Fault Line fell between two of the Doobie Brothers' biggest-selling records. The album had no hit singles, and one-time leader Tom Johnston kept a markedly low profile (this would be his last record with the group, not including a later reunion). Despite this, Livin' on the Fault Line contains some of the most challenging and well-developed music of the band's career, with Patrick Simmons and Michael McDonald really stepping to the fore. There's a vague mood of melancholia running through the songs, as well as a definite jazz influence. This is most obvious on the title track, which has several instrumental passages that showcase the guitar abilities of Simmons and Jeff Baxter.

The deep, soulful voice of the Doobie Brothers, and one of the most popular songwriters and solo artists of the rock era.

Farewell Tour is the first live album by American rock band The Doobie Brothers, released in 1983. It documents the group's 1982 Farewell Tour and is a double album set. By the early 1980s, the Doobie Brothers had evolved from the guitar-boogie sound under original band frontman Tom Johnston to a soulful keyboard-driven AOR sound under Michael McDonald. Despite the many personnel changes in the group, Patrick Simmons remained from the original incarnation of the group.

One Step Closer is the ninth studio album by American rock band the Doobie Brothers. The album was released on September 17, 1980, by Warner Bros. Records. The album included the hit "Real Love", which reached #5 on the Billboard Hot 100. This album is the band's last studio album with Michael McDonald in the lineup until 2014's Southbound, and also the first studio album to feature John McFee as a member of the band.

The Doobie Brothers' third long-player was the charm, their most substantial and consistent album to date, and one that rode the charts for a year. It was also a study in contrasts, Tom Johnston's harder-edged, bolder rocking numbers balanced by Patrick Simmons' more laid-back country-rock ballad style. The leadoff track, Johnston's "Natural Thing," melded the two, opening with interlocking guitars and showcasing the band's exquisite soaring harmonies around a beautiful melody, all wrapped up in a midtempo beat – the result was somewhere midway between Allman Brothers-style virtuosity and Eagles/Crosby & Nash-type lyricism, which defined this period in the Doobies' history and gave them a well-deserved lock on the top of the charts. Next up was the punchy, catchy "Long Train Runnin'," a piece they'd been playing for years as an instrumental – a reluctant Johnston was persuaded by producer Ted Templeman to write lyrics to it and record the song, and the resulting track became the group's next hit.

One would be hard-pressed to find a band more perfectly symbolic of the good-times politics-be-damned esprit de cannabis that symbolized a good chunk of 70's rock. While the Beach Boys were busy becoming an anachronism, the Doobs effectively took their mantle, fusing an array of musical Americana - be it blues, country, folk, or gospel - into a remarkably popular string of albums and radio hits by simply asking not much more of us than to "Listen to the Music." And if they didn't get much more controversial than to declare "Jesus Is Just Alright," well, that was kind of the point. This Rhino anthology is typically exhaustive. All the familiar radio hits are here, as well as a good sampling of deep catalog from the band's various line-ups, not to mention a few standout Tom Johnston and Patrick Simmons solo outings. Hardcore Doobie Bros. fans should be especially pleased by the fourth disc, which contains a wealth of outtakes and demos from the band's early '70s and '80s prime.

There have been plenty of single-disc Doobie Brothers collections released over the years. There have been two-part vinyl Best of the Doobies, there have been budget-line collections, and there have been OK overviews as well as excellent generous discs with all the big hits. There's even been a comprehensive four-disc box, but what there hasn't been is a double-disc set – something that falls between the conciseness of 2001's terrific Greatest Hits (the first CD to contain all the big hits on one CD) and 1999's four-disc Long Train Runnin' 1970-2000. That's what 2007's The Very Best of the Doobie Brothers is, a double-disc helping of the Doobies' biggest songs from "Listen to the Music" to "The Doctor."