"The innovation, spirit and power of Jamaican music is a constant source of creative manna for us," explains Eric Hilton of DC-based electronic band THIEVERY CORPORATION about their new album THE TEMPLE OF I & I. "On the musical map, Jamaica is an entire continent. Frankly, we could have spent a year there, soaking up the vibes in the air and the strength and resilience resonating from the people. And for us, the only way to connect with this rich source of inspiration was to work in that environment - to feel the pulse of the place."

Thievery Corporation's Eric Hilton and Rob Garza have always treated the line between acoustic and electronic music as a drunken sailor might, unpredictably falling on one side or the other with equal frequency. By this measure, The Richest Man in Babylon is their soberest effort to date, striding confidently into jazz, soul, world beat, and other styles with a direct, reverential approach. The band's last record, Sounds from the Verve Hi-Fi, featured a set of classic jazz tunes unadorned with remixes or reinterpretation. But the songs on Babylon are originals, incorporating not just jazz but Afro-beat, Brazilian dance, Persian and Indian music, reggae, and psychedelia, all while making expert use of new and old collaborators like Sleepy Wonder, Lou Lou, and Shinehead. Icelandic singer Emiliana Torrini makes an instant impression on the first track, "Heaven's Gonna Burn Your Eyes," her voice freeing the song's melody and structure with just a few hypnotic bars. It's hard to call this an electronic record at all; even their dub-influenced tracks miss a certain studio sheen, as if Hilton and Garza simply waded into a sweltering Jamaican beach party and hit record. But while it misses the ambient, ethereal edge that made The Mirror Conspiracy a downtempo classic, Babylon satisfies with organic energy and tasteful eclecticism.

Thievery Corporation played a historic concert in 2017 at The JFK Center for the Performing Arts in Washington, D.C. The show saw their songs re-imagined with orchestral arrangements from some of today's leading young classical composers. The show is now legendary, and those fortunate to attend heard Thievery Corporation in an entirely new way. To honour this show and inspiration it provided, Hilton and Garza have created Symphonik - recorded with Prague’s FilmHarmonic Orchestra along with Thievery Corporation's live band and engineering and co-production by Gianmaria Conti.