SunScapes features a new Ambient Music concept that has received strong feedbacks from the many followers of the legendary Café del Mar. SunScapes is a deeply atmospheric journey featuring some of the most iconic ambient artists such as Marconi Union, Biosphere and Max Cooper.

Native Wisdom: World Music Of The Spirit collects music from all over the globe in an attempt to offer an introduction to world music. Though any effort like this is bound to be incomplete, the album does indeed offer an effective introduction to broad array of musics. Neophyte listeners would be well-served by the collection, since it lets them sample a variety of styles.

There's an old saying that one is only as good as the people with whom one collaborates. Judging by the list of musical contributors to Hector Zazou's Sahara Blue, Zazou is quite good indeed. Among many others, those adding their own touch to Zazou's album include Bill Laswell, Dead Can Dance, John Cale, David Sylvian, Ryuichi Sakamoto, and Tim Simenon. Zazou devised the album as a mix of musical styles set to lyrics/vocals taken from the pen of Arthur Rimbaud. While it might appear like a pretentious undertaking on paper, the album is a cohesive slice of eclectic music-making. Jazzy spoken word songs such as "Ophelie" intermingle with throbbing dance-oriented numbers like "I'll Strangle You" and quiet, peaceful piano-based meditations such as "Harar et les Gallas." Dead Can Dance duo Brendan Perry and Lisa Gerrard work their particular magic on "Youth," exchanging vocals, and on "Black Stream," where Perry's dark, somber synth weeps around Gerrard's stunning vocals and yang chin. Zazou himself mostly stays in the background, providing production and electronic sounds, allowing the players to showcase their abilities.

Soul Jazz Records' new Space, Energy and Light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla D-I-Y cassette-era electronic artists, spanning in total over a near 30-year time frame.

Croatian composer K. Markov returns to Exosphere with Visitors, the follow-up to 2019’s Interactivity. Otherworldly sweeps, atmospheric passages, and psychedelic Berlin School sequencer jams guide us through this cinematic alien encounter.

Trentemoller returns with his fifth studio album Obverse. Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he’s most adept at is the studio itself. Obverse is the result of him expanding that skill even further.

Sit Down and Listen to Hooverphonic, also known as Sit Down and Listen To, is an album by the Belgian band Hooverphonic. It was recorded live with an orchestra, but without any audience and was released in 2003. Acoustic sessions features 14 tracks including a beautiful rendition of Lee Hazelwood's 'My Autumn's Done Come' along with the new single 'The Last Thing I Need Is You'.

Hendrik Weber aka Pantha Du Prince (‘a fantasy character…a poetic transporter for the concept behind the music’) has carved a niche for a style of techno he calls, ‘layered and cinematographic.’ He released the Diamond Daze (2004) and This Bliss (2007) albums on Berlin dance label Dial before signing to Rough Trade and widening his audience with Black Noise (2010) and The Element of Light (2013). On Conference of Trees, Pantha Du Prince explores the communication of trees and creates a sound concept based on it. What we experience here is a break through recording of experimental music, visual poetry, club culture and speculative science.

John Rose is a founding member of Spacecraft and an e-music veteran with over 25 years in the genre. Cosmogenesis, his solo debut, is packed with atmospheres, sequences, bravado and triumph. John's goal has long been to create music to get inside. The double meaning is clear. As listeners get deeper into the music, it gets deeper into the listeners. John compliments his signature electronics with an acoustic piano and dulcimers. Those acoustics take the music over the edge of the lightness of being. John, as Spacecraft fans know, is not about to explore the dark side of the psyche. He is more interested in celebrating the gentler and softer aspects of the being. His pastoral textures create the perfect vehicle for such celebration. This CD is great for lazy afternoons and for relaxing rest stops on the highway of life.

The first volume of ‘Selected Percussive Tracks…’ begins to collect some of the myriad material Paw Grabowski aka øjeRum has created over the last 25 years. Known primarily as a collage artists and practitioner of some of the most lauded and admired ambient music being created today. With ‘Selected Percussive Tracks…’ the velveteen warmth often associated with Paw’s music is still there but as was seen on his first Opal release ‘Through The Archway Of Mouths’ minimal, rhythmic features start to become the force of momentum in a music which often feels endless and gaussian. The six pieces on Vol. I date back to 1998 to 2001 and confirm the long standing aesthetics with which øjeRum has stuck to for the following 20+ years.

A one-man universe of sound who has learned to play hundreds of instruments from across the globe, which he utilizes in captivating and exotic ways. Collection includes: Implosions (1977); Til The End Of Time (1978); Wings Over Water (1982); Listen To The Rain (1983); East Of The Night (1985); Ocean (1986); The Music Of Stones (1989); Darkness And Light (1990); To The Evening Child (1992); Athos: A Journey To The Holy Mountain (1994); The Garden Of Mirrors (1997); Desert Poems (2001); Life (2004); On The Wing (2006); Bold As Light (2010).

Composer, musician, producer – for the past few years one of the most original artists of Polish electronic, electro-acoustic, avant-garde music.

If long, meditative and hypnotic workouts are your thing, we'd heartily recommend this release from dub techno and abstract ambient specialists Space Of Variants. It comes courtesy of Gradient AKA Igor Arsenjev, a producer whose previous output on Greyscale and U-Cover explored the deeper side of the dub techno spectrum. If anything, the four expansive tracks on "Neural Waves From The Stars" is even deeper, with Arsenjev combining sparse, weighty, minimalist dub and techno rhythms with enveloping ambient chords, warm, slowly shifting melodies and electronic instrumentation that's more tactile and comforting than an extended hug from your nearest and dearest.

The 1978 recording debut from reformed avant-garde composer and eventual ambient forerunner Harold Budd consists of four chamber works (written between 1972 and 1975) that use varying combinations of harp, mallet instruments, piano, saxophone, and female or male vocals. Two years before his fateful first studio collaboration with Brian Eno (who produced this album), Budd was creating hypnotic music in an acoustic mode. All of the works herein–including "Two Rooms," whose latter half is an adaptation of John Coltrane's "After the Rain"–sustain a similarly dreamy vibe. An important credo for Budd was to make music as pretty as possible as an antidote to the noisy avant-garde he had escaped from. One cannot fault him for the lovely sounds he creates here, although fans familiar with his more cinematic works might be caught off-guard. Regardless, the pleasant Pavilion of Dreams provides insight into Budd's past, and it offers the same somniferous effect as a gentle lullaby, making it perfect for late-evening listening.

Above the album worked the Cafe del Mar - Cafe del Mar Chillhouse Mix XI , and his release took place on 2020. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.