A striking musical rapport between Norwegian trumpeter Arve Henriksen and Dutch pianist Harmen Fraanje is palpable in the duo’s quietly lyrical investigations on Touch of Time. These are delicate melodies and textures, flowing between two musicians, who are deeply in tune with nuances of tone-shadings and the detailed development of a musical idea. In both freely improvised forms and carefully wrought themes, their instruments connect gracefully, picking up and finishing each other’s phrases. Touch of Time, recorded in January 2023 at the Auditorio Stelio Molo in Lugano, was produced by Manfred Eicher.

From Norwegian folk singer and harpist Sinikka Langeland comes a seductively subtle contemporary jazz album. The lyrics are all Norwegian or Swedish (the sleeve notes have translations), and celebrate the poetry of Edith Södergran and Olav Håkonson Hauge – the first a shortlived pioneer of modern Swedish poetry, the second the Norwegian "lumberjack poet" who came to the art in his 40s. Langeland's band brings together trumpet-player Arve Henriksen and saxophonist/composer Trygve Seim, and it's a magical combination. Despite a predominant feeling of tranquillity, the singer sometimes adds an almost Nina Simone-like bite, for which Seim's smoky sound, Henriksen's ghostly multiphonics and Anders Jormin's bass are ideal foils. The mood is often broken by grooves that suggest some strange fjord-village cabaret music, or episodes that are like Nordic Miles Davis. It's a real one-off.

Born in 1968, Arve Henriksen studied at the Trondheim Conservatory from 1987-1991, and has worked as a freelance musician since 1989.

This record is a result of a collaboration that toured in Norway in 2012. Recorded in Rainbow Studio in Oslo. The constellation performed music in the mix of traditional folk, jazz and contemporary music. The first record with this band, The Nature of Connections, was released on Rune Grammofon in 2014 and presented only the acoustic orchestration. The music on this release contains sounds and ornaments from traditional Norwegian folk music, contemporary music, improvisation and field recorded sounds. This time the focus has been the combination of electronic sounds and the acoustic palette and how to merge this into a unique orchestration.

Places of Worship signals trumpeter and composer Arve Henriksen's return to Rune Grammophon and furthers his collaboration with both Jan Bang and Erik Honoré. Here his experimentations with sound, space, and texture offer listening environments that reflect various sacred spaces the world over, hence its title. While these tracks are impossible to separate from the influences of Jon Hassell's Fourth World Music explorations or the more murky moodscapes of Nils Petter Molvær, they are also more than a few steps removed from them. Henriksen never separates himself from the environmental information provided by his natural Nordic landscape. The lush, wild, and open physical vistas of its geography provide an inner map for the trumpeter and vocalist that amounts to a deeply focused series of tone poems.

A striking musical rapport between Norwegian trumpeter Arve Henriksen and Dutch pianist Harmen Fraanje is palpable in the duo’s quietly lyrical investigations on Touch of Time. These are delicate melodies and textures, flowing between two musicians, who are deeply in tune with nuances of tone-shadings and the detailed development of a musical idea. In both freely improvised forms and carefully wrought themes, their instruments connect gracefully, picking up and finishing each other’s phrases. Touch of Time, recorded in January 2023 at the Auditorio Stelio Molo in Lugano, was produced by Manfred Eicher.

With Uma Elmo, his fifth album as a leader for ECM, Danish guitarist Jakob Bro presents a new trio featuring Norwegian trumpeter Arve Henriksen and Spanish drummer Jorge Rossy. Astonishingly, given the trio’s musical synergy, the first time these three musicians ever performed together was for the album’s sessions at the Swiss Radio studio in Lugano, with ECM founder Manfred Eicher producing. Uma Elmo reaffirms the observation about Bro’s work by London Jazz News that “there is no hurry to this music, but there is great depth.” Among the album’s highlights is opener “Reconstructing a Dream,” a darkly lyrical reverie.

Whatever one thinks and believes about salvation, sin and grace, one must have a heart of stone not to believe in Kim Rysstad when he interprets old spiritual songs such as "Jesus din søde forening at smake", "Villfarande barn" and " Langt Inn På Ville Heii".

There have been countless attempts to counteract the inherently boring nature of the CD as an artefact and the approach adopted by Feral shapes up better than some on the strength of this first release, which takes some excellent music by saxophonist Iain Ballamy (in the company of three young Norwegian musicians) and packages it with a set of intriguing print artworks by Dave McKean in an elegant library case. On the other hand, we may now be so accustomed to the blandness of the format that any attempt to escape it seems like a distraction. While debating this, it's important not to forget to play the disc, which is quite remarkable and a far cry from Ballamy's formative years in the sprawling bloke-jazz outfit Loose Tubes. Recorded live at the Molde Jazz Festival in 1998, it's astounding that this music seems to date from the very beginning of Ballamy's association with these musicians, given their obvious level of empathy.

Properly transcendent deep-dream jazz fantasy from prolific trumpet virtuoso Arve Henriksen (Supersilent) and Norwegian pianist Kjetil Husebø, together shaping an album that’s much, much more than the not so inconsiderable sum of its parts. Like a fever-dream comedown, it takes us from insanely rich sounding 4th world topographies to fizzing, electric ambience and fluttering prepared piano, perfectly soundtracking the humid un-reality we’re living through. If you’re into Jon Hassell, Miles Davis, Don Cherry/Codona, David Sylvian - read on.

Over time David and Arve managed to create a specific sound language of their own, which is beautifully reflected in this recording. It goes way beyond just the music, and could be very well described as sound painting, sound sculpting or perhaps sound dancing, with its cross-media concept, that it creates, at least in my perception.

Good things are worth waiting for. Lars Danielsson had recorded just a few tracks for a new Liberetto album in late 2019. So, when a window appeared in September 2020 between the lockdowns across Europe, he seized the opportunity to bring his fellow band-members back to his studio near Gothenburg to finish what they had started.

What is the art of travel? As we all know there are many ways of traveling, both physically and mentally. Daydreaming is a way of traveling, where our flowing state of mind flies in and out of timezones without showing a passport. Or actually in real time going somewhere by train, crossing new territory, discovering the beauty of nature and meeting people, making new friends and making connections across borders.