Intrada announces the 50th-anniversary edition of one of the most iconic scores in film music history: John Williams' Jaws. Released in cooperation with Universal Studios and Universal Music Enterprises (UMe), this release of the music for Steven Spielberg’s blockbuster classic features restorations of both the film score and original album recording, each re-done from the ground up. While it might seem that such a famous score “needs no introduction," it actually does. The world in general could identify the shark theme from just two notes, largely unaware of the seafaring, adventurous and swashbuckling music Williams composed that goes well beyond the stalking, menacing music that portends the shark's presence. The score has its scary moments, but its thrilling, mysterious and sometimes even playful aspects also often come to the fore.

The Amelio Trio, which won the German Music Competition in 2024 and is currently taking the world’s stages by storm, has been chosen as one of the ECHO Rising Stars of the season 2026/27. In collaboration with Deutschlandfunk, the German Music Council, and GENUIN, the young piano trio now presents a seamlessly crafted album: The trios by Charles Ives, Ludwig van Beethoven, Ursula Mamlok, and Johannes Brahms flow into one another, forming a musical bridge that spans centuries and continents. Birke Bertelsmeier’s “vertrautes angezogensein” (familiar attire), composed especially for this album, recapitulates all the previous works and brings the journey full circle – chamber music at its highest level!

35 years after the shooting of this horror/thriller masterpiece, Maestro Fabio Frizzi retraces his steps in order to realize one of the boldest projects of his life: a composer's cut. We are used to having theatrical cuts and director's cut, but nobody ever dared to conceive and perform a movie version following the musician's point of view. A new score for a cult classic, in a more modern way, almost in the Hollywood style, with every few moments of silence but with great respect for its original identity. A true expanded version of itself, realized through renewed skill and mastery, with the important ally of 35 years of added proficiency, presented in two distinct versions: one at full throttle empowered by a 51 piece symphonic orchestra and another energized by the prog rock strength derived from the orchestration for the Frizzi 2 Fulci band, the seven top performers of the maestro F2F band. An iconic past renewed through a modern stylization of itself, which can now be experienced as the score is performed live to the images of one of the most movies shot by this incredible director, Lucio Fulci. This CD features THE BEYOND COMPOSER'S CUT live performance in Austin in Autumn 2016, on the cover the iconic poster painted by Enzo Sciotti right for this project. Last surviving copies available after the 2017 tour, they want last for a lot of time!

Remastered version of the album, available for the first time in digital formats and on CD. Originally released on cassette in 1980.Track 1 recorded live at KPFA-FM, Studio B, Berkeley, CA. Track 2 recorded live at Continuum Movement Studio, Culver City, CA.

John Butler is stepping into a bold new era. The ARIA Award-winning musician has officially announced his tenth studio album, PRISM, which is set to arrive Sept. 5.John Butler is one of Australia's premiere songwriters and storytellers with accolades spanning from #1 charting albums, in excess of 20 x platinum accreditations and several ARIA Awards across his illustrious career as one of the country's most successful independent musicians!

"Roll With The Punches" is the eagerly anticipated 17th studio album from acclaimed singer-songwriter and global rock icon Bryan Adams. This is Adams’ first full album release of new material on his very own independent label, Bad Records. Co-written and produced by Adams, the album features 10 newly recorded tracks including "Roll With The Punches", "Make Up Your Mind" and "Never Ever Let You Go". Co-writers include Mutt Lange, Eliot Kennedy and longtime collaborator Jim Vallance. "So Happy It Hurts", Bryan’s previous studio album, sold over 100,000 albums globally and charted in all major markets upon release, including Top 10 positions in 10+ territories, a #3 chart position in UK and #2 chart position in Germany.

Legacy: The Creedence Clearwater Revival Years is the eleventh solo studio album by the American guitarist and singer-songwriter John Fogerty. The album consists of re-recordings of music by Fogerty's former band Creedence Clearwater Revival. Fogerty had previously regained the publishing rights to his music after a lawsuit in 2023. The album features contributions from his sons, Shane and Tyler Fogerty. Other musicians that contributed to the album are Matt Chamberlain, Bob Malone, Bob Glaub and Rob Stone. Legacy: The Creedence Clearwater Revival Years was released on August 22, 2025, through Concord Records.. According to John Fogerty in an interview with Rolling Stone, Fogerty wanted to jokingly call it "Taylor's Version", a reference to Taylor Swift's rerecorded albums, which are subtitled "Taylor's Version". Fogerty announced the album during his 80th birthday concert.

Giants & Monsters is the seventeenth studio album by German power metal band Helloween, released on 29 August 2025. It is the second studio album recorded by the "Pumpkins United" lineup and the band's first studio album released on Reigning Phoenix Music.

Stage Fright, the Band's third album, sounded on its surface like the group's first two releases, Music from Big Pink and The Band, employing the same dense arrangements with their mixture of a deep bottom formed by drummer Levon Helm and bassist Rick Danko, penetrating guitar work by Robbie Robertson, and the varied keyboard work of pianist Richard Manuel and organist Garth Hudson, with Helm, Danko, and Manuel's vocals on top. But the songs this time around were far more personal, and, despite a nominal complacency, quite troubling.

Throughout the publicity tour for 1998's Mutations, Beck, his publicists, and his label emphasized that this was not the proper follow-up to Odelay, the 1996 album that cemented Beck's status as a wild, post-post-punk visionary. He was still toiling away on that record, planning to drop it in 1999. By passing off the muted, haunting psychedelic folk-rock, blues, and Tropicalia of Mutations as a stopgap, Beck set expectations high for this Odelay follow-up, especially when word began circulating that Beth Orton, Kool Keith, Johnny Marr, and the Dust Brothers had all contributed to the album. Reportedly, over 40 tracks were recorded for the album, 11 of which (plus the inevitable hidden bonus track) were selected for Midnite Vultures.

Down on the Street is the fifth studio album by the London jazz-funk band Shakatak, released in 1984. The album peaked at no. 17 on the UK Albums Chart, and produced the band's second top-ten UK single "Down on the Street", which peaked at no. 9 on the UK Singles Chart. The album produced two other singles: "Watching You" and "Don't Blame It on Love".

Another erratic early album from the Beach Boys; few other rock LPs have such a wide gap between the best and worst material. On the good side, you have absolute classics in the Chuck Berry-ish "Fun, Fun, Fun" and the superb "Don't Worry Baby," one of the most advanced pop productions of 1964 with its breathtaking harmonies and unusual lyric. "The Warmth of the Sun" is one of the most melodic (and melancholic) ballads they ever recorded, and "Why Do Fools Fall in Love" is one of their best oldies covers. Yet the rest reduces the oceanic scale of the classics to dishwater, whether they're throwaway hot rod tunes and instrumentals, innocuous high-school romantic ditties, or a soulless cover of "Louie Louie." When this album hit the racks in early 1964, the Beatles were proving that you could make LPs that were all killer, no filler; the Beach Boys would soon be forced to up their ante.

When Iron Maiden's classic lineup famously reunited in the year 2000, their first new album, the quite excellent Brave New World, neatly reconnected both musicians and fans with the band's heritage, while simultaneously promising a prosperous future still to come. However, their next two efforts didn't fare quite as well, and whether Maiden was choosing to repeat the same moves without as much imagination or consistency on 2003's Dance of Death, or becoming bogged down in tiresome prog rock excess on 2006's desultory A Matter of Life and Death, it seemed that neither playing it safe nor taking risks was a surefire recipe for success anymore. And so the heavy metal icons took an extra year - for them, a record-breaking four - to work on their fourth post-reunion opus, and 15th career studio album overall, 2010's The Final Frontier, which, like many of their original mid-'80s classics…

World Record is the seventh studio album by the British progressive rock group Van der Graaf Generator, originally released in 1976 on Charisma Records. Bonus tracks were added for the 2005 rerelease. It was the last album recorded by the classic line-up of the band until their 2005 reunion: Hugh Banton and David Jackson departed in December 1976 and January 1977 respectively. Banton's departure was a result of financial troubles and his then-recent marriage, but he stayed to finish touring commitments. Jackson continued with Peter Hammill and Guy Evans to rehearse with the new line-up in January 1977, which featured returning bassist Nic Potter and newcomer violinist Graham Smith (of Scottish folk-rock act String Driven Thing), but left shortly after the band started rehearsing, just before the next tour.

“A collection of musical compositions based on the spoken and written words of hobos and other characters—the result of my wanderings in the Western part of the United States from 1935 to 1941.”